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Na łące znajdziesz w 17 publikacjach wymienionych poniżej:


Okładka: , Groove Mastery

cena 131,95 zł.


nuty.pl

Groove Mastery

Ilość stron:56
Format:220 x 300
Opracowanie na:gitara basowa i CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL061065

Jest to ciekawa i zarazem niekowencjonalna książka nauki gry na gitarze basowej. Załączone jest tutaj CD z programem audio, które ma za zadanie wyeliminować błędy rytmiczne i artykulacyjne grającego.


With this book and CD package you'll learn how to groove like the masters. Develop your own sub-sonic lines with the accompanying CD, including tracks with many extended jams for you to groove along with. You'll learn: phrasing and note placement, developing time feel, using your ears, tips for practicing, physical and mental techniques, and more.


Lista utworów:
Developing Your Feel for Time
Laying Back
Bulding Your Foundation
Listening
Technique
Practicing
Phrasing
Straight Feel and Swing Feel
Ghost Notes
Make It More Intresting
Closing

Okładka: Szweykowska Anna, Szweykowski Zygmunt Maria, The Perfect Musician, Vol. 3

cena 23,92 zł.


nuty.pl

Szweykowska Anna, Szweykowski Zygmunt Maria
The Perfect Musician, Vol. 3

polski Doskonały muzyk, cz. 3
angielski The Perfect Musician, Vol. 3


Ilość stron:86
Format:125 x 180
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska, włoska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Szweykowski Zygmunt Maria, Carter Tim
Zawartość:

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Kod produktu:NPL061363

Seria "Practica musica" to interesujące wypowiedzi z różnych epok na temat pojmowania muzyki i jej roli. Poszczególne zeszyty obejmują po jednej lub kilku wypowiedziach. Wszystkie teksty zawarte w serii "Pactica musica" stanowią materiał ściśle źródłowy. Część trzecia serii zawiera wypowiedzi Luigiego Zenobi i Athanasiusa Kirchera. Niniejsza edycja wydana jest w języku włoskim i angielskim.

The series Practica Musica seeks to present to scholars and interested readers a wide span of documents concerning the theory and practice of music. These documents cover a range of statements and opinions concerning how music was conceived at a given time, how musical compositions have functioned in given social, institutional and cultural contexts, and how particular works have been evaluated by contemporary writers on music, not to mention matters of performing practice and compositional technique. The texts come from professional theorists, composers and performers, as well as from laymen and amateur observers of contemporary musical life. The series as a whole will contain different types of documents - ranging from systematic treatises to the jottings of dilettantes - but whatever their origins, they offer an intriguing insight into music and its crucial place in society.

Spis treści:

Editor's note
Note
Luigi Zenobi:
Lettera a N. N.
List do N. N.
Athanasius Kircher:
Musurgia Universalis. Ex Libro VII
Musurgia Universalis. From the VIIth book
Index of names

Okładka: McGee David, B.B. King

cena 115,95 zł.


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McGee David
B.B. King

polski B.B. King - Biografia jeszcze jeden raz
angielski B.B. King - There Is Always One More Time


Ilość stron:352
Format:150 x 230
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL062070

Publikacja autorstwa Davida McGee opisuje biografię i twórczość legendarnego króla muzyki blues'owej - B. B. Kinga. Autor stworzył mapę życia artysty rozpoczynając od dzieciństwa spędzonego w Delcie Mississippi oraz czasów studenckich. Opisuje także szczegółowo dyskografię i wyróżnione albumy. Książka zawiera wywiady z B. B. Kingiem, jego producentami muzycznymi, aranżerami i współpracującymi z nim muzykami. Całość w angielskiej wersji językowej.

A celebration of an American musical giant, B. B. King: There Is Always One More Time charts B. B. King's rise from abject poverty in the Mississippi Delta to his place as an internationally beloved and respected entertainer. Unlike traditional biographies, this volume maintains a hard focus on the music B. B. has made over the course of a 51-year recording career. Working from exclusive first-hand interviews as well as exhustive research, author David McGee dissects B. B.'s in - print albums and gets the untold stories behind their making.

Spis treści:

Prologue
Delta Born, Delta Raised, Delta Scarred
Memphis: Arrival, Retreat, Return
The Modern Age
Pre-Album Singles: An Artist Revealed
The Crown Albums
"Ain't Nothing but a Business"
Drifting Blues
Manhattan Transfer
Rebirth
"Give me a Thrill, Stew"
What's Up, Doc?
Consolidating the Gains
Doc: Dum Spiro Spero
Auditing the Regency
Summitry of a Higher Order
Simplify, Simplify, Simplify!
Epilogue
Anthologies and Overviews: A Buyer's Guide
Endnotes
Bibliography
Acknowledgements
About the Author / Photo Credits
Index

Okładka: Archuleta Michael, Mariachi Method For Guitar

cena 159,95 zł.


nuty.pl

Archuleta Michael
Mariachi Method For Guitar

polski Szkoła gry na gitarze w stylu Mariachi
angielski Mariachi Method For Guitar


Ilość stron:80
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:biografii: angielska
opisów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL064855

Szkoła gry na gitarze w stylu mariachi. Podręcznik uczy gry akordowej na gitarze. Mariachi to meksykańscy muzycy, grający muzykę etniczną na instrumentach takich jak trąbka, bębny, skrzypce i właśnie gitara. Książka uczy podstaw harmonii, rytmu, technik gitarowych. Zawiera wiele przykładów i piosenki takie jak słynna La Bamba. Na dwóch płytach CD zamieszczono nagrania przykładów i piosenek oraz akompaniamenty. Na końcu publikacji można znaleźć wkładkę na papierze kredowym z diagramami akordowymi.


