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Ie ne l ose dire znajdziesz w 12 publikacjach wymienionych poniżej:


Okładka: , Songs Of The '70s for Trumpet

cena 78,95 zł.


nuty.pl

Songs Of The '70s for Trumpet

polski Przeboje lat 70. na trąbka
angielski Songs Of The '70s for Trumpet


Ilość stron:72
Format:230 x 305
Opracowanie na:trąbka B solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Trąbka B (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:tytułów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL055881
Produkty podobne: - Songs of the '50s for Trumpet

Niniejsza książka zawiera aż 70 popularnych piosenek z lat 70-tych w opracowaniu na trąbkę. Wśród tytułów znajdziesz m. in.: "Baby What A Big Surprise", "After The Love Has Gone", "How Deep Is Your Love", "Joy To The World", "She's Always A Woman", "Sometimes When We Touch", "Wonderful Tonight", "You Are So Beautiful" i wiele innych.


Over 65 super '70s hits arranged for solo instruments. Includes: ABC • Copacabana • Dust in the Wind • Fire and Rain • How Deep Is Your Love • I'll Be There • Imagine • Joy to the World • Let It Be • She's Always a Woman • Wonderful Tonight • You Are So Beautiful • and more.


Lista utworów:
(They Long To Be) Close To You (The Carpenters)
ABC (The Jackson 5)
After The Love Has Gone (Earth, Wind & Fire)
Annie's Song (John Denver)
Baby What A Big Surprise (Chicago)
Ben (Michael Jackson)
Copacabana (At The Copa) (Barry Manilow)
Could It Be Magic (Barry Manilow)
Deja Vu (Dionne Warwick, Yngwie Malmsteen)
Do You Know Where You're Going To? (Diana Ross)
Don't Cry Out Loud (Melissa Manchester)
Don't Let The Sun Go Down On Me (Elton John, Elton John & George Michael)
Dust In The Wind (Kansas)
Easy (Amanda McBroom, Melissa Manchester, The Commodores)
Fire And Rain (James Taylor)
Goodbye To Love (The Carpenters)
How Can You Mend A Broken Heart (The Bee Gees)
How Deep Is Your Love (The Bee Gees)
I Am Woman (Helen Reddy)
I Honestly Love You (Olivia Newton-John)
I Won't Last A Day Without You (The Carpenters)
I Write The Songs (Barry Manilow)
If (Bread, Joe Henderson, Pink Floyd)
If You Leave Me Now (Chicago)
I'll Be There (Bobby Darin, Mariah Carey, Megadeth, The Jackson 5)
I'll Never Love This Way Again (Dionne Warwick)
Imagine (John Lennon and the Plastic Ono Band)
It's Impossible (Somos Novios) (Elvis Presley, Perry Como)
Joy To The World (David Lanz, Mannheim Steamroller, Mariah Carey, Nat King Cole, Steve Green, Three Dog Night, Whitney Houston)
Let It Be (The Beatles)
Looks Like We Made It (Barry Manilow)
Love Story (Francis Lai)
Love Will Keep Us Together (The Captain & Tennille)
Mandy (Barry Manilow)
Maybe I'm Amazed (Paul McCartney)
My Love (Lenny Kravitz, Paul McCartney & Wings, Petula Clark)
Nadia's Theme (Barry DeVorzon & Perry Botkin, Jr.)
Nothing From Nothing (Billy Preston)
Oye Como Va (Santana)
Precious And Few (Climax)
Rainy Days And Mondays (The Carpenters)
Reach Out And Touch (Somebody's Hand) (Diana Ross)
Rise (Herb Alpert)
Rocky Mountain High (John Denver)
September (Deborah Cox, Earth, Wind & Fire)
She's Always A Woman (Billy Joel)
Show Me The Way (Peter Frampton, Styx)
Sir Duke (Stevie Wonder)
So Far Away (Carole King, Dire Straits, Rod Stewart)
Sometimes When We Touch (Dan Hill)
Somewhere In The Night (Barry Manilow)
Stayin' Alive (N-Trance, The Bee Gees)
The First Time Ever I Saw Your Face (Roberta Flack)
The Godfather (Love Theme) (Nino Rota)
The Long And Winding Road (The Beatles)
The Rainbow Connection (Kenneth L. Ascher, Paul Williams)
The Way We Were (Barbra Streisand)
Three Times A Lady (The Commodores)
Top Of The World (The Carpenters)
We've Only Just Begun (The Carpenters)
What I Did For Love (Marvin Hamlisch)
Wonderful Tonight (David Kersh, Eric Clapton)
Yesterday Once More (The Carpenters)
You And Me Against The World (Helen Reddy)
You Are So Beautiful (Joe Cocker)
You Are The Sunshine Of My Life (Stevie Wonder)
You've Got A Friend (James Taylor)

Okładka: Fewell Garrison, Jazz Improvisation for Guitar

cena 159,95 zł.


nuty.pl

Fewell Garrison
Jazz Improvisation for Guitar

angielski Jazz Improvisation for Guitar


Ilość stron:150
Format:230 x 305
Opracowanie na:gitara i CD (zawiera zapis tradycyjny oraz tabulaturę), akordy
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Zawartość:

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Kod produktu:NPL061227

Publikacja jest praktycznym przewodnikiem improwizacji na gitarze. W książce omówione są: gryf gitary, podstawowa teoria muzyki, skale muzyczne, interwały, triady, harmonizacja, konstrukcje akordów, harmonia jazzowa, skale pentatoniczne, harmonia modalna, substytuty akordów i reharmonizacje (książka jest napisana w języku angielskim). Dodatkowo do książki dołączona jest płyta CD. Na płycie tej znajdują się 86 ścieżki dźwiękowe, na których nagrane są ćwiczenia, skale muzyczne, modulacje, akordy i wiele innych.


