Turn It Off Turn It Off, nuty na gitarę

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Wprowadzenie - Wskazówki metodyczne
Mel. popularna - "Wlazł kotek na płotek"
M. Carcassi - Andantino
E. Schwarz-Reiflingen - Preludium C-dur
D. Aguado - Etiuda G-dur
A. Loretti - "Melodia"
F. Sor - Etiuda G-dur
F. Sor - Etiuda C-dur
Mel. ludowa - "Pije Kuba do Jakuba"
F. Sor - Etiuda A-dur
F. Sor - Etiuda D-dur
A. Diabelli - Etiuda d-moll
D. Aguado - Etiuda A-dur
J. de Azpiazu - Etiuda D-dur
Wskazówki metodyczne dotyczące "Lotu trzmiela" w tremolu
N. Rimski-Korsakow - "Lot trzmiela"
L. Szulc - Etiuda e-moll
L. Mozzani - "Festa Lariane"
J. Viňas - "El Sueňo"
F. Tarrega - Preludium "Oremus"
Rosyjska mel. lud - Romans ("Nie gniewaj się, moja kochana")
F. Sor - Etiuda C-dur (nr 3)
M. Ratz - "Gutte macht"
D. Dominici - "Nokturn"
J. Arcas - "Sen"
L. Gottschalk - F. Tarrega - "Tremolo-Studium koncertowe"
F. Tarrega - "Wspomnienie z Alhambry"
F. Tarrega - "Sen-Marzenie"
J. Viňas - "Fantazja oryginalna"

Organisation des fiches
Reperes: quelques gammes
SEQUENCES TONALES [CD1]
Le La du diapason
Les II V I et variantes
II V I: Dm7 G7 C7M
II VAlt I: Dm7 G7Alt C7M
II7 V I: D7 G7 C7M
II V I (mineur): Am7(5b) D7 Gm
II7 V Im: D7 G7 Cm
IIb7M V I: Ab7M D7 G7M
L'ANATOLE
Les I VI II V (Turnaround)
I VI II V: Bb7M G7 Cm7 F7
I VI II V (2 accords par mesure): Bb7M G7 Cm7 F7
I Idim II V: Bb7M A7 Cm7 F7
I VI II V: Bb7M G7 Cm7 F7
LE CHRISTOPHE
Christophe basse descendante: Bb Bb/Ab Eb/G Bb/F
Christophe basse descendante: C C/E F F#dim C/G
Christophe Be-Bop: Fm7 Bb7 Eb Ab
I I7 IV VIIb7: F F7 Bb Eb7
IV IVm6 I I7: Bb Bbm6 F F7
LE PONT
III7 VI7 II7 V7: D7 G7 C7 F7
Anatole complet
AUTRES SÉQUENCES
Im V/3 VIIbm6 IV7/3: Dm A7/C# Cm6 G7/B
Im VIIb7 V7: Cm Bb7 Ab7 G7
I III7 II V I: D F#7 (ou Bb dim) Am7 D7 G
I VII7 VIIb VI VIb7 V7 I: C B7 Bb7 A7 Ab7 G7 C
I VIb7 VI7 II V I IIIb7 VIb IIb7: C Ab7 A7 Dm7 G7 Eb7 Ab Db7
SÉQUENCES MODALES [CD2]
PREMIERE PARTIE
Modes issus de la gamme majeure
G7: Mode Mixolydien
Dm7: Mode Dorien
F7M: Mode Lydien
Enchaînement Dorien-Mixolydien-Lydien
Enchaînement Mixolydien-Lydien
DEUXIEME PARTIE
Modes non issus de la gamme majeure
C7 open: Symétrie
Mode Lydien b7
Am75b: Mode Locrien #2
Enchaînement Lydien-Dorien-Locrien #2
Mode Lydien augmenté
Mode Lydien #9
Triades Basses sur dominante (et anchaînement mode Lydien)
Enchaînement Phrygien Lydien augmenté
TROISIEME PARTIE
Grilles complexes
Holdsworth Sound
Enchaînement d'accords mineurs en cycles de quarte
Mélange tonal-modal
Coltrane Change
Superposition des accords coltraniens sur II V I
Enchaînement d'accords m7 sur deux temps
QUARIEME PARTIE
Morceaux choisis
Triads And You
Check into Recife
Latino Cocktail
Miguel
Song For V.H.
Song For Emilie
Samba de Bahia
Accord triade sur triade: enrichissement des accords