The Mariachi Method Book transforms the traditional verbal teaching of this time-honored genre into a written text. This book is especially designed to teach the beginning player the fundamentals of Mariachi guitar. It contains lessons that introduce the primary chords, followed by easy exercises, new rhythm patterns and great songs to put your new Mariachi knowledge to use. The two accompanying CDs provide a teaching soundtrack to guide you through the exercises, rhythms and songs.


Spis treści:

CD acknowledgments and instruction
CD study exercise index
Biography of author
Biography of consultant
Foreword
Statement of goals
Preliminary lessons
Type of guitar
How to hold your guitar
How to hold your pick
Strumming technique
Tuning your guitar
Pitch pipe tuning
How to read a chord and hand numbering position diagram
Understanding musical notes
Mariachi terms of three primary chords
Study of basic chords
Basic G7/Sol7
Basic G/Sol
Study of primary chords
Chord C/Do
Review of finger placement techniques
Chord G7/Sol7
Chord F/Fa
Summary of key of C/Do
Mariachi rhythm 3/4 time
Song "Cielito Lindo"
Key of G/Sol
"Song de colores"
Key of D/Re
Mariachi rhythm 2/4 time
Song "La raza feliz"
Key of A/La
Song "las mananitas"
Key of E/Mi
Song "Ay jalisco"
Study of minor chords
Key of A Minor/La Menor
Song "La Llorona"
Key of E Minor/Mi Menor
Song "Yo me recuerdo"
Circle chords
Key of C/Do
Song "Siempre"
Circle chords key of G/Sol
Song "Baby sweet baby"
La bamba, son jaliscience rhythm studies
Song "La bamba"
Song "La gutarra alegre"
Study for solo duet and trio accompaniment
Tabulature instruction
Tabulature exercise
Tabulature chart fo all keys
Tabulature chart continue
Author's final note
Chord charts all keys

Okładka: Murray Dena, Vocal Technique

cena 111,95 zł.


nuty.pl

Murray Dena
Vocal Technique

polski Technika wokalna
angielski Vocal Technique - A Guide to Finding Your Real Voice


Ilość stron:64
Format:230 x 305
Opracowanie na:głos wokalny solowy i CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Głos wokalny (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL064978

Doskonała pozycja do nauki śpiewu Deny Murray. Autorka książki stopniowo tłumaczy budowę dróg oddechowych, system i zasady oddychania występujące podczas śpiewu, itp. Ponadto znajdziesz tu wiele ćwiczeń technicznych głosowych. Dodatkowo do książki dołączone są dwie płyty CD. Na pierwszej znajdują się nagrania poszczególnych lekcji i wersje demonstracyjne ćwiczeń. Na drugiej płycie zostały nagrane ćwiczenia na skalach muzycznych dla bardziej zaawansowanych śpiewaków i wersje fortepianowe ćwiczeń.


Stop straining to hit those high notes! Unlock your true potential and start singing easily and effortlessly with this book/2-CD pack by Musicians Institute vocal instructor Dena Murray. She teaches how to: breathe naturally; improve your speaking voice; stop holding, pushing and squeezing; develop your natural three-octave range; place your chest and head voices; and bridge the registers to sound like one voice. Includes two CDs with demonstrations, guided exercises, and plenty of practice tracks.


Spis treści:

Introduction
Your voice (and how it works)
A Scenario: Is This You?
How the Body Produces Sound
The High and Low Voices
Breaks
All About Breathing
Why Squeez, Hold, or Push?
Pitch
Controlling the Flow of Air
Right Breathing, Everyday Breathing
The Four Breathing Rules
Mental vs. Physical Effort
Right Placement
Speaking and singing are similar actions
Resonance
Working with vowels
Scales
Scale I: Working the Registers
Bad Habits
Going through the Break
Placing the Voice
Keeping the Throat Open
Scale II: Stretching the Cords
Too Breathy
Too Sharp/Shrill
A "Trashed" Voice
Scale III: Working the break
Scale IV: Bridging the Middle
A Weak Chest Voice
For advanced singers: The Pharyngeal voice
Singing songs
Open Up Your Voice
Phonetics: How words sound
Rewriting Your lyrics: A sample
Emotion & Songs
Closing
Appendix
A: Nodes & Your Health
B: The Scales (In All Twelve Keys)
CD Index
About the author
Acknowledgements

Okładka: McGrain Mark, Music Notation

cena 159,95 zł.


nuty.pl

McGrain Mark
Music Notation

polski Teoria i technika notacji muzycznej
angielski Music Notation - Theory and Technique for Music Notation


Ilość stron:216
Format:230 x 305
Opracowanie na:teoria muzyki
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065030

Przewodnik po teorii muzyki - zawiera wszelkie niezbędne zagadnienia dotyczące notacji muzycznej, m. in. rytmu, artykulacji, dynamiki, metrum, itp. Książka zawiera 13 rozdziałów tematycznych - każdy z nich posiada oddzielne terminologie i ćwiczenia.