Melodies based on triads and melodic extensions sound more natural and musical than ones developed exclusively from scales. Triads - the fundamental building blocks of harmony - are a simple and effective remedy for scale dependency in improvisation. In Jazz Improvisation for Guitar: A Melodic Approach, explore the potential of triads and their melodic extensions and learn to connect them using guide tones. You'll learn to create solo phrases in the style of some of the world's finest jazz guitarists like Wes Montgomery, George Benson, Grant Green, Kenny Burrell, and Pat Martino.


Lista utworów:
Jazz Improvisation for Guitar (Berklee Press)

Spis treści:

Approaching Jazz Improvisation Through Triads And Melodic Extensions
Harmony Reviev
Scale Construction
Key Signatures and the Cycle of Fifths
Triad Construction
Diatonic Triads
Diatonic Seven th Chords
Chord Function
Diatonic Chord Progressions
Tensions
Major and Minor Triads and Melodic Extensions
Dividing the Fretboard into Four Areas Using Alternating Minor and Major Triads Melodic Extensions and Relatend Fingerings through Four Areas of the Fretboars
Melodic Extensions and Relatend Fingerings Through Four Areas of the Fretboard
Phrasing and Articulation
Articulation: The Rest Stroke
Melodic Extensions of G Minor: Eighth-Note Triplets and Rest Strokes
Melodic Extensions of Dominant Chords
Building Your Solos Using Triads And Melodic Extensions
Stylistic Interpretation
Minor Lines over Dominant 7 Chords
Building a Solo with Traids And Melodic Line Extensions
Fretboard Harmony: Guide Tonews And 2-and 3-Note Voicings
Voice Leading
How to Play Guide Tones on the Guitar
3-Note Voicings: Adding a Chord Tone or Tension
Minor Key Guide-Tone Voice Leading for II/V7?1 Progressions: 2-and 3-Note Voicings
Chord Substitutions
Using Guide-Tone Lines in Soloing
Direct Approach
Indirect Approach
Chromatic Approach
Double-Indirec Approach
Solo Structure: The Shape of Things to Come
Guide-Tone Lines for II-7(b5)/V7(b9)/I in Minor
More Guide-Tone Lines: b9 to 5
Soloing Over Standard Tunes: II/V/I in Major and Minor Keys
Harmonic Concepts For Improvisation
Altered Tensions
V7 Tensions b9 and#9
V7 Tensions b9 and b13
Tensions b9, #9, and b13
V7 (+5)
The Augmented Trad
Wrap-Up
"Hearing Things" (Garrison Fewell, Steve LaSpina, and John Riley)
About the Author
Discograp-hy as Leader
Revies

Okładka: Murray Peter, Essential Bass Technique - 2nd Edition

cena 64,95 zł.


nuty.pl

Murray Peter
Essential Bass Technique - 2nd Edition

polski Technika gry na gitarze basowej, 2 edycja
angielski Essential Bass Technique - 2nd Edition - The definitive technique manual for bass guitar


Ilość stron:48
Format:230 x 305
Opracowanie na:gitara basowa solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL064800

Prezentowana książka to zaprezentowanie technik gry na gitarze basowej wg Petera Murray'a. Znajdziesz tu różnorodne zagadnienia pozwalające udoskonalić grę na instrumencie. Cała szkoła napisana jest w języku angielskim, ale zamieszczonych jest dużo ilustracji obrazujących daną problematykę i ułatwiających zrozumienie danego zagadnienia.


Peter Murray's new book, which scored an A+ rating from Bass Player magazine, provides bassists with everything they need to know to play effectively, helping them master the basics, and then explore what's beyond. Essential to any bass player! Once in a while, a book comes along that stands head and shoulders above the endless rows of 'method books' that fill the racks in music stores. This is one of those exceptional books. If you're a beginner, study of Murray's method could save you from countless hours of frustration (and possibly injury) by showing you the correct way to use you hands right from the start; if you're a more advanced player, it should help you to refine your ability and overcome the technical barriers that can block further development. Bravo! - Jim Roberts, Bass Player magazine


Spis treści:

Foreword
To the left - handed, fretless and many - stringed
Basic principles of technique
Economy of motion
Tone quality and consistency
Natural movement
Strength
Chops & the Chops "Reservoir"
Factors related to technique
The study of technique
For Beginners
For intermediate players
For advanced players
Practicing Technique
Tools
Precticing Technique
Divide and conquer
Using this book
Right - hand technique
Thumb position
The opposable thumb
Finger technique
Direction of finger movement
Finger distance from the strings
Finger pressure
Alternating fingers
Raking
String Skipping
Pinky and ring fingers
Right wrist and forearm
Left - hand technique
Thumb position
Spacing of fingers
Finger / string contact
Left - hand muting
Finger position
Fretting position
Finger pressure
Ascending on One String
Transitions between hand positions
Barring
Hammer - ons and pull - offs
String bending and vibrato
Playing harmonics
Left Arm position
Quasi - chromatic exercise
Muting summary

Okładka: Lieberman Julie Lyonn, You Are Your Instrument

cena 128,95 zł.


nuty.pl

Lieberman Julie Lyonn
You Are Your Instrument

polski Jesteś jak Twój instrument
angielski You Are Your Instrument


Ilość stron:164
Format:210 x 297
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL064928

Przewodnik stworzony przez Julie Lyonn Lieberman, pomaga odkryć nowe wrażenia oddziałujące na zdrowie fizyczne i psychiczne. Książka z działu muzykoterapii przedstawia jak pokonać niepokój i stres przed występami, ogólne napięcie mięśni przed graniem i w trakcie grania, a także jak zwiększyć efektywność nauki.


