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Do What You Have To Do

Dostępne opracowania:

akompaniament nagrany na płytach CD - komplet 2 płyty (1)
gitara solo (1)
głos wokalny solowy (sopran) i fortepian (1)
książka (5)
książka + CD (1)
więcej opracowań ...

Do What You Have To Do znajdziesz w 9 publikacjach wymienionych poniżej:


Okładka: Boytim Joan Frey, The First Book Of Soprano Solos

cena 95,95 zł.


nuty.pl

Boytim Joan Frey
The First Book Of Soprano Solos

angielski The First Book Of Soprano Solos


Opracowanie na:akompaniament nagrany na płytach CD - komplet 2 płyty
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
akompaniament na płycie CD (2)
Rodzaj produktu:płyta CD (2 szt.)
Wersja językowa:tytułów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL060452
Produkty podobne:Boytim Joan Frey - Pierwsza książka na sopran solo - z. 2
Boytim Joan Frey - The First Book Of Soprano Solos
Boytim Joan Frey - The First Book Of Soprano Solos - Part II
Boytim Joan Frey - The Second Book Of Soprano Solos
Boytim Joan Frey - The Second Book Of Soprano Solos

Na płytach CD sa akompaniamenty do trzydziestu trzech pieśni na głos wokalny sopran z towarzyszeniem fortepianu. Są to utwory barokowe, klasyczne, romantyczne, aż po współczesne pieśni XX wieku. Utwory przeznaczone są dla śpiewaków średnio zaawansowanych. Są to tylko płyty z akompaniamentem, zapis nutowy pieśni można kupić w serwisie jako osobną pozycję: Boytim Joan Frey - "The First Book Of Soprano Solos", kod produktu: NPL060865


Contents: The Beatitudes (Malotte) • Bel Piacere (Handel) • Bonne Nuit (Massenet) • The Crucifixion (Barber) • El Majo Discreto (Granados) • El Tra La La Y El Punteado (Granados) • Everywhere I Look (Carew) • The Green Dog (Kingsley) • Have You Seen but a White Lily Grow? • Hear My Cry, O God (Franck) • Heffle Cuckoo Fair (Shaw) • I Love All Graceful Things (Thiman) • Into the Night (Edwards) • The K'e (Dougherty) • Let My Song Fill Your Heart (Charles) • Let Us Dance, Let Us Sing (Purcell) • Lied der Mignon (Schubert) • A Little China Figure (Leoni) • Little Elegy (Duke) • Love Has Eyes (Bishop) • Lullaby (Scott) • The Mermaid's Song (Haydn) • Minnelied (Mendelssohn) • My Johann (Grieg) • Night is Falling (Haydn) • O Peace, Thou Fairest Child Of Heaven (Arne) • Oh, What a Beautiful City (Boatner) • Piercing Eyes (Haydn) • Rose Softly Blooming (Spohr) • Si Mes Vers (Hahn) • Waldensamkeit (Reger) • Water Parted from the Sea (Arne) • When I Have Sung My Songs (Charles).


Lista utworów:
My Johann [Grieg, Edvard]
Night Is Falling [Haydn, Franz Joseph]
O Peace, Thou Fairest Child Of Heaven [Arne, Thomas]
Oh, What A Beautiful City [Boatner, Edward]
Piercing Eyes [Haydn, Franz Joseph]
Si Mes Vers Avaient Des Ailes (Were My Songs With Wings Provided) [Hahn, Reynaldo]
Minnelied [Mendelssohn, Felix]
The Green Dog [Kingsley, Herbert]
Rose Softly Blooming [Spohr, Louis]
The K'e [Dougherty, Celius]
The Mermaid's Song [Haydn, Franz Joseph]
Waldensamkeit [Reger, Max]
Water Parted From The Sea [Arne, Thomas]
When I Have Sung My Songs [Charles, Ernest]
The Crucifixion [Barber, Samuel]
Everywhere I Look [Carew, Molly]
The Beatitudes [Malotte, Albert Hay]
Lullaby [Scott, Cyril]
Bel Piacere [Handel, George Frideric]
Bonne Nuit [Massenet, Jules]
Et Tra La La Y El Punteado [Granados, Enrique]
A Little China Figure [Leoni, Franco]
Have You Seen But A White Lily Grow? Hear My Cry, O God [Franck, Cesar]
Heffle Cuckoo Fair [Shaw, Martin]
Little Elegy [Cole]
El Majo Discreto [Granados, Enrique]
Love Has Eyes [Bishop, Henry R.]
I Love All Graceful Things [Thiman, Eric H.]
Lied Der Mignon [Schubert, Franz]
Let Us Dance, Let Us Sing [Purcell, Henry]
Let My Song Fill Your Heart [Charles, Ernest]
Into The Night [Edwards, Clara]