Learn the essentials of music notation, from fundamental pitch and rhythm placement to intricate meter and voicing alignments. This book also covers the correct way to subdivide rhythms and notate complex articulations and dynamics. An excellent resource for both written and computer notation software!


Spis treści:

Introduction
Equipment
Chapter One: Sound Envelopes and the Notation Grid
Sound Description
The Staff
Leger Lines
Clefs
The Treble Clef
The Bass Clef
The Percussion Clef
The Alto and Tenor Clef
Placement of Clefs
The Great Staff
Homework
Additional Practises:
New Notation for New Sounds
Specific Percussion Clefs
Other Moveable C Clefs
Hybrid Clefs
Chapter Two: Fundamental Rhtyhmic Description
Note - heads
Stems
Stem Length
Stem Direction
Stem Length in Leger Lines
The Quarter Rest
The Half Rest
The Whole Rest
Percussion and Rhtyhm Note - heads
Homework
Additional Practices
Other Percussive Note - heads
Chapter Three: Fundamental Pitch Description
Placement of Notes on the Staff
Accidentals
Flats
Sharps
Naturals
Double Flats
Double Sharps
Spacing of Note - heads in Regard to Accidentals
Key Signatures
Application of Accidentals
The Logic of Accidentals
Courtesy Accidentals
Key Changes
Homework
Additional Practises
Logic of Accidentals
Null Key Signatures
Chapter Four: The Notational Grid: Conclusion
The Three Regions of the Staff
Measures
Barlines
Single Barlines
Double Barlines
The "fine" Barline
Braces and Brackets
Homework
Additional Practices
Changes of Clef
Chapter Five: Time Signatures, Meter, and Tempo
Time Signatures
Placement of Time Signatures
"Common Time" and "Cut time"
Changes Meter
Metric Placement of Note - heads and Rests
Alignment
Tempo Markings
Changes of Tempo
Homework
Additional Practices
Types of Rhythm
Metrical Rhythm
Changing Between Simple Time and Compound Time
Change of Pulse Note - value
Chapter Six: Rhythmic Subdivision of the Pulse
Flags
Beams
Application of Beams
Stem Direction of Beamed Note Groups
Beam Slant
Homework
Chapter Seven: Rhythmic Subdivision of the Pulse: Continued
Horizontal Beams
Primary Beams
Secondary Beams
Broken Secondary Beams
Syncopation
Borrowed Metric Groupings
Homework
Additional Practices
"Midway" Beaming of Note Groups
Beams as Indicators of Phrasing
Chapter Eight: Rhythmic Subdivision of the Pulse: Concluded
The Eighth Rest
The Sixteenth Rest
The Whole Measure Rest
Ties
Augmentation Dots
Dotted Rests
Rests in Compound Meters
Homework
Aditional Practices
Smaller Value Rests
Ties Attending Voicings
Triple Augmentation Dots
Chapter Nine: Holds, Pauses, and Repeats
Fermatas
Pauses
Caesuras
Fermatas Attending Caesuras
Multiple Measure Rests
Repeat Brackets
Repeat Endings
Single Measure Repeats
Double Measure Repeats
Da Capo and Dal Segno
al fine and al Coda
Homework
Additional Practices
Fermatas Attending Barlines
The "Grand Pause"
Tacet
Third Repeat Endings
Single Pulse Repeats
Col
Chapter Ten: Chords, Voicings, and Divisi Parts
Chord Symbols
Parenthetical Tensions
Inversions and Pedals
Voicings
Alignement of Accidentals
Divisi Parts
Octave Signs
Homework
Additional Practices
Hybrid Chords and Polychords
Divisi Parts: Continued
Coll' 8va and Coll' 8vb.
Chapter Eleven: Dynamics
Location of Dynamic Information
Dynamic Level Markings
Dynamic Terminology
Wedges
Homework
Additional Practices
Location of Dynamics
Combined Dynamic Level markings
Change of Dynamic :evel on Repeated Sections
Chapter twleve: Articulation
The "Unarticulated Note"
Accent Marks
Staccato Marks
Legato / Tenuto Marks
Plavement of Accent, Staccato, and Legato Markings
Slurs
Breath Marks
Accent Terminology
Idiomatic Considerations
Homework
Additional Practices
Combining Accents with Staccato and Legato Markings
Combining Accent, Staccato and Legato Markings with Slurs
Combining Accent Terms with Dynamics
Chapter Thirteen: Ornaments
The Portamento
The Glissando
Trills
Tremolos
The Unmeasured Tremolo
The Measured Tremolo
Grace Notes
Arpeggios
Turns
Bends
Homework
Additional Practices
Cues
I: Names of Instruments with Abbreviations
II: Score Layout
III: Instrumental Transpositions
IV: Glossary of European Musical Terms

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Howard George, Getting Signed!

cena 171,95 zł.


nuty.pl

Howard George
Getting Signed!

polski Otrzymywanie kontraktów!
angielski Getting Signed!


Ilość stron:233
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.


