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Getting Even

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Getting Even znajdziesz w 5 publikacjach wymienionych poniżej:


Okładka: Harp David, Bending The Blues, How to master the most important harmonica technique

cena 48,95 zł.


nuty.pl

Harp David
Bending The Blues, How to master the most important harmonica technique

polski Bending The Blues, Jak osiągnąć podstawową technikę gry na harmonijce ustnej
angielski Bending The Blues, How to master the most important harmonica technique


Ilość stron:64
Format:115 x 305
Opracowanie na:harmonijka ustna solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Harmonijka (1)
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor wstępu: Harp David
Kod produktu:NPL052356

Prezentowana publikacja - "Bending The Blues, How to master the most important harmonica technique" to szkoła gry na harmonijce ustnej dla początkujących. Obok podstawowych instrukcji z rysunkami (układ ust i języka, wydobycie dźwięku, oddychanie) zawiera informacje m.in. o skalach (w tym przede wszystkim o skali bluesowej) i akordach (notacja). Całość w angielskiej wersji językowej.

'If you can't bend at all yet, you should probably begin at the beginning, and hey, that's where you are right now! Just keep on reading each section and trying each exercise as you go. Make sure that you don't get hung up or stuck on any of the early sections or exercises, even if they seem hard'.

Learn how to master the most important harmonica technique in this step-by-step method by David Harp.

Lista utworów:
Bending The Blues (Harp David)

Spis treści:

Please read this first!
Why I wrote this book
Why we need to bend
For beginners who can't wait
My Notation System
Degrees of bending
The blues scale
About blues licks and riffs (The "I'm a man" lick...The "Spoonful" Lick)
Exploring your mouth (Tongue exercises, Articulation, Closed nose)
The pre-bending effect (Bob Dylan Style, John Lennon Style)
Getting single notes
The major scale
General instructions (listening to the slowest tongue, the Whee-Oh, The Whistling Analogy)
Different Harps: Which to use?
The Bends (draw, Troubleshoooting, If you can't seem to get it)
Advanced techniques
Blow Bending
Bending the Chromatic
The Scales
Other harp books

Okładka: Pattison Pat, Songwriting: Essential Guide To Rhyming

cena 95,95 zł.


nuty.pl

Pattison Pat
Songwriting: Essential Guide To Rhyming

polski Sztuka pisania tekstów piosenek
angielski Songwriting: Essential Guide To Rhyming - A step-by-Step Guide to Better Rhyming and Lyrics


Ilość stron:80
Format:215 x 280
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL065083

Książka ma na celu pomóc autorom tekstów w szybszym znajdowaniu rymów, osobom improwizującym w posługiwaniu się tekstem w przestrzeni rytmicznej i w efektownym osadzaniu tekstu w rytmie. Autorzy zwracają uwagę na błędy i złe przyzwyczajenia jakie często popełniają i nabywają nowicjusze techniki śpiewu improwizowanego.


This book has a very specific purpose: to help songwriters find better rhymes and use them more effectively. Rhyme is one of the most crucial areas of lyrics writing, and this guide will provide all of the technical information necessary to develop your skills completely. The exercises and worksheets help experienced writers take a fresh look at their techniques, and prevent novices from developing bad habits. Use this book to start writing better than ever before!


Spis treści:

Foreword vii
Introduction
Do I Have to Rhyme?
Chapter One
Rhyme Is Your Friend
Shaking Hands
Masculine Rhymes/Femine Rhymes
Finding Rhymes
Using Tou Rhyming Dictionary
Chapter Two
Exchanging Business Cards
Rhyme Spotlights Ideas
Rhyme Connects Ideas
Chapter Three
Getting References
Worksheets
Chapter Four
Family Friends
Expading Rhyme Possibilites
Perfect Rhyme Subtitutes
Family Rhyme
Phonetic Relationships
Plosives
Fricatives
Nasals
Feminine Family Rhymes
Syllables Ending in More Than One Consonant
L and R
Chapter Five
Friendly Relatives
Additive/Subtractive Rhyme
Words Ending in Vowels
Syllables with Consonant Endings
Family Additives
Subtractive Rhyme
Chapter Six
Kissin' Cousins
Assonance Rhyme
Feminine Assonance Rhyme
Effects on Structure
Consonance Rhyme
From Birth of Death
Partial Rhyme
From Cradle to Grave
Chapter Seven
The Fruits of Friendship
Chapter Eight
Sonic Bonding
Internal Rhymes
Voice Leading
Assonance
Alliteration
Juncture
The Vowel Triangle: Beauty and the Beast
Afterword

