•Centrum Dystrybucji Nut•
System sklepów muzycznych
  

pokaż koszyk
Pomoc  Podręczniki  Utwory okoliczno¶ciowe  Nuty na instrumenty klawiszowe  Nuty na instrumenty strunowe  Nuty na instrumenty dęte drewniane i dęte blaszane  Nuty na instrumenty perkusyjne  Nuty na głosy solowe i chóry  ¦piewniki turystyczne, biesiadne i rockowe  Ksi±żki  Nuty na orkiestrę  Nuty na zespoły kameralne oraz rockowe  Inne 
Indeks autorów |  Wyszukiwarka |  Mapa serwisu 

Here Again

Dostępne opracowania:

gitara solo (3)
więcej opracowań ...

Here Again znajdziesz w 3 publikacjach wymienionych poniżej:


Okładka: Bolcom William, Seasons for Solo Guitar

cena 95,95 zł.


nuty.pl

Bolcom William
Seasons for Solo Guitar

polski Pory roku na gitarę solo
angielski Seasons for Solo Guitar


Ilo¶ć stron:20
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Stopień trudno¶ci:8 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL064721

"Seasons" to pięć kompozycji Williama Bolkoma będ±cymi obrazami muzycznymi pór roku w Michigan. Kompozycje te zostały zadedykowane Michaela Lorimera, a ich premiera w jego wykonaniu miała miejsce na Uniwersytecie Michigan 15 listopada 1975 roku.


"Seasons" for guitar, written for Michael Lorimer and commissioned by the Michigan Council for the Arts, is a pastoral piece, one of a long tradition of "Seasonal" works. It stars and ands, however, with winter, which is somewhat unusual, and the seasonalbreaks in the movements are not determined by the solstices - more by the moments one feels sure things are changing, have changed, and will change again. Here in Michigan, spring and summer flow together more than they do further East; late summer is almost another season from early summer; falls are hearty but crepuscular; winters are long.


Lista utworów:
Winter (Badlands, Roland Hanna)
Thaw (William Bolcom)
Spring and Summer Dances (William Bolcom)
Summer Sounds (William Bolcom)
Harvest Time and Winter's Onset (William Bolcom)

Okładka: Stachak Tatiana, Gitara ekstra klasa

cena 56,95 zł.


nuty.pl

Stachak Tatiana
Gitara ekstra klasa

polski Gitara ekstra klasa
angielski Extra Class Guitar


Ilo¶ć stron:144
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:ksi±żka
Wersja językowa:wstępu: polska, angielska
opisów: polska, angielska
Stopień trudno¶ci:2 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
AutorzyAutor okładki: Flis Małgorzata
Redaktor: Kowalczyk Marcin
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL066102
Produkty podobne:Stachak Tatiana - Gitara pierwsza klasa

Podręcznik "Gitara ekstra klasa" jest kontynuacj± bestsellerowej publikacji "Gitara pierwsza klasa". Podręcznik adresowany jest do dzieci i młodzieży w wieku 7-14 lat. W podręczniku wprowadzone zostały kolejne zagadnienia techniczne realizowane w nauczaniu pocz±tkowym gry na gitarze, tj.: legato, barré, tremolo, apoyando, ozdobniki, gra w różnych pozycjach. Zamieszczone na ponad 140 stronach publikacji utwory to w większo¶ci kompozycje autorki podręcznika (s± to zarówno utwory solowe, jak i duety dla ucznia i nauczyciela oraz utwory kameralne) uzupełnione o obszerny zbiór popularnych miniatur dydaktycznych klasyków gitary, a także utwory współczesne Romualda Twardowskiego i Marka Pasiecznego oraz liczne ćwiczenia i wprawki techniczne, improwizacje oraz gamy. W¶ród nowatorskich rozwi±zań publikacji warto wymienić wprowadzenie w wielu utworach ciekawych i rzadko wykorzystywanych w literaturze dydaktycznej dla dzieci efektów gitarowych, m.in. : tamburo, pizzicato, pizzicato Bartóka, flażolety naturalne i sztuczne, stukanie w pudło gitary, gra za siodełkiem, étouffé. Nowatorskim rozwi±zaniem jest też wprowadzenie zagadnienia akompaniamentu oraz gry w zespołach kameralnych (której po¶więcony jest jeden z rozdziałów podręcznika). Cało¶ci dopełnia szata graficzna - kilkadziesi±t ilustracji autorstwa Małgorzaty Flis.

I am very glad to meet you yet again. This book is a continuation of the First Class Guitar handbook. The exercises and pieces included here are now somewhat more difficult. In them, you will find new playing techniques and various guitar "tricks". I hope that with the aid of this publication, you will not only develop your skills, but also become acquainted with interesting and pretty pieces which will be a pleasure for you to play. I look forward to hearing you at guitar concerts!