For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club


Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index

Okładka: , '60s Guitar Riffs - 2nd Edition

cena 145,95 zł.


nuty.pl

'60s Guitar Riffs - 2nd Edition

polski Riffy gitarowe lat 60' - 2-ga edycja
angielski '60s Guitar Riffs - 2nd Edition


Ilość stron:24
Format:230 x 305
Opracowanie na:zróżnicowane: 1 lub 2 gitary (zapis tradycyjny, tabulatura, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065952
Produkty podobne: - '80s Guitar Riffs

Nowa seria publikacji zawierających popularne riffy gitarowe. Prezentowana książka skupia się na riffach pochodzących z utworów artystów lat 60 - tych. Wśród tytułów m. in.: "Break on Through to the Other Side", "Day Tripper", "Devil with the Blue Dress", "Gloria", "Happy Together", "Here Comes the Sun", "Hey Joe", "Hide Away", "I Can See for Miles", "Last Train to Clarksville", "Killing Floor", "My Girl", "Oh, Pretty Woman", "Sunshine of Your Love", "Ticket to Ride", "Turn! Turn! Turn!", "Walk Don't Run", "White Room" i wiele innych. Pod każdym zapisem nutowym zamieszczona jest tabela z informacją o kompozytorze, wykonawcy, roku powstania przeboju, albumu, itp. Do publikacji dołączona jest także płyta CD z wersjami demonstracyjnymi riffów.


The latest installation in our super-popular Riff Notes series, this book is a great collection of 61 must-know rock-era riffs, transcribed note for note. Includes: All Day and All of the Night • And I Love Her • Birthday • Break on Through to the Other Side • Day Tripper • Devil with the Blue Dress • Gloria • Happy Together • Here Comes the Sun • Hey Joe • Hide Away • I Can See for Miles • Last Train to Clarksville • Killing Floor • My Girl • Oh, Pretty Woman • Sunshine of Your Love • Ticket to Ride • Turn! Turn! Turn! • Walk Don't Run • White Room • Wild Thing • You Really Got Me • You Shook Me • and more!


Lista utworów:
(Ghost) Riders In The Sky (A Cowboy Legend) (Johnny Cash, The Ramrods)
All Along The Watchtower (Bob Dylan, The Jimi Hendrix Experience, U2)
All Day And All Of The Night (The Kinks)
Birthday (Paul McCartney, The Beatles, Underground Sunshine)
Born To Be Wild (Steppenwolf)
California Dreamin' (The Mamas & The Papas)
Fortunate Son (Creedence Clearwater Revival)
Gloria (Laura Brannigan, Manhattan Transfer, MercyMe, Michael W. Smith, Shadows Of Night, The Doors, U2, Van Morrison)
Green Onions (Booker T. & The MG's)
Happy Together (The Turtles)
Heart Full Of Soul (The Yardbirds)
Hey Bulldog (The Beatles)
I Can't Explain (Scorpions, The Who)
Louie, Louie (Kingsmen)
Nadine (Is It You) (Chuck Berry)
No Particular Place To Go (Chuck Berry)
Not Fade Away (Sheryl Crow, The Rolling Stones)
Oh, Pretty Woman (Roy Orbison, Van Halen)
Paperback Writer (The Beatles)
Pipeline (Stevie Ray Vaughan, The Chantays)
Runaway (Bon Jovi, Cher, Del Shannon, Janet Jackson, Linkin Park, Pink, Steven Curtis Chapman)
Secret Agent Man (Johnny Rivers)
Substitute (The Who)
Ticket To Ride (The Beatles, The Carpenters)
Walk Don't Run (The Ventures)
We Gotta Get Out Of This Place (The Animals)
White Room (Cream)
Wild Thing (The Troggs, Tone Loc)
Windy (The Association)
You Shook Me (Led Zeppelin, Muddy Waters)

Okładka: Mazas Jacques-Féréol, Special Studies for Violin, Op. 36, Vol. 1

cena 97,95 zł.


nuty.pl

Mazas Jacques-Féréol
Special Studies for Violin, Op. 36, Vol. 1

polski Etiudy skrzypcowe, op. 36, z. 1
angielski Special Studies for Violin, Op. 36, Vol. 1
niemiecki Etüden für Violin, op. 36, Band 1


Ilość stron:44
Format:230 x 305
Opracowanie na:skrzypce solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Skrzypce (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska, niemiecka, francuska
tytułów utworów: angielska, niemiecka, francuska
Stopień trudności:5 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Davisson W.
Zawartość:

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Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL068723
Produkty podobne:Mazas Jacques-Féréol - 40 Selected Studies For the Violin in Two Parts, Op. 36, Vol. 2
Mazas Jacques-Féréol - 75 melodycznych etiud ułożonych progresywnie, op. 36 z. 1 (1 - 30)
Mazas Jacques-Féréol - Forty Selected Studies For The Violin, Op. 36, Book 1
Mazas Jacques-Féréol - Studies Op. 36 - Virtuoso Studies for Violine, Vol. 3
Mazas Jacques-Féréol - Studies Op.36 Vol.2: 'Etudes brillantes' (Vln)

Publikacja zawiera Etiudy skrzypcowe z op. 36 Jacquesa - Féréola Mazasa (1782-1849) - skrzypka - wirtuoza i kompozytora, oraz dyrektora szkoły muzycznej w Cambrai. Są to utwory wirtuozowskie, doskonalące wyższy stopień techniki skrzypcowej. Niniejsza książka jest częścią pierwszą, zawiera Etiudy nr 1 - 30.

Of the numerous works written for violin, the "75 Etudes melodiques et progressives" op. 36 of Mazas (French violinist and composer of violin music, 1782 - 1849) undoubtedly occupy a position of eminent importance.
The 57 exercises, popularly known as "Etudes specials" and "Etudes brillantes" constitute together with the classical studies of Kreutzer and Rode ideal material for purposes of violin study.