This unique guide helps all musicians: open up new avenues of expression through a pain-free, healthy, fluid approach to music-making; overcome performance anxiety, general tension, and muscular injury; and increase learning skills and facilitate more effective motor coordination.


Spis treści:

Listening with the musician's Ear
Your mind
The Power of the Mind
Physiological Changes through conceptualization
My name is Effort
The Conditional Practice Session
The Brain
The Left and Right Hemispheres
Six - Fold Memory
Muscle Memory
Visualization and the Imagistic Mind
Auditory Memory
Analytical Memory
New Approaches
Sensory Awareness
Natural Biofeedback
Weight and Weightlessness
Your body
Muscle signals
Muscle communication
Signs of Injury
Causes of Injury
Monitoring Muscle Tension
Breathing
The mechanics of breathing
The diaphragm
Methods of breathing
Breath and music - making
Early conditioning
Breath as metaphor
Awareness and muscle balance
Introduction to units on the body
Hands and arms
The neck
The shoulders
The upper torso
The lower torso
The legs and feet
The jaw and lips
The standing musician
The seated musician
Music medeicine
The healting process
Constructive rest
Re - education
Choosing a doctor
Medical diagnosis
Medical problems
Other musical matters
Nervousness
Warming up
The music lesson
Tempo
The ensemble
Sight - reading music
In the recording studio
Environmental hazards
The function of exercise, water and nutrition
Carrying instruments and equipment
On the road
The performance space
The audience resonance
The musician as dancer
Muscle balance glossary
Introduction
Arm lifts
Arm shakes
Constructive rest
Constructive rest position
Freedom axis
Hang over
Head lifts
Hot and cold
Hula hoops
Imaging
Leg lifts
Mobility tests
Pelvic tilts
Pendulum swings
Pressure points
Psoas balancing technique
Rib cage strengthener
Shoulder rolls
Snaking
Stomach strengthener
Stretches
Tennis balls
Trills: lip and tongue
Directory
Introduction
Physical Therapies
Acupressure
Acupuncture
Alexander Technique
Biofeedback
Chiropractic
Feldenkrais
Kinesiology
Massage
Myotherapy
Occupational therapy
Osteopathy
Physical therapy
Reflexology
Rolfing
Shiatsu
Touch for health
Trager
Self exercise systems
Acuyoga
Aerobics
Dance
Muscle balance
Tai chi chuan
Yoga
Weight training
Mind and spirit therapy systems
Meditation
Structural consulting
Technologies for creating
Therapy
Healing remedies
Ayurveda
Ball work
Constructive rest
Herbology
Homeopathy
Hot and cold
Nutrition
Appendix
Suggested references
Resource organizations
Index
Video order form

Okładka: McGrain Mark, Music Notation

cena 159,95 zł.


nuty.pl

McGrain Mark
Music Notation

polski Teoria i technika notacji muzycznej
angielski Music Notation - Theory and Technique for Music Notation


Ilość stron:216
Format:230 x 305
Opracowanie na:teoria muzyki
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065030

Przewodnik po teorii muzyki - zawiera wszelkie niezbędne zagadnienia dotyczące notacji muzycznej, m. in. rytmu, artykulacji, dynamiki, metrum, itp. Książka zawiera 13 rozdziałów tematycznych - każdy z nich posiada oddzielne terminologie i ćwiczenia.


Learn the essentials of music notation, from fundamental pitch and rhythm placement to intricate meter and voicing alignments. This book also covers the correct way to subdivide rhythms and notate complex articulations and dynamics. An excellent resource for both written and computer notation software!


Spis treści:

Introduction
Equipment
Chapter One: Sound Envelopes and the Notation Grid
Sound Description
The Staff
Leger Lines
Clefs
The Treble Clef
The Bass Clef
The Percussion Clef
The Alto and Tenor Clef
Placement of Clefs
The Great Staff
Homework
Additional Practises:
New Notation for New Sounds
Specific Percussion Clefs
Other Moveable C Clefs
Hybrid Clefs
Chapter Two: Fundamental Rhtyhmic Description
Note - heads
Stems
Stem Length
Stem Direction
Stem Length in Leger Lines
The Quarter Rest
The Half Rest
The Whole Rest
Percussion and Rhtyhm Note - heads
Homework
Additional Practices
Other Percussive Note - heads
Chapter Three: Fundamental Pitch Description
Placement of Notes on the Staff
Accidentals
Flats
Sharps
Naturals
Double Flats
Double Sharps
Spacing of Note - heads in Regard to Accidentals
Key Signatures
Application of Accidentals
The Logic of Accidentals
Courtesy Accidentals
Key Changes
Homework
Additional Practises
Logic of Accidentals
Null Key Signatures
Chapter Four: The Notational Grid: Conclusion
The Three Regions of the Staff
Measures
Barlines
Single Barlines
Double Barlines
The "fine" Barline
Braces and Brackets
Homework
Additional Practices
Changes of Clef
Chapter Five: Time Signatures, Meter, and Tempo
Time Signatures
Placement of Time Signatures
"Common Time" and "Cut time"
Changes Meter
Metric Placement of Note - heads and Rests
Alignment
Tempo Markings
Changes of Tempo
Homework
Additional Practices
Types of Rhythm
Metrical Rhythm
Changing Between Simple Time and Compound Time
Change of Pulse Note - value
Chapter Six: Rhythmic Subdivision of the Pulse
Flags
Beams
Application of Beams
Stem Direction of Beamed Note Groups
Beam Slant
Homework
Chapter Seven: Rhythmic Subdivision of the Pulse: Continued
Horizontal Beams
Primary Beams
Secondary Beams
Broken Secondary Beams
Syncopation
Borrowed Metric Groupings
Homework
Additional Practices
"Midway" Beaming of Note Groups
Beams as Indicators of Phrasing
Chapter Eight: Rhythmic Subdivision of the Pulse: Concluded
The Eighth Rest
The Sixteenth Rest
The Whole Measure Rest
Ties
Augmentation Dots
Dotted Rests
Rests in Compound Meters
Homework
Aditional Practices
Smaller Value Rests
Ties Attending Voicings
Triple Augmentation Dots
Chapter Nine: Holds, Pauses, and Repeats
Fermatas
Pauses
Caesuras
Fermatas Attending Caesuras
Multiple Measure Rests
Repeat Brackets
Repeat Endings
Single Measure Repeats
Double Measure Repeats
Da Capo and Dal Segno
al fine and al Coda
Homework
Additional Practices
Fermatas Attending Barlines
The "Grand Pause"
Tacet
Third Repeat Endings
Single Pulse Repeats
Col
Chapter Ten: Chords, Voicings, and Divisi Parts
Chord Symbols
Parenthetical Tensions
Inversions and Pedals
Voicings
Alignement of Accidentals
Divisi Parts
Octave Signs
Homework
Additional Practices
Hybrid Chords and Polychords
Divisi Parts: Continued
Coll' 8va and Coll' 8vb.
Chapter Eleven: Dynamics
Location of Dynamic Information
Dynamic Level Markings
Dynamic Terminology
Wedges
Homework
Additional Practices
Location of Dynamics
Combined Dynamic Level markings
Change of Dynamic :evel on Repeated Sections
Chapter twleve: Articulation
The "Unarticulated Note"
Accent Marks
Staccato Marks
Legato / Tenuto Marks
Plavement of Accent, Staccato, and Legato Markings
Slurs
Breath Marks
Accent Terminology
Idiomatic Considerations
Homework
Additional Practices
Combining Accents with Staccato and Legato Markings
Combining Accent, Staccato and Legato Markings with Slurs
Combining Accent Terms with Dynamics
Chapter Thirteen: Ornaments
The Portamento
The Glissando
Trills
Tremolos
The Unmeasured Tremolo
The Measured Tremolo
Grace Notes
Arpeggios
Turns
Bends
Homework
Additional Practices
Cues
I: Names of Instruments with Abbreviations
II: Score Layout
III: Instrumental Transpositions
IV: Glossary of European Musical Terms

Okładka: Pres Jasquin des, Landsman Mark, Reality Check

cena 159,95 zł.


nuty.pl

Pres Jasquin des, Landsman Mark
Reality Check

polski Prawdziwa kontrola
angielski Reality Check


Ilość stron:144
Format:210 x 297
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065459

W dzisiejszych czasach zainspirowani do działań muzycy wkraczają w świat biznesu z dość wygórowanymi oczekiwaniami. Autor przedstawia realia panujące we współczesnym świecie biznesu muzycznego, tłumaczy zasady sporządzania mapy dochodowej i innych niezbędnych dokumentów pozwalających na kreowanie muzyki, rozpowszechnianie jej i tworzenie.


Aspiring musicians often enter the music business with unreal expectations, and are inevitably disappointed. Reality Check is the first book that gives a completely honest look at what success is in today's recording industry and the smart steps a musician can take to get there. Even the most creative people can manage time effectively and make the fullest use of their most important resource: their talents. Reality Check is for everyone who wants to chart a rewarding path through the often confusing jungle of the music industry. March 2003 Josquin des Pres began his career in France in the mid-'70s when he obtained his first record deal with United Artists Records. He has since worked on hundreds of projects with some of the biggest names in the music industry. Des Pres has also authored 14 bestselling bass instruction books and two guitar instruction books. Mark Landsman is a musician, songwriter and entertainment attorney. He was formerly director of West Coast operations for a large New York City-based record label. Both authors live in southern California.


Spis treści:

Approaching Musics as an Art
Approaching Music as a Business
Setting Goals and Objectives
Planning
Getting things done
Dealing with others
The art of negotiation
The long haul
Away from music

Okładka: Gumm Alan, Music Teaching Style

cena 223,95 zł.


nuty.pl

Gumm Alan
Music Teaching Style

polski Muzyczne style nauczania
angielski Music Teaching Style


Ilość stron:192
Format:178 x 254
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065612

Publikacja Alana Gumma jest prezentacją stylów nauczania muzyki. Autor przedstawia nietypowe podejście do sztuki nauczania, a także popiera idee anegdotami i cytatami wielkich artystów i mistrzów. Głównym celem sposobów nauczania Gumma jest zdobycie doskonałego doświadczenia w nauczaniu i osiągnięcie trwałego sukcesu.