Spis treści:

CD 1
The Beatitudes (Malotte)
Bel Piacere (Handel)
Bonne Nuit (Massenet)
El Tra La La Y El Punteado (Granados)
The Crucifixion (Barber)
El Majo Discreto (Granados)
Everywhere I Look (Carew)
The Green Dog (Kingsley)
Have You Seen but a White Lily Grow?
Hear My Cry, O God (Franck)
Heffle Cuckoo Fair (Shaw)
The K'e (Dougherty)
I Love All Graceful Things (Thiman)
Into the Night (Edwards)
Let My Song Fill Your Heart (Charles)
Minnelied (Mendelssohn)
Let Us Dance, Let Us Sing (Purcell)
CD 2
Lied der Mignon (Schubert)
A Little China Figure (Leoni)
Little Elegy (Duke)
Love Has Eyes (Bishop)
Lullaby (Scott)
The Mermaid's Song (Haydn)
Night is Falling (Haydn)
My Johann (Grieg)
O Peace, Thou Fairest Child Of Heaven (Arne)
Si Mes Vers (Hahn)
Oh, What a Beautiful City (Boatner)
Piercing Eyes (Haydn)
Rose Softly Blooming (Spohr)
Waldensamkeit (Reger)
Water Parted from the Sea (Arne)
When I Have Sung My Songs (Charles)

Okładka: Boytim Joan Frey, The First Book Of Soprano Solos

cena 83,95 zł.


nuty.pl

Boytim Joan Frey
The First Book Of Soprano Solos

polski Pierwsza książka na sopran solo
angielski The First Book Of Soprano Solos


Ilość stron:128
Format:230 x 305
Opracowanie na:głos wokalny solowy (sopran) i fortepian
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Partytura (1)
Głos wokalny - Sopran (0)
Fortepian (0)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Stopień trudności akompanamentu:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL060865
Produkty podobne:Boytim Joan Frey - Pierwsza książka na sopran solo - z. 2
Boytim Joan Frey - The First Book Of Soprano Solos
Boytim Joan Frey - The First Book Of Soprano Solos - Part II
Boytim Joan Frey - The Second Book Of Soprano Solos
Boytim Joan Frey - The Second Book Of Soprano Solos

W tomie I zaprezentowane są orginalne pieśni na głos sopran z towarzyszeniem fortepianu.Trzydzieści pięć pieśni stanowią syntezę od utworów barokowych po współczesne pieśni XX wieku.


This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a sampling of beginning songs in German, Italian, Spanish and French. There is a completely different song selection for each voice type.


Lista utworów:
A Little China Figure (Leoni)
Bel piacere (Handel)
Bonne Nuit (Massenet)
El Majo Discreto (Granados) (Enrique Granados)
Et tra la la y el punteado (Granados) (Enrique Granados)
Everywhere I Look (Carew) (Molly Carew)
Have You Seen But A White Lily Grow? (Early 17th Century melody)
Hear My Cry, O God (Franck)
Heffle Cuckoo Fair (Shaw) (Martin Shaw)
I Love All Graceful Things (Thiman)
Into the Night (Edwards)
Let My Song Fill Your Heart (Charles) (Ernest Charles)
Let Us Dance, Let Us Sing (Purcell)
Lied Der Mignon (Schubert)
Little Elegy (Duke) (John Duke)
Love has eyes (Bishop)
Lullaby (Scott) (Gian-Carlo Menotti)
Minnelied (Mendelssohn)
My Johann (Grieg) (E. Grieg)
Night Is Falling (Haydn)
O Peace, Thou Fairest Child of Heaven (Arne)
Oh, What a Beautiful City (Boatner)
Piercing Eyes (Haydn)
Rose Softly Blooming (Spohr)
Si Mes Vers Avaient Des Ailes
The Beatitudes (Malotte) (Albert Hay Malotte, Tina English)
The Crucifixion (Barber) (Samuel Barber)
The Green Dog (Kingsley)
The K'e (Dougherty) (Celius Dougherty)
The Mermaid's Song (Haydn)
Waldensamkeit (Reger)
Water Parted from the Sea (Arne)
When I Have Sung My Songs (Charles) (Ernest Charles)

Okładka: Hunter Dave, Guitar Effects Pedals - the practical handbook

cena 182,95 zł.


nuty.pl

Hunter Dave
Guitar Effects Pedals - the practical handbook

angielski Guitar Effects Pedals - the practical handbook


Ilość stron:224
Format:220 x 280
Opracowanie na:książka + CD
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL061407

Publikacja "Guitar Effects Pedals" Dave Hunter zawiera ponad 40 projektów i rysunków muzycznych sprzętów gitarowych typu: stopki gitarowe, wzmacniaczy, filtry. Dodatkowo do publikacji zamieszczona jest płyta CD, na której znajdują się 92 próbki dźwiękowe poszczególnych komponentów gitarowych. Książka napisana jest w języku angielskim.