Lista utworów:
Etiuda G-dur op. 36 nr 1 (Mazas Jacques)
Etiuda a-moll op. 36 nr 2 (Mazas Jacques)
Etiuda a-moll op. 36 nr 3 (Mazas Jacques)
Etiuda D-dur op. 36 nr 4 (Mazas Jacques)
Etiuda D-dur op. 36 nr 5 (Mazas Jacques)
Etiuda G-dur op. 36 nr 6 (Mazas Jacques)
Etiuda C-dur op. 36 nr 7 (Mazas Jacques)
Etiuda G-dur op. 36 nr 8 (Mazas Jacques)
Etiuda fis-moll op. 36 nr 9 (Mazas Jacques)
Etiuda a-moll op. 36 nr 10 (Mazas Jacques)
Etiuda G-dur op. 36 nr 11 (Mazas Jacques)
Etiuda d-moll op. 36 nr 12 (Mazas Jacques)
Etiuda D-dur op. 36 nr 13 (Mazas Jacques)
Etiuda Es-dur op. 36 nr 14 (Mazas Jacques)
Etiuda C-dur op. 36 nr 15 (Mazas Jacques)
Etiuda G-dur op. 36 nr 16 (Mazas Jacques)
Etiuda G-dur op. 36 nr 17 (Mazas Jacques)
Etiuda E-dur op. 36 nr 18 (Mazas Jacques)
Etiuda G-dur op. 36 nr 19 (Mazas Jacques)
Etiuda fis-moll op. 36 nr 20 (Mazas Jacques)
Etiuda A-dur op. 36 nr 21 (Mazas Jacques)
Etiuda A-dur op. 36 nr 22 (Mazas Jacques)
Etiuda Es-dur op. 36 nr 23 (Mazas Jacques)
Etiuda A-dur op. 36 nr 24 (Mazas Jacques)
Etiuda A-dur op. 36 nr 25 (Mazas Jacques)
Etiuda G-dur op. 36 nr 26 (Mazas Jacques)
Etiuda a-moll op. 36 nr 27 (Mazas Jacques)
Etiuda F-dur op. 36 nr 28 (Mazas Jacques)
Etiuda A-dur op. 36 nr 29 (Mazas Jacques)
Etiuda D-dur op. 36 nr 30 (Mazas Jacques)

Okładka: Jovanovic Rob, George Michael. The Biography

cena 117,95 zł.


nuty.pl

Jovanovic Rob
George Michael. The Biography

angielski George Michael. The Biography


Ilość stron:234
Format:165 x 240
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL074212

George Michael is an enigma. While he is one of the most open and vocal pop superstars on the planet, he also fiercely protective of his privacy. From the formation of Wham! In 1981 he immediately found fame and fortune beyond his wildest dreams. His music formed the soundtrack to the 1980s and he achieved all of this despite growing up in a dysfunctional family where his father openly proclaimed that George had no talent. Wham! Split in 1986 but Michael went on to greater things as a solo artist. Along the way he has been embroiled in several controversies, but in a refreshing change to other superstars, he has been happy to address his issues head-on in the media. A court case with Sony; an arrest in a Los Angeles public toilet; minor run-ins over class-C drugs; and traffic offences in London. Rob Jovanovic's new biography of George Michael tackles the issues that formed the superstar today and his place as a cultural icon. It also for the first time analyses Michael's musical output and groundbreaking videos, right up to his triumphant 2006 tour, the first in 15 years as Michael returned from the music wilderness.

Okładka: Badreau Stephan, Walking Bass Lines For Jazz Guitar

cena 187,95 zł.


nuty.pl

Badreau Stephan
Walking Bass Lines For Jazz Guitar

polski Ruchomy bas na gitarze jazzowej
angielski Walking Bass Lines For Jazz Guitar


Ilość stron:64
Format:230 x 305
Opracowanie na:gitara i CD (zawiera zapis tradycyjny oraz tabulaturę), akordy, diagramy chwytów gitarowych
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
akompaniament na płycie CD (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL074370

Ruchoma linia basu występuje w muzyce jazzowej i w fingerstyle'u. W muzyce jazzowej (o czym traktuje ta książka) polega ona na jednoczesnym zapewnieniu ciągłości linii basu jako osobnego głosu, i wypełnienia harmonicznego. Najlepsi muzycy, tacy jak np. Martin Taylor, potrafią w te dwa głosy wpleść jeszcze melodię a nieraz i improwizację. Do publikacji dołączono płytę CD z nagraniami wszystkich przykładów w dwóch prędkościach oraz z akompaniamentami.

Walking Bass Lines for Jazz Guitar by Stephan Badreau is a step by step guide to harmonizing bass lines on the guitar.

The book will show the musician how to connect familiar chord shapes with the appropriate bass notes. It is full of ideas, examples, chord voicings and substitutions, as well as short chord progressions for you to try your new learned skills.

All examples are played on the accompanying CD at both slow and normal speed, as well as a drums-only version for play-along purposes.