Okładka: Pres Jasquin des, Landsman Mark, Reality Check

cena 159,95 zł.


nuty.pl

Pres Jasquin des, Landsman Mark
Reality Check

polski Prawdziwa kontrola
angielski Reality Check


Ilość stron:144
Format:210 x 297
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065459

W dzisiejszych czasach zainspirowani do działań muzycy wkraczają w świat biznesu z dość wygórowanymi oczekiwaniami. Autor przedstawia realia panujące we współczesnym świecie biznesu muzycznego, tłumaczy zasady sporządzania mapy dochodowej i innych niezbędnych dokumentów pozwalających na kreowanie muzyki, rozpowszechnianie jej i tworzenie.


Aspiring musicians often enter the music business with unreal expectations, and are inevitably disappointed. Reality Check is the first book that gives a completely honest look at what success is in today's recording industry and the smart steps a musician can take to get there. Even the most creative people can manage time effectively and make the fullest use of their most important resource: their talents. Reality Check is for everyone who wants to chart a rewarding path through the often confusing jungle of the music industry. March 2003 Josquin des Pres began his career in France in the mid-'70s when he obtained his first record deal with United Artists Records. He has since worked on hundreds of projects with some of the biggest names in the music industry. Des Pres has also authored 14 bestselling bass instruction books and two guitar instruction books. Mark Landsman is a musician, songwriter and entertainment attorney. He was formerly director of West Coast operations for a large New York City-based record label. Both authors live in southern California.


Spis treści:

Approaching Musics as an Art
Approaching Music as a Business
Setting Goals and Objectives
Planning
Getting things done
Dealing with others
The art of negotiation
The long haul
Away from music

Okładka: Howard George, Getting Signed!

cena 171,95 zł.


nuty.pl

Howard George
Getting Signed!

polski Otrzymywanie kontraktów!
angielski Getting Signed!


Ilość stron:233
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.


For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club


Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 2

cena 263,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 2

polski Domowy kurs rejestracji dźwięku, nagrywania, cz. 2
angielski The AudioPro Home Recording Course, Volume 2


Ilość stron:252
Format:230 x 305
Opracowanie na:książka
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078017
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 3

Publikacja jest drugą częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Obecna część jest przeznaczona dla osób z podstawową znajomością pojęć technicznych. Poszczególne lekcje zawierają liczne ilustracje, a także przykłady muzyczne na dołączonych do książki płytach CD. Autor - Let Bill Gibson - przekazuje informacje, których potrzebujesz, aby udoskonalić rejestracje dźwięków za pomocą domowego sprzętu nagrywającego. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume two covers: impedance and wiring (high impedance vs. low impedance, terminology, balanced vs. unbalanced); bass guitar (electric/synth, recording, mic techniques, EQ); harmonics/overtones/partials; vocals (recording, mic techniques, effects, EQ); acoustic piano and rhodes (recording, mic techniques, signal processing, sampled sounds, EQ); recording synthesisers (recording, combining textures, EQ, brass); the total recording session (instruments, preparing the recorder, media selection, time code); panning and stereo imaging; mixdown to master product (mixdown machine, tape choice, theories and concepts, setup procedure; building the mix; preparing master for duplication).

Spis treści:

Introduction
Chapter 1 - Impedance and Wiring
Basic Terminology
Compatibility Between Hi Z and Lo Z
Balanced vs. Unbalanced
Basic Terminology
Unbalanced Guitar Cables
Balanced Cables
Conclusion
Chapter 2 - Bass Guitar
Electric Bass
Condition of the Bass
Direct Box / Direct In (DI)
The Bass Level
Instrument Differences
Musical Style
Recording Levels for Bass
Mic Techniques
Compressing the Bass
Equalization
Panning
Reverb
Synth Bass
Plugging the Synth Bass In
Miking the Synth Bass
Performance of the Synth Bass Part
Bass Range and EQ
Compressing the Synth Bass
Recording Level for the Synth Bass
Panning Synth Bass
Effect and the Synth Bass
Acoustic Bass
Close - Miking the String Bass
Conclusion
Chapter 3 - Harmonics / Overtones / Partials
The Difference Between Harmonics, Overtones and Partials
Conclusion
Chapter 4 - Vocals
Mic Techniques
Placement
Distance
Small Room vs. Large Room
Moving - Coil / Ribbon
Condenser
Effects
Stylistic Considerations
Wind Screen
Repairing a Problem Plosive
Electronic Plovive Repair
The Proximity Effect
Bass Roll-off
The Pad
Different Sounds of Different Pickup Patterns
Positioning the Microphone
Compressor / Limiter / Gate / Expander
Dynamic Range
Compression
Sibilance
The De-esser
Equalization
Recording Environment
Physical Aids
Intonation
Headphones
Punch In / Punch Out
Perseverance
Panning
Common Vocal Effects
Delay
Slapback
The Electronic Double
The Electronic Triple
Regeneration
Reverb
Predelay
Exciter
Chorus / Flanger / Phase Shifter
Backing Vocals
Conclusion
Chapter 5 - Acoustic Piano and Rhodes
Grand Piano
The Basics
Mic Choice and Technique
Stereo or Mono
Instrument Maintenance
Setting the Mood
Processing Pano Sounds
No Two Pianos Sound Identical
Recording Levels
Equalizer the Piano
Compressing the Piano
Exciting the Piano
Reverberation
Miking the Vertical Piano
Sampled Piano Sounds
Rhodes - type Sounds
Rhodes Effects
Equalizing the Rhodes
Conclusion
Chapter 6 - Recording Synthesizers
Recording Synths: Strings, Pads, Bell-like Sounds, Brass and Effects
Live in vs. Mic in Through DI
Line In
DI Can Color the Sound Adversely
String and Pads
Layering
Equalizing Pads
Dynamic Processing the Synth
Reverb
Combining Textures
Exciter
Chorus, Flanger, Phase Shifter
Panning
Delay
Bell - like Sounds
Equalizing the Bell - like Sounds
Panning Bell - like Sounds
Compression
Reverb
Chorus / Flanger / Phase Shifter
Brass
Mic Technique
Levels
Brass Samples
Brass Equalization
Panning
Reverb
Exciter
Chorus / Flanger / Phase Shifter
Delay
Special Effects
Conclusion
Chapter 7 - Panning and Stereo Imaging
Speaker Position and Choice
Mic Techniques
The Head
Assignment
3:1 Principle
Panning
Reverberation
Space in a Space
Combining Wet and Dry
Delay
Panning
Chorus/ Flanger / Phase Shifter
Monitors and Your Stereo Image
Conclusion
Chapter 8 - The Total Recording Session
Planning
Tracks
Envision the Final Products
Instrument
Tuning
Strings
Getting the Recorder Ready
Cleaning and Demagnetizing
Demagnetizing the Analog Tape Machine
Cleaning the Analog Recorder
Tones on the Analog Recorder
Tones on the Digital Recorder
Media Selection
Magnetic Tape / Video Tape
Recordable CDs / Hard Drives
Tape Storage Is a Critical Condiseration
Time Code
Striping SMPTE
Getting the Sequencer to Follow SMPTE
Tightening the Arrangement
Contents of Arrangement
Reference Lead Vocal
Backing Vocals
Bounce to Track One
Electric Guitar to Track Four
Punch-Ins
Acoustic Guitar to Track Five
Final Vocal to Track Three
Lead Guitar to Track Six
Conclusion
Chapter 9 - Mixdown to Master to Product
Mixdown Machine
Basic Proceudre for Alignment (Mixdown and Multitrack)
Playback Alignment
Record EQ
Reference Tones
Reference Tone
Starting the Mix / Zeroing the Board
Tape Choice
Outboard Gear to Have on Hand
Tape Speed
Automation
Multiple Sets of Monitors
Comparison to Other Projects
The Spherical Approach to Panning and Positioning in the Mix
EQ: The Cumulative Effect
Mixing Theories and Building Concepts
Mix Approach
The Arrangement
Characteristics of a Good Mix
Strong and Solid, But Controlled, Lows
Mids Distributed Evenly Among Various Instruments
Strong, Smooth Highs That Are Easy to Listen To
Balance
Depth
Width
Momentum
Consistency
Sounds Good in Stereo and Mono
Approaches to Mixing That I've Found Ineffective
Signs of an Amateur Musical Recording
Basic Setup Procedure
Once You Select and Prepare the Multitrack and Mixdown Machines
Arranging During Mixdown
Multiple Mixes
Mix Versions
Building the Mix
Kick Drum / Bass Guitar
Pan the Cymbals for a Natural Sound
Live Toms
Drum Machine Toms
Drum Set Overhands (Live)
Bass
Lead Vocal
Compression
Expander
Vocal EQ
Exciter
Simple Delay
Add Backing Vocals
Comping Keyboards and Rhythm Guitars
Filling in the Holes With the Guitar or Keys
Lead Parts
Solos
Mix Levels
Fades
Preparing the Mixed Master for Duplication
Editing
Mastering
Different Mixes
Conclusion
GLossary
Index





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