Music Teaching Style is an exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result - a fulfilling, productive and successful music teaching experience.


Spis treści:

Part 1. Overview
1. Setting the Context
Need for a Definition
Related Concepts
Personality
Learning Styles
Effective teaching
Conclusion
Discussion questions
2. Establishing a definition
The nature of music teaching style
Principle of tradicity
Several behaviors but one style
Stable and pervasive
Underlying focus
Many ways to be effective
Principle - based teaching
A clear and distinct definition
A new vantage point
A three - level model
Conclusion
Discussion questions
Part 2. Dimensions of music teaching style
3. Assertive teaching
Assertive vs. Aggressive
Cycle of teaching
Clear directions
Monitor student behavior
Specific feedback
Anticipating problems
Recognize cycles of misbehavior
Classroom rules
Consequences
Alerting
Conclusion
Discussion questions
4. Nonverbal motivation
Visual appearance
Proximity
Pacing
Conclusion
Discussion questions
5. Time efficiency
Concepts of time
Quickness
Quantity
Active learning
Conclusion
Discussion questions
6. Positive learning environment
Contingent approval
Transactional teaching
Time to think
Clarification
Encouragement
Elaboration
Awareness of student realities
Interpersonal relations
Conclusions
Discussion questions
7. Group dynamics
Self - responsibility
Student-to-student interactions
Leadership
Social loafing
Individualized listening and reading
Conclusion
Discussion questions
8. Music concept learning
Comprehensive musicianship
Concept of music
Questioning
Accountability
Questions as assessment
Handling incorrect answers
Types of questions
Critical thinking
Conclusion
Discussion questions
9. Artistic music performance
Multimodal learning
Asural Imagery
Psychomotor learning
Sound-to-performance cycle
Metaphor
Modeling and movement
Emotion and enthusiasm
Conclusion
Discussion questions
10. Student independence
Students as innovators
Creativity
Affective learning
Transformational teaching
Deepest levels of questioning
Discussion and dialogue
Student input in decision - making
Acceptance
Conclusion
Discussion questions
Part 3. Revealing your style
11. Types and trends of style
Prototypes
Comprehensive musicianship focus
Performance priorities
Intellectual focus
Group interaction priorities
Behavior management priorities
Styles that lack priority
Developmental teaching
Self - reflective stage
Broadening stage
Interdependent transition
Deepenning stages I and II
Development through insight
Conclusion
Discussion questions
12. Sorting out priorities
Trade offs
The Tyranny of time
Too much or too little control
Broader activity or deeper reflection
Principle of tradicity
Teacher - agenda interactions
Student - focused interactions
Subject matter interactions
You cannot touch learning
Conclusion
Discussion questions
Part 4. Choosing a new direction
13. Know yourself
Psychological controls
Internal - external
Time perceptions
Detail - holistic perspectives
To judge or not to judge
Absolute - relative
Background experience
We teach as we were taught
We teach what we know
Where we teach affects how we teach
Identity shapes our interactions
Conclusion
Discussion questions
14. Know your students
Developmental learning
External to internal
Dependent to independent
Student motivetion
Conclusion
Discussion questions
15. Know your subject matter
Music performance skills
Music knowledge
Creative experiences
Planning for balance in subject matter
Conclusion
Discussion questions
16. Learn what learning looks like
Define learning outcomes
Monitor learning
Conclusion
Discussion questions
17. Choose your focus
You get what you pay for
Focus away from the teacher
Focus on music
Refine your vision
18. Establish a set of principles
Make success the focus
Focus on all students' success
Get out of the way as the focus
Maintain a successful pace
Be independently succesfful
Teach deeply as well as broadly
Teach comprehensively
Final conclusion
About the author
Music teaching style inventory
Learning style glossary
References
General bibliography

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 2

cena 263,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 2

polski Domowy kurs rejestracji dźwięku, nagrywania, cz. 2
angielski The AudioPro Home Recording Course, Volume 2


Ilość stron:252
Format:230 x 305
Opracowanie na:książka
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078017
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 3

Publikacja jest drugą częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Obecna część jest przeznaczona dla osób z podstawową znajomością pojęć technicznych. Poszczególne lekcje zawierają liczne ilustracje, a także przykłady muzyczne na dołączonych do książki płytach CD. Autor - Let Bill Gibson - przekazuje informacje, których potrzebujesz, aby udoskonalić rejestracje dźwięków za pomocą domowego sprzętu nagrywającego. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume two covers: impedance and wiring (high impedance vs. low impedance, terminology, balanced vs. unbalanced); bass guitar (electric/synth, recording, mic techniques, EQ); harmonics/overtones/partials; vocals (recording, mic techniques, effects, EQ); acoustic piano and rhodes (recording, mic techniques, signal processing, sampled sounds, EQ); recording synthesisers (recording, combining textures, EQ, brass); the total recording session (instruments, preparing the recorder, media selection, time code); panning and stereo imaging; mixdown to master product (mixdown machine, tape choice, theories and concepts, setup procedure; building the mix; preparing master for duplication).