It's a golden age for guitar effects pedal users and makers right now, with over 40 years of design experience and musical experimentation to draw on. Your choice includes the original, pioneering vintage models, or souped-up clones from more contemporary designers. Dave Hunter spells out the pros and cons of both in this uniquely comprehensive guide. In a guitarist-friendly style, the book explores: what each type of effect does • how pedals work • the best order to connect pedals • and how to make the most of the pedals you have. Also includes exclusive interviews revealing eight top pedal makers' radically diverse appraoches to building effects.


Lista utworów:
Guitar Effects Pedals - the practical handbook (Hunter Dave)

Okładka: Baron Turner Jessica, Smart start Guitar

cena 94,95 zł.


nuty.pl

Baron Turner Jessica
Smart start Guitar

polski Szybki start w grze na gitarze
angielski Smart start Guitar


Ilość stron:32
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL065186
Produkty podobne:Baron Turner Jessica - Smartstart Guitar

Książka jest samouczkiem gry na gitarze techniką akordową - tzw. chwytami - wg Jessici Baron Turner. Znajduje się tu 17 rozdziałów, każdy wprowadza nowe zagadnienie muzyczne. Do poszczególnych rozdziałów przyporządkowane są piosenki i popularne melodie, w zależności od stopnia trudności danej lekcji. Dodatkowo do publikacji została dołączona płyta CD, na której znajdują się wersje demonstracyjne utworów, jak i sam akompaniament. Publikacja jest przeznaczona dla dzieci w wieku 5-10 lat.


Every kid wants to play guitar, and this innovative new instructional method lets them do just that! It's designed for use in the general music classroom, and is developmentally structured to get all beginning guitar students playing and singing from the very first lesson, no matter what their level of experience. Whether you have a small group or a classroom full of students, the Book/CD pak and the video will help you, the music teacher provide a quality musical experience, even if you are a beginner yourself! It's easy to use and before you know it, you'll be helping even young children to play well and build general music skills, one success at a time! For ages 5-10.


Lista utworów:
Buffalo Gals (Won't You Come Out Tonight?) (Cool White (John Hodges))
Frere Jacques (Are You Sleeping?) (Traditional)
Hey, Ho! Nobody Home (Traditional)
I've Been Working On The Railroad (American Folksong, Bruce Gowers, Carol Rosenstein, Michael Lloyd, Traditional)
Joshua (Fit The Battle Of Jericho) (African-American Spiritual)
Kum Ba Yah (Ruth Artman, Traditional Spiritual)
Michael Finnegan (Traditional)
My Bonnie Lies Over The Ocean (John Jacobson, Kirby Shaw, Traditional)
Old Joe Clark (Tennessee Folksong)
Old Macdonald Had A Farm (Traditional)
On Top Of Old Smoky (Kentucky Mountain Folksong)
Row, Row, Row Your Boat (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Traditional)
Shady Grove (Celius Dougherty)
She'll Be Comin' 'Round The Mountain (Traditional)
Sweet Betsy From Pike (American Folksong)
The Drunken Sailor (American Sea Chantey)
This Old Man (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Robert Chilcott, Traditional, Traditional English)
Twinkle, Twinkle Little Star (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Traditional)
When The Saints Go Marching In (Carol Rosenstein, James M. Black, Michael Lloyd, Traditional)

Okładka: Boonshaft Peter Loel, Teaching Music With Passion

cena 159,95 zł.


nuty.pl

Boonshaft Peter Loel
Teaching Music With Passion

polski Nauka muzyki z pasją
angielski Teaching Music With Passion


Ilość stron:192
Format:127 x 203
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065269

Publikacja Petera Loela Boonshafta jest arcydziełem skupiającym myśli, idee i różnorakie zagadnienia dotyczące muzyki. Autor zawarł w niej sposoby nauki muzyki, także własne doświadczenia, anegdoty i inspirujące do działań cytaty uczonych i mistrzów, m. in. Toma Donaldsona, Dr. Tima Lautzenheisera, Jamesa Swearingena i Dr. W. Francisa McBetha. Książka napisana jest prostym językiem angielskim.