Spis treści:

Contents
Introduction
You/Your right hand
The Concept
Let's walk the bass
It's your turn
Convenient chord tones
Mixing chromatic and chord tones
It's your turn #3
Scale shapes and the minor 7 chord
It's your turn #4
2 for 1 major triad inversion
More II, V, I examples
It's your turn #5
How about some substitutions
It's your turn #6
Some chord placement options
It's your turn #7
3 full lenght examples
"Bb blues" original progression
"Bb blues"
"Just buds" original progression
"Just buds"
"All the stuff you wanna be" original progression
"All the stuff you wanna be"
Chord reference chapter
Major triad
Minor triad
Major 7
Minor 7
Dominant 7
Dominant 7 altered
Minor 7(b5) (or half diminished)
Diminished 7
Substitution list
Afterthought
About the author
Chromatic approach over chord changes
It's your turn #2

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 2

cena 263,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 2

polski Domowy kurs rejestracji dźwięku, nagrywania, cz. 2
angielski The AudioPro Home Recording Course, Volume 2


Ilość stron:252
Format:230 x 305
Opracowanie na:książka
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078017
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 3

Publikacja jest drugą częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Obecna część jest przeznaczona dla osób z podstawową znajomością pojęć technicznych. Poszczególne lekcje zawierają liczne ilustracje, a także przykłady muzyczne na dołączonych do książki płytach CD. Autor - Let Bill Gibson - przekazuje informacje, których potrzebujesz, aby udoskonalić rejestracje dźwięków za pomocą domowego sprzętu nagrywającego. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume two covers: impedance and wiring (high impedance vs. low impedance, terminology, balanced vs. unbalanced); bass guitar (electric/synth, recording, mic techniques, EQ); harmonics/overtones/partials; vocals (recording, mic techniques, effects, EQ); acoustic piano and rhodes (recording, mic techniques, signal processing, sampled sounds, EQ); recording synthesisers (recording, combining textures, EQ, brass); the total recording session (instruments, preparing the recorder, media selection, time code); panning and stereo imaging; mixdown to master product (mixdown machine, tape choice, theories and concepts, setup procedure; building the mix; preparing master for duplication).

Spis treści:

Introduction
Chapter 1 - Impedance and Wiring
Basic Terminology
Compatibility Between Hi Z and Lo Z
Balanced vs. Unbalanced
Basic Terminology
Unbalanced Guitar Cables
Balanced Cables
Conclusion
Chapter 2 - Bass Guitar
Electric Bass
Condition of the Bass
Direct Box / Direct In (DI)
The Bass Level
Instrument Differences
Musical Style
Recording Levels for Bass
Mic Techniques
Compressing the Bass
Equalization
Panning
Reverb
Synth Bass
Plugging the Synth Bass In
Miking the Synth Bass
Performance of the Synth Bass Part
Bass Range and EQ
Compressing the Synth Bass
Recording Level for the Synth Bass
Panning Synth Bass
Effect and the Synth Bass
Acoustic Bass
Close - Miking the String Bass
Conclusion
Chapter 3 - Harmonics / Overtones / Partials
The Difference Between Harmonics, Overtones and Partials
Conclusion
Chapter 4 - Vocals
Mic Techniques
Placement
Distance
Small Room vs. Large Room
Moving - Coil / Ribbon
Condenser
Effects
Stylistic Considerations
Wind Screen
Repairing a Problem Plosive
Electronic Plovive Repair
The Proximity Effect
Bass Roll-off
The Pad
Different Sounds of Different Pickup Patterns
Positioning the Microphone
Compressor / Limiter / Gate / Expander
Dynamic Range
Compression
Sibilance
The De-esser
Equalization
Recording Environment
Physical Aids
Intonation
Headphones
Punch In / Punch Out
Perseverance
Panning
Common Vocal Effects
Delay
Slapback
The Electronic Double
The Electronic Triple
Regeneration
Reverb
Predelay
Exciter
Chorus / Flanger / Phase Shifter
Backing Vocals
Conclusion
Chapter 5 - Acoustic Piano and Rhodes
Grand Piano
The Basics
Mic Choice and Technique
Stereo or Mono
Instrument Maintenance
Setting the Mood
Processing Pano Sounds
No Two Pianos Sound Identical
Recording Levels
Equalizer the Piano
Compressing the Piano
Exciting the Piano
Reverberation
Miking the Vertical Piano
Sampled Piano Sounds
Rhodes - type Sounds
Rhodes Effects
Equalizing the Rhodes
Conclusion
Chapter 6 - Recording Synthesizers
Recording Synths: Strings, Pads, Bell-like Sounds, Brass and Effects
Live in vs. Mic in Through DI
Line In
DI Can Color the Sound Adversely
String and Pads
Layering
Equalizing Pads
Dynamic Processing the Synth
Reverb
Combining Textures
Exciter
Chorus, Flanger, Phase Shifter
Panning
Delay
Bell - like Sounds
Equalizing the Bell - like Sounds
Panning Bell - like Sounds
Compression
Reverb
Chorus / Flanger / Phase Shifter
Brass
Mic Technique
Levels
Brass Samples
Brass Equalization
Panning
Reverb
Exciter
Chorus / Flanger / Phase Shifter
Delay
Special Effects
Conclusion
Chapter 7 - Panning and Stereo Imaging
Speaker Position and Choice
Mic Techniques
The Head
Assignment
3:1 Principle
Panning
Reverberation
Space in a Space
Combining Wet and Dry
Delay
Panning
Chorus/ Flanger / Phase Shifter
Monitors and Your Stereo Image
Conclusion
Chapter 8 - The Total Recording Session
Planning
Tracks
Envision the Final Products
Instrument
Tuning
Strings
Getting the Recorder Ready
Cleaning and Demagnetizing
Demagnetizing the Analog Tape Machine
Cleaning the Analog Recorder
Tones on the Analog Recorder
Tones on the Digital Recorder
Media Selection
Magnetic Tape / Video Tape
Recordable CDs / Hard Drives
Tape Storage Is a Critical Condiseration
Time Code
Striping SMPTE
Getting the Sequencer to Follow SMPTE
Tightening the Arrangement
Contents of Arrangement
Reference Lead Vocal
Backing Vocals
Bounce to Track One
Electric Guitar to Track Four
Punch-Ins
Acoustic Guitar to Track Five
Final Vocal to Track Three
Lead Guitar to Track Six
Conclusion
Chapter 9 - Mixdown to Master to Product
Mixdown Machine
Basic Proceudre for Alignment (Mixdown and Multitrack)
Playback Alignment
Record EQ
Reference Tones
Reference Tone
Starting the Mix / Zeroing the Board
Tape Choice
Outboard Gear to Have on Hand
Tape Speed
Automation
Multiple Sets of Monitors
Comparison to Other Projects
The Spherical Approach to Panning and Positioning in the Mix
EQ: The Cumulative Effect
Mixing Theories and Building Concepts
Mix Approach
The Arrangement
Characteristics of a Good Mix
Strong and Solid, But Controlled, Lows
Mids Distributed Evenly Among Various Instruments
Strong, Smooth Highs That Are Easy to Listen To
Balance
Depth
Width
Momentum
Consistency
Sounds Good in Stereo and Mono
Approaches to Mixing That I've Found Ineffective
Signs of an Amateur Musical Recording
Basic Setup Procedure
Once You Select and Prepare the Multitrack and Mixdown Machines
Arranging During Mixdown
Multiple Mixes
Mix Versions
Building the Mix
Kick Drum / Bass Guitar
Pan the Cymbals for a Natural Sound
Live Toms
Drum Machine Toms
Drum Set Overhands (Live)
Bass
Lead Vocal
Compression
Expander
Vocal EQ
Exciter
Simple Delay
Add Backing Vocals
Comping Keyboards and Rhythm Guitars
Filling in the Holes With the Guitar or Keys
Lead Parts
Solos
Mix Levels
Fades
Preparing the Mixed Master for Duplication
Editing
Mastering
Different Mixes
Conclusion
GLossary
Index