Spis treści:

Introduction
Chapter 1 - Impedance and Wiring
Basic Terminology
Compatibility Between Hi Z and Lo Z
Balanced vs. Unbalanced
Basic Terminology
Unbalanced Guitar Cables
Balanced Cables
Conclusion
Chapter 2 - Bass Guitar
Electric Bass
Condition of the Bass
Direct Box / Direct In (DI)
The Bass Level
Instrument Differences
Musical Style
Recording Levels for Bass
Mic Techniques
Compressing the Bass
Equalization
Panning
Reverb
Synth Bass
Plugging the Synth Bass In
Miking the Synth Bass
Performance of the Synth Bass Part
Bass Range and EQ
Compressing the Synth Bass
Recording Level for the Synth Bass
Panning Synth Bass
Effect and the Synth Bass
Acoustic Bass
Close - Miking the String Bass
Conclusion
Chapter 3 - Harmonics / Overtones / Partials
The Difference Between Harmonics, Overtones and Partials
Conclusion
Chapter 4 - Vocals
Mic Techniques
Placement
Distance
Small Room vs. Large Room
Moving - Coil / Ribbon
Condenser
Effects
Stylistic Considerations
Wind Screen
Repairing a Problem Plosive
Electronic Plovive Repair
The Proximity Effect
Bass Roll-off
The Pad
Different Sounds of Different Pickup Patterns
Positioning the Microphone
Compressor / Limiter / Gate / Expander
Dynamic Range
Compression
Sibilance
The De-esser
Equalization
Recording Environment
Physical Aids
Intonation
Headphones
Punch In / Punch Out
Perseverance
Panning
Common Vocal Effects
Delay
Slapback
The Electronic Double
The Electronic Triple
Regeneration
Reverb
Predelay
Exciter
Chorus / Flanger / Phase Shifter
Backing Vocals
Conclusion
Chapter 5 - Acoustic Piano and Rhodes
Grand Piano
The Basics
Mic Choice and Technique
Stereo or Mono
Instrument Maintenance
Setting the Mood
Processing Pano Sounds
No Two Pianos Sound Identical
Recording Levels
Equalizer the Piano
Compressing the Piano
Exciting the Piano
Reverberation
Miking the Vertical Piano
Sampled Piano Sounds
Rhodes - type Sounds
Rhodes Effects
Equalizing the Rhodes
Conclusion
Chapter 6 - Recording Synthesizers
Recording Synths: Strings, Pads, Bell-like Sounds, Brass and Effects
Live in vs. Mic in Through DI
Line In
DI Can Color the Sound Adversely
String and Pads
Layering
Equalizing Pads
Dynamic Processing the Synth
Reverb
Combining Textures
Exciter
Chorus, Flanger, Phase Shifter
Panning
Delay
Bell - like Sounds
Equalizing the Bell - like Sounds
Panning Bell - like Sounds
Compression
Reverb
Chorus / Flanger / Phase Shifter
Brass
Mic Technique
Levels
Brass Samples
Brass Equalization
Panning
Reverb
Exciter
Chorus / Flanger / Phase Shifter
Delay
Special Effects
Conclusion
Chapter 7 - Panning and Stereo Imaging
Speaker Position and Choice
Mic Techniques
The Head
Assignment
3:1 Principle
Panning
Reverberation
Space in a Space
Combining Wet and Dry
Delay
Panning
Chorus/ Flanger / Phase Shifter
Monitors and Your Stereo Image
Conclusion
Chapter 8 - The Total Recording Session
Planning
Tracks
Envision the Final Products
Instrument
Tuning
Strings
Getting the Recorder Ready
Cleaning and Demagnetizing
Demagnetizing the Analog Tape Machine
Cleaning the Analog Recorder
Tones on the Analog Recorder
Tones on the Digital Recorder
Media Selection
Magnetic Tape / Video Tape
Recordable CDs / Hard Drives
Tape Storage Is a Critical Condiseration
Time Code
Striping SMPTE
Getting the Sequencer to Follow SMPTE
Tightening the Arrangement
Contents of Arrangement
Reference Lead Vocal
Backing Vocals
Bounce to Track One
Electric Guitar to Track Four
Punch-Ins
Acoustic Guitar to Track Five
Final Vocal to Track Three
Lead Guitar to Track Six
Conclusion
Chapter 9 - Mixdown to Master to Product
Mixdown Machine
Basic Proceudre for Alignment (Mixdown and Multitrack)
Playback Alignment
Record EQ
Reference Tones
Reference Tone
Starting the Mix / Zeroing the Board
Tape Choice
Outboard Gear to Have on Hand
Tape Speed
Automation
Multiple Sets of Monitors
Comparison to Other Projects
The Spherical Approach to Panning and Positioning in the Mix
EQ: The Cumulative Effect
Mixing Theories and Building Concepts
Mix Approach
The Arrangement
Characteristics of a Good Mix
Strong and Solid, But Controlled, Lows
Mids Distributed Evenly Among Various Instruments
Strong, Smooth Highs That Are Easy to Listen To
Balance
Depth
Width
Momentum
Consistency
Sounds Good in Stereo and Mono
Approaches to Mixing That I've Found Ineffective
Signs of an Amateur Musical Recording
Basic Setup Procedure
Once You Select and Prepare the Multitrack and Mixdown Machines
Arranging During Mixdown
Multiple Mixes
Mix Versions
Building the Mix
Kick Drum / Bass Guitar
Pan the Cymbals for a Natural Sound
Live Toms
Drum Machine Toms
Drum Set Overhands (Live)
Bass
Lead Vocal
Compression
Expander
Vocal EQ
Exciter
Simple Delay
Add Backing Vocals
Comping Keyboards and Rhythm Guitars
Filling in the Holes With the Guitar or Keys
Lead Parts
Solos
Mix Levels
Fades
Preparing the Mixed Master for Duplication
Editing
Mastering
Different Mixes
Conclusion
GLossary
Index