Teaching Music with Passion is a one-of-a-kind, collective masterpiece of thoughts, ideas and suggestions about the noble profession of music education. Both inspirational and instructional, it will surely change the way you teach (and think) about music. Filled with personal experiences, anecdotes and wonderful quotations, this book is an easy-to-read, essential treasure! One of the most 'real' writings I have read during my 35 years in music education. - Mel Clayton, President, MENC: The National Association for Music Education


Spis treści:

Foreword by Dr. Tim Lautzenheiser
Preface: A corner, a congressman and an Oyster
The 33 P's of a Wonderful Rehearsal
Common Misunderstandings in Conducting
"Put Yourself in a Straightjacket and Dance a Free Dance"
But How Do I get Them to Watch?
Effective Rehearsal Communication
Plain Vanilla Conducting
"What's Hiding in an Empty Box" or Is Passion a Four - Letter Word?
"Do or do not, there is no try"
Those who can - teach
"If You don't know, i can't tell you!"
Postlude: A Lie, the future and a Puppeteer
About the Author

Okładka: Wadhams Wayne, Inside The Hits

cena 191,95 zł.


nuty.pl

Wadhams Wayne
Inside The Hits

polski Wnętrza hitów
angielski Inside The Hits


Ilość stron:584
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Gedutis Susan, Nathan David
Kod produktu:NPL065629

Obszerna publikacja będąca zbiorem interpretacji i analiz największych przebojów różnorodnych artystów, m. in.: Tracy Chapman, The Beatles, Michaela Jacksona, The Kinks, The Zombies, Paula Simona i wielu innych. Autor książki - Wayne Wadhams - bada kluczowe składniki, które tworzą piosenkę - melodię, tekst, produkcję, wykonania artystyczne, itp. Znajdziesz tu zaskakujące odpowiedzi na ciekawe i prowokujące pytania.


How does a song become more than words and music to represent or influence the voice of a generation? Inside the Hits dissects more than 60 of the most powerful and memorable hit songs since the birth of rock and roll to reveal the roots of their success. Author Wayne Wadhams examines the key ingredients that made the songs work then and now, including: melody, lyrics, performance, production, artist image, promotion, and market timing. What really stopped Mick Jagger from getting 'Satisfaction'? How did a secretary who was mistaken for a prostitute give Donna Summer her new sound? Find all the answers in Inside the Hits. 'Reading Inside the Hits was like reliving some of the most memorable moments in rock and roll. A captivating read for industry professionals and fans alike.' - Phil Ramone


Spis treści:

Introduction: Goal and Game Plan
Part 0. What the Hits have common
Part 1. Rock's First Decade, and What made it all possible
1. Passion, Personality, and an Unlike Monarch
2. The Pretty Boys: Teen Idols from Philly and Beyond
3. Serious Doo - Wop at Chicago's Best
4. Girl Groups tothe Rescue - Reluctantly
5. Motown: A short of rythm 'n' class
6. The funny men: Novelty Records
7. Life's Beach, and Then it ends
8. Desperation alley: A lost soul in love hell
9. Rock production meets the classics - and triumphs
Part 2. The Beatles
1. Timing, Teamwork, Genius
2. Jewels in the Crown, Nails in the coffin
Part 3. The British Invasion, first wave: Adventures in excess and elegance
1. The Kinks: Crotchbusters extraordinaire
2. The Zombies
3. The Yardbirds: Heavy Breathing the Blues
4. The Searches
5. Herman's Hermits: Manufacturing pop
6. The Troggs: Here today, gone today
7. The Rolling Stones: No holes barred
Part 4. Meanwhile, back at the ranch: an explosion of New America Sounds and Styles, 1965 - 1973
1. The byrds
2. The lovin' spoonful: Just a-Pickin' and a-Grinnin'
3. The Turtles: Pop prefection by the Numbers
4. The doors: Prophets of sex, drugs and more sex
5. Aretha Franklin: The past stops here, amen
6. Buffalo springfield: What's wrong with this picture?
7. Crosby, stills & nash: reluctant heroes
8. Creedence clearwater revival: American, The view from L.A.
9. Stevie Wonder: Artists take what's theirs, finally
10. Paul Simon: The fear behind the fun
Part 5. Movements of brillance, 1974 - 1988
1. Tina Turner
2. Paul Young
3. The Pointer Sisters
4. The Police: Surrepticity Stalking
5. The Eagles
6. Toto: Pop rules! Screw the critics
7. The Doobie brothers
8. Robbie Nevil: Life's Great / Awful
9. Michael Jackson
10. Steely Dan and Donald Fagen: Architects of Perfection
11. Raging Hormones, Rude Emotions: Letting It All Hang Out
12. Tracy Chapman and theFolk Re-Re-Revival
Epilogue
Key HIT Elements Matrix
Glossary
List and Index od Defined terms
Index
Index of credits

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Howard George, Getting Signed!

cena 171,95 zł.


nuty.pl

Howard George
Getting Signed!

polski Otrzymywanie kontraktów!
angielski Getting Signed!


Ilość stron:233
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.


For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club


Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
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Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully





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