Spis tre¶ci:

Co znajdziesz w podręczniku / What You Will Find in this Handbook
Czę¶ć 1 / Part 1- Gitarowe sztuczki (apoyando, legato, barré, tremolo i inne techniki gry) / Guitar Tricks (apoyando, legato, barré, tremolo and other playing techniques)
Gra w pozycjach / Playing in Positions
Melodia grana apoyando / Melody Played Apoyando
Legato z pust± strun± / Legato with Open String
Legato bez pustej struny / Legato without Open String
Ozdobniki / Ornaments
Barré
Tremolo
Czę¶ć 2 / Part 2 - 40 już nie tak łatwych utworów (40 Not-So-Easy Pieces)
Mały słowniczek muzyczny / Small Music Dictionary
Czę¶ć 3 / Part 3 - Gitara i przyjaciele (łatwe utwory kameralne) / Guitar and Friends (easy chamber pieces)

Okładka: Leavitt William, A Modern Method For Guitar - Volumes 1, 2, 3 Complete

cena 198,95 zł.


nuty.pl

Leavitt William
A Modern Method For Guitar - Volumes 1, 2, 3 Complete

polski Wspóczesna szkoła na gitarę - czę¶ci 1,2,3 - cało¶ć
angielski A Modern Method For Guitar - Volumes 1, 2, 3 Complete


Ilo¶ć stron:432
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudno¶ci:4 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Feist Jonathan
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL076172
Produkty podobne:Leavitt William - A Modern Method For Guitar - Volume 2
Leavitt William - A Modern Method For Guitar, Volume 1
Leavitt William - Méthode Moderne De Guitare: Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition) - Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition), Volume 1

Trzy czę¶ciowa szkoła gry na gitarze Williama Leavitta, zebrana została w jednej publikacji. Jest ona wykorzystywana do nauki gry na gitarze w prestiżowym Berklee College of Musik. Czę¶ć pierwsza zajmuje się harmoni±, melodyk±, akompaniamentem a także podstawowymi technikami (np. arpeggio). W czę¶ci drugiej wprowadzone zostaj± zagadnienia interwałów, przewrotów akordów, improwizacji, gitary rytmicznej i gry w duecie. Czę¶ć trzecia pogłębia wiedzę zdobyt± wcze¶niej.

Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

Lista utworów:
Lullaby [Brahms, Johannes]
Merrily We Roll Along
White Coral Bells
Old Macdonald Had A Farm
The Cobra [Leavitt, William]
The Pebble [Leavitt, William]
Two-part Invention (No.13) [Bach, Johann Sebastian]
My Old Kentucky Home [Foster, Stephen]
Long, Long Ago
The Waltz [Leavitt, William]
Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph]
Home On The Range
Rock Candy [Leavitt, William]
An Ancient Rock [Leavitt, William]
Accidentally [Leavitt, William]
Another Waltz [Leavitt, William]
Big Ben [Leavitt, William]
Duet For Dot [Leavitt, William]
Duet For Two [Leavitt, William]
Frere Jacques
Giant Steps [Leavitt, William]
America, The Beautiful

Spis tre¶ci:

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar – The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales – Position II
Principal Real Melodic Minor Scales – Position II
Triad studies – chords in G major
Arpegios – Three note chords -major triads
Arpegios – Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales – poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies – chords in F Major
Technical study
About chord construction
Major scales – position IV
Principal Real Melodic Minor Scales – Position IV
Chord construction – four part harmony
Arpeggios
Rhythm Guitar – The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes – A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios – four note F chords
Arpeggios – four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales – Position V
Chord construction – three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios – Four note Bb chords
Arpeggios – Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar – The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment – The Appogiatura
Rhythm Guitar – The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios – four note Eb Chords
Arpeggios – four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales – Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios – four note Db chords
Arpeggios – Four note B chords
Rhythm Guitar – The right hanad (Samba)
Polka -dot (polka duet)
Major Scales – Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios – Four note F# chords
Arpeggios – Four note Gb chords
Arpeggios – Four note C# chords
Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios – Diminished chords (spelling most used)
Arpeggios – Dominant 7(b5)
Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales – position X
Principal Real Melodic Minor Scales – Position X
Chords (Three note voicings) Major 6 and 7 chords – close and open voicings
Chord construction – five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar – The right hanad (Joropo, Nanigo)
Arpeggio study – seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings
Iim7-V7I chord study
Chord-scale relationships – special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody – from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships – major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar – The right hanad (Paso Doble)
Chord study – Minor 7 with 5b in the bass
Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings – adding the 5th degree
Chords-preparation of four-part open voicings – adding the root
Chord spelling – five note arpeggios – minor 9(b5) chords
About improvisation
„It's Late” (duet)
Chords-preparation of four part open voicings – adding the 3rd degree
Chords-preparation of four part open voicings – adding the 7rd degree
Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords





Wyszukiwarka






Strona główna

Centrum Dystrybucji Nut nuty.pl
FRAZA s.c., ul. Łużycka 28a, 51-111 Wrocław
tel./fax (071) 325-82-11, tel. 372-66-68
Copyright 1997 - 2014 Fraza s.c., Wrocław, Poland