Okładka: Pace Helen, Pre-school Music, Moppets' Rhythms And Rhymes Child's Book

cena 42,95 zł.


nuty.pl

Pace Helen
Pre-school Music, Moppets' Rhythms And Rhymes Child's Book

polski Szkoła gry na fortepianie dla dzieci w wieku przedszkolnym
angielski Pre-school Music, Moppets' Rhythms And Rhymes Child's Book


Ilość stron:48
Format:305 x 230
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
słów utworów: angielska
Stopień trudności:0 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

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Kod produktu:NPL080045
Produkty podobne:Pace Helen - Moppets' Rhythms And Rhymes - Teacher's Book
Pace Robert, Pace Helen - Pre-school Music, Music Of Moppets, Book 1

Niniejsza książka powinna być używana z publikacją "Moppets' Rhythms and Rhymes" dla nauczycieli. Publikacja jest zbiorem gier muzycznych i piosenek mających na celu wykształcić poczucie rytmu u dzieci w wieku od 4 do 7 lat. Zabawy mogą być przeprowadzone z małą grupą dzieci w przedszkolu, jak również z jednym uczniem podczas lekcji muzyki lub początkowych zajęć gry na fortepianie. Szczegóły prowadzenia zajęć podane są w osobnej publikacji dla nauczyciela.

This book is to be used in conjunction with Moppets' Rhythms and Rhymes, teacher's Book.
Moppels' Rhythms and Rhymes is a collection of game songs set to strongly rhythmical verses (some Mother Groose) for children from four through seven. While this may seem like a wide age span, Rhythms and Rhymes Teacher's Book explains how the various activities can be used to suit several levels of development.
Rhythms and Rhymes focuses on strengthening the children's innate sense of rhythm and their understanding of melodic direction through body movements, the use of the piano keyboard, rhythm instruments and rhythmical poems and games. It should be used with groups of at least four.
Although the book is planned specifically as a part of the Music for Moppets pre-piano course to be given in the teacher's own music studio, it can also be used very effectively in nursery school, kindergarten, and first grade.
On completion of the Music for Moppets course, the children should be well prepared to continue in a more formalized study for piano, or any other instrument.

Lista utworów:
My Name Song
Left Side
Right Side
Handy Pandy
Finger Wiggler Game
Copy Cat
Play - A - Story
Higgley Piggley
Copy Cat
Ride a Cock Horse
Barber Barber
Rub a dub dub
Mocassin and Beads
Humming Song
See-Saw, Sacaradown
Mister Bunny
Ol' Dan Tucker
Major Song
Minor Song
Major-Minor
Johnny by the hand
Clap and Guess
If Your Mama - If Your Papa

Okładka: Govan Guthrie, Creative Guitar 1: Cutting- Edge Techniques

cena 159,95 zł.


nuty.pl

Govan Guthrie
Creative Guitar 1: Cutting- Edge Techniques

angielski Creative Guitar 1: Cutting- Edge Techniques


Ilość stron:104
Format:222.5 x 300
Opracowanie na:książka z przykładami nutowymi (tabulaturą) i płytą CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:książka z przykładami nutowymi
Wersja językowa:opisów: angielska
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Govan Guthrie
Zawartość:

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Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL083785

This Creative Guitar to seria dla gitarzystów, samouczek zawierający wiele porad dotyczących nauki gry, technice jak i teorii muzyki. Część 1 książki zawiera wiele porad dla gitarzystów którym gra sprawia wiele problemów a ćwiczenia nie przynoszą właściwego efektu. Na samym początku zagadnienia zawarte w książce wydaja się dość błahe lecz autor namawia na szczegółową analizę, proponuje słuchanie wielu stylów muzyki lub nagrywanie własnych wykonań. Dołączona płyta CD zawiera zapis dźwiękowy zagadnień zawartych w książce.

This Creative Guitar Series aims to provide frustrated rock guitarists with new directions to explore their art. Armed with the accompanying CD, featuring detailed examples of pentatonic patterns, minor arpeggios and backing tracks, you will be able to do much more than simply learn solos and licks note for note. This book also contains a thorough explanation of music theory.

Spis treści:

Foreword
Introduction
General Stuff
Technique
Theory Without Tears
Scales and Chords
On the CD
Afterword

Okładka: Fischer Wilfried, Hansen Erich, Jacobsen Jens, Schulz Martin, Musikunterricht. Grundschule

cena 43,95 zł.


nuty.pl

Fischer Wilfried, Hansen Erich, Jacobsen Jens, Schulz Martin
Musikunterricht. Grundschule

polski Nauka muzyki. Szkoła podstawowa
niemiecki Musikunterricht. Grundschule


Ilość stron:152
Format:210 x 297
Opracowanie na:książka
Rodzaj produktu:nuty antykwaryczne
Wersja językowa:niemiecka
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Noll Günther, Rauhe Hermann
Kod produktu:NPL077607

Niemiecki podręcznik do nauki muzyki dla szkół podstawowych, wydany w 1977 roku. Zawarto tu liczne utwory przeznaczone do śpiewania oraz grania na instrumentach, oraz materiał z zakresu teorii muzyki dotyczący m. in. notacji muzycznej, budowy akordów, gam durowych i molowych, rodzajów znaków chromatycznych, interwałów, i innych. Książka wzbogacona jest kolorowymi ilustracjami.
Stan publikacji: bardzo dobry, nuty czyste, brak zagnieceń, okładka nosi ślady użytkowania, oprawa twarda.