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully

Okładka: , Discover Music Histry And Culture 24 Posters and Fun Facts by Michael Mertens

cena 128,95 zł.


nuty.pl

Discover Music Histry And Culture 24 Posters and Fun Facts by Michael Mertens

angielski Discover Music Histry And Culture 24 Posters and Fun Facts by Michael Mertens


Ilość stron:24
Format:230 x 307
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL080235

Publikacja składa się z 24 kart dwustronnych, z których na jednej stronie umieszczone są obrazy, fotografie znanych kompozytorów, słynnych budowli na całym świecie całym, zabytków, ludzi ze świata kultury, wynalazców. Na drugiej stronie znajdziemy krótkie streszczenie przedstawiające daną fotografię, ważne wydarzenia z danej epoki, biografię. Karty składają się z mnóstwa obrazów, opowiadają o muzyce, historyczne wydarzenia, sztukę i architekturę od średniowiecza po teraźniejszość. Możemy zapoznać się ze słynnymi kompozytorami takimi jak: Jasquin des Prez, Giovanni Pierlugi da Palestrina, J.S.Bach, G.F. Handel, Antonio Stradivardi, Haydn, Mozart, Beethoven, Giuseppi Verdi, Franz Liszt, F. Chopin, Igor Stravinsky's.


Spis treści:

Music: (476r. - 1450 r.) Leonin and Perotin
Architecture: Notre Dame Cathedral (1163 r. - 1285r.) Paris, France
History: Charlemange, Magna Corta, The Crusades (476r. - 1450r.)
Visual Arts: Les Tres Riches Heures du Dec de Berri (1413r. - 1416r.) June, Jean (1370-1416) and Herman (1370-1416) Limbourg, Flemish Musée Condé. Chantilly, France
Architecture: Pazzi Chapel (1429r. - 1461r.) Florence, Italy. Fillippo Brunelleschi (1377r. - 1446r.). Italian
Visual Arts: The School of Athens (1510r. - 1511r.) Raphael (Raffaello Sanzio). Italian, Vatican, Rome
Music: Renaissance (1450r. - 1600r.) Lute, Viol, Recorder, Giovanni Pierlugi da Palesrina, Madrigal Singers, Josquin des Prez
History:(1450r. - 1600r.) Shakespeare, Microsope, 1492 Columbus Sails to America, Guttenberg moveable type
Architecture: Palace of Versailles Hall of Mirrors (1661r. - 1774r.) Paris, France
Visual Arts: Vision of the Ecstasy of St. Theresa (1647r. - 1652r.) Gianlorenzo Bernini. Rome, Italy
History: (1600r. - 1750r.) Pilgrims landing at Jamestown, Galileo invents the telescope, Sir Isaac Newton, Louis XIV
Music: (1600r. - 1750r.) Handel, Bach, Stradivarius, Pipe Organ
Architecture: Monticello (1769r. - 1809r.) Virginia, United States, Thoms Jefferson
Visual Atrs: The House Cards 1737r. Jean Baptiste Simeon Chardin. French
Hisory: American Revolution, George Washington, Napoleon, French Revolution (1750r. - 1825r.)
Music: Haydn. Mozart, Beetthoven, Clavichord (1750r. - 1825r.)
Architecture: Neuschwanstein Castle (1869r. - 1886r.) Bavaria, Germany
Visual Arts: Staryy Night 1888 Vincent Van Gogh. Dutch
History: Abraham Lincoln, Telephone, Thomas Edison, Industrial Revolution, Civil War, Transcontinental Railroad (1825r. - 1900r.)
Music: Giuseppi Verdi, Saxophone, Franz Liszt, Grand Pianoforte, Chopin (1825r. - 1900r.)
Architecture: Walt Disney Concert Hall at the Music Center of Los Angeles Country 2003r. Los Angeles, California, United States
Visual Arts: Guernica 1937r. Pablo Picasso, Spanish
History: Personal computer internet, Albert Einstein, moon landing, first flight 1900r.
Music: Aaron Copland, Igor Stravinsky, Synthesizer, Computer, mp3 Player 1900r.