Spis treści:

Vorwort
Musik kann etwas erzählen
Musik kann etwas erzählen (I)
Musik kann Geräusche aus der Natur darstellen
Windgeräusche
Wassergeräusche
Regen und Gewitter
Tierstimmen
Musik kann Geräusche aus der Umwelt darstellen
Auf dem Bahnhof
Im Zirkus
Musik kann etwas erzählen (II)
Tiere in der Musik
Musik kann von Menschen und Fabelwesen erzählen
Musik kann etwas erzählen (III)
Musik kann Stimmungen und Gefühle ausdrücken
Musik kann ganze Geschichten erzählen
Die Zauberhirsche (Bartók)
Der Feuervogel (Strawonsky)
Till Eulenspiegel (Strauss)
Ein nächtliches Abenteuer (Wagner)
Wie man Musik macht
Wie man Musik macht (I)
Klinger und Klangpunkte
Klopfen und trommeln
Ein Abenteuer im Urwald
Zupfen und streichen
Blasen
Oriffinstrumente - Klangformen
Was wir wissen
Wie man Musik macht (II)
Wie Instrumente klingen
Holzblasinstrumente
Blchblasinstrumente
Ein Bläserquintett (Hindemith)
Klangfarbenpartituren
Instrumente in verschiedenen Lebensbereichen
Was wir wissen
Unsere Stimme als Instrument
Unsere Stimme als Instrument (I)
Kasperle-Theater
Geisterstunde
Die Bremer Stadtmusikanten
Unsere Stimme als Instrument (II)
Sprache und Sprechen
Ein musikalisches Abenteuer (Ligeti)
Nonsense für Stimmen (Petrassi)
Stimmen unterscheiden sich
Der menschliche Kehlkopf
Was wir wissen
Klänge haben verschiedene Eigenschaften
Klänge haben verschiedene Eigenschaften (I)
Klänge: Töne und Geräusche
Laut und leise in der Musik
Das Echo
Der Wind
Die Abschidssinfonie (Haydn)
Was wir wissen
Klänge haben verschiedene Eigenschaften (II)
Schnell und langsam in der Musik
Der Gleichschlag / Der Takt
Lang und kurz in der Musik
Pausen
Das hölzerne Männlein
Jetzt ist's Nacht (Hindemith)
War wir wissen
Hoch und tief in der Musik
Der g-Schlüssel / Das Fünfliniensystem
Sprünge als Signale und Rufe
Verschieden hohe Töne klingen zusammen
Was wir wissen
Wie Musik notiert wird
Wie Musik notiert wird (I)
Musik wird verschieden aufgezeichnet
Eine Tonleiter
Der Ton "b"
Der Ton "fis"
Ceciderunt in profundum (Telemann)
Die chromatische Tonleiter
Ein Sonnenaufgang (Haydn)
Chromatische Töne klingen zusammen (Ligeti)
Schritte und Sprünge
Spiel mit verschiedenen Noten und Sprüngen
Die punktierte Note
Das Orchester (Haydn)
Eine rhythmische Partitur
Tanz der Tiere
Was wir wissen
Wie Musik notiert wird (II)
Verschiedene Notenschlüssel
Quodlibet (Bach)
Spiele im g-Schlüssel und f-Schlüssel
Chromatische Reihen
Motive aus "Der Gnom" (Mussorgsky)
Zwei besondere Reihen
Zwei Reihen aus Ganztonschritten
Die Durtonleiter
Die Molltonleiter
Überraschungen (Haydn)
Verschiedene Intervalle
Wenn alle Tag Montag wär
Der Reise Mutakirorikatum (Guggenmos)
Dreiklaenge
Wir begleiten mit Dreiklängen
Was wir wissen
Wie Musik gemacht ist
Wie Musik gemacht ist (I)
Gliederungen
Fröhlicher Landmann (Schumann)
Aus der Wassermusik (Händel)
Ein Abend auf dem Lande (Bartók)
Das Rondo
Urians Reise um die Welt (Claudius)
Fagottkonzert (Mozart)
Was wir wissen
Wie Musik gemacht ist (II)
Gliederung durch Kontraste
Der Teufel von Salamanca (Körner)
So kann man Musik beschreiben (Ligeti)
Gliederung durch Veränderung
Ein Thema aus Motiven (Leopold Mozart)
Thema mit Variationen (Mozart / Beethoven)
Allmähliche Veränderungen
Was wir wissen
Musik in unserer Umwelt
Musik in unserer Umwelt (I)
Auf dem Jahrmarkt
Auf dem Schulweg. Ein Würfelspiel
Musik in verschiedenen Lebensbereichen
Musik in inserer Umwelt (II)
Wer alles Musik macht. Aus einer Fernsehzeitung
Welche Musik wird gemacht? Ein Rundfunkprogramm
Anlässe zum Musikmachen
Wir spielen Programmdirektor
Ein Musikstück - verschiedene Eindrücke
Umgang mit Musik
Musik im Warenhaus
Umwelt und Lärm
Musik in der Werbung
Was wir wissen





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