Okładka: Mantzourani Eva, Polish Music since 1945

cena 85 zł.


nuty.pl

Mantzourani Eva
Polish Music since 1945

angielski Polish Music since 1945


Ilość stron:376
Format:170 x 240
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL083829

Książka Polish Music Since 1945 powstała podczas międzynarodowej konferencji zorganizowanej przez Canterbury Christ Church University w 2009. Składa się z trzech części poddających analizy twórczości, stylu pracy, stylistyki. Część ostatnia dotyczy polskiej muzyce jazzowej i filmowej. Książka w języku angielskim.

This volume is the result of research presented during the first international conference on Polish music organised by a British university (Canterbury Christ Church University), in 2009.
The collection brings together many of the leading scholars in the field of post-war Polish music studies, and is divided into three parts. Part I, 'Polish Composers in Context', comprises essays that explore issues such as locating Polish music, the 'Polish School', composing national identity, cultural politics during the Cold War, and narrative continuity and narrative rupture in Polish music.
Part II, 'Analytical perspectives', groups together studies that deal with particular analytical and interpretative issues, including the interpretation and representation of the symphony in the music of Polish composers, a range of analytical, stylistic and interpretative perspectives on Lutosławski's music, compositional perspectives on Penderecki's music, and sound and sign in Polish sonorism. Part III of the volume is devoted to Polish jazz, film music and the marketplace - the latter with respect to the notion of 'sacropolo'.


Okładka: Schaum John W., Piano Course E The Violet Book

cena 45,95 zł.


nuty.pl

Schaum John W.
Piano Course E The Violet Book

polski Dzkoła gry na fortepianie; E fioletowa książka
angielski Piano Course E The Violet Book


Ilość stron:48
Format:230 x 305
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:opisów: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL066938
Produkty podobne:Schaum John W. - Adult Piano Course, vol. 1
Schaum John W. - Piano Course A The Red Book
Schaum John W. - Piano Course B The Blue Book
Schaum John W. - Piano Course C The Purple Book
Schaum John W. - Piano Course D The Orange Book
Schaum John W. - Piano Course Pre A - The Green Book

Szósta część kursy gry na fortepianie Johna W. Schauma. W publikacji omówiony został szeroki wachlarz zagadnień technicznych, które zostały poparte utworami największych kompozytorów, od Beethovena czy Wagnera, aż po Claudea Debussy.

Learn Piano is the most enjoyable way with this progressive Piano Course.

Spis treści:

Rhythm drills
Finger Staccatostudy - The globe trotter (Gautier)
Chime effects - The Angelus bell (Sibelius)
Scale passages - Deer at winter feeding place
Rural dance form - Barnyard jamboree
Melody playing - Summer moon (Fibrich)
Finger dexterity - The chase (Lichner)
Tremolo - "1812" Overture (Excerpt) (Tchaikovsky)
Left hand rotation - Log-rolling contest (Koelling)
Whole tone harmony - Stratosphere man
A norwegian composer - Starlight over Norway (Grieg)
Sentiment in music - I love thee (Grieg)
Gypsy rhyhm - Camp of the Gypsies (Behr)
Glissando - Sliding on a Rainbow
Legato melody with staccato accompaniment - Wild horse canyon (Concone)
The mordent (plain and inverted) - Gavotte (Gluck)
Pep rally march - The track meet (J.F. Wagner)
Opera theme - The bullfighters' march (Bizet)
Oratorio theme - The shepherd and his sheep (from Messiah) (Handel)
Arpeggio study (thumb under) - Up the airy mountain (Streabbog)
Staccatissimo touch - Pappy's polka (Strauss)
Musical emotion - Purple sunset (Liszt)
The waltz as an art form - Crystal ballroom (Chopin)
Tenuto - The postage stamp (Czerny)
The soft pedal - Magic carpet of dreams (Debussy)
The Barcarolle form - Theme from Oberon (Weber)
Velocity study - Thirty seconds to go (Koelling)
Reading a vocal accompaniment - Merry widow waltz (Lehar)
Passing left hand over right - Pass the sugar please
How to turn a page of music - New flashes (Behr)
Alternating finger study - Crazy quilt
Depicting nature in music - Fingal's Cave (Mendelssohn)
Schaum piano quiz
Schaum music dictionary
Certificate of promotion





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