Introduction
How This Book Works
Practice Tips
Chapter 1: A history of the Blues
The Dawn of the Blues
Delta Blues
The Blues Migration
Texas Blues
New Orleans Blues
Blues in Georgia and the Carolinas
West coast Blues
Chicago Blues
Boogie Woogie Blues
Is it Jazz or is it Blues?
Rock 'n' Roll and Blues
The British Blues Invasion
The Soulful Side of Blues
Blues and the Bass
The Blues Today
Chapter 2: Blues Basics
The Blue Scale
Twelve - Bar Blues
Blues Progressions
Targs & Turnarounds
Endings
Chapter 3: The Grooves
Some Basic Blues Forms
12 / 8 Feel
Swing / Shuffle
Jazz
Pop
Slow Blues
Syncopation
Other Blues Forms
24 - Bar Blues
8 - Bar Blues
Country Blues
Minor Blues
Blues in Other Meters
Funk Rock
Rock 'n' Roll
R&B
Chapter 4: Blues Soloing
Recommended Listening
About the Author

The Chromatic Walkup
Open Up
Double Up
Staccato
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Use the 5
5 By 8
Root - 5 - 8
You Got It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
Octave Slap
Chromatic Octaves
Gritty
Dead End
Keep It Together
It's an Eyeful

Introduction
Tuning
Basic Theory Review. Intervals; keys and scales; modes; chord construction; harmonizing scales; chord extensions; chromatic; chromatic harmony; chord-scales
Lesson 1. Seventh chord structures; chord-scales; sixth-string posting; making lines from chord shapes
Lesson 2. More seventh chord structures; fifth-string posting; making melodies from chord-scale shapes
Lesson 3. Another seventh chord structure; close voicings; the VI chord; the ii-V-I progression; using smaller chord shapes in lines
Lesson 4. Building extended dominant chords; the relative minor substitute; changing chord quality; passing chords; chord hits
Lesson 5. Extending the ii-V-I progression; inverting lines; minor seventh arpeggios
Lesson 6. Secondary dominant chords; the V of V chord; the secondary ii-V; thirteenth chord arpeggios; extensions of chord-scales
Lesson 7. Seventh chord types; extensions and alterations; approach tones; enclosure; thematic development
Lesson 8. Flat-five substitute; the bebop lick
Lesson 9. Harmonic rhythm; the I-IV-ii-V turnaround; the final chord; anticipaton
Lesson 10. Using scale harmonies; the walkup; harmonic consistency; chord melody, common tones
Lesson 11. Minor blues harmony; a descending line; chord-scale choices; the diminished seventh arpeggio
Lesson 12. Sideslipping; harmonic gravity; soloing over sideslips; popcorn licks
Lesson 13. Relative major chord substitution; diminished chord resolutions; a minor turnaround; an altered chord-scale; octave playing; octave fingerings; more chord melody
Lesson 14. The minor iv chord; harmonic sequencing; backcycling
Lesson 15. Major blues harmony; major to major shift; sixths and sevenths; more anticipation
Chord Reference
Where to Go from Here?
Guitar Notation Legend

The Electric Bass
The Bass Amp
Tuning
Playing Positions
Musical Symbols
Right - Hand Technique
Fingerstyle
Pick Style
Left - Hand Technique
The 1 - 2 - 4 Fingering system
Open - String Exercises
The Rake
Notes On The E String
Little Rock
Kindla Folky
More Notes on the E String
Lookin' Sharp
The Shift
Notes on the A string
You Go, Slav
Repeat Sign
One More Time
Cattle Crossing
More Notes on the A string
The Finger Roll
Roll It
Rolly
12 - Bar Blues
A little Heavy
Notes on the D String
Private Eye
Minor League
D - Lite
More Notes on the D string
Three - String Review
Crossin' Three
The Octave
Octa Gone
Notes on the G String
Gee Whiz
All Right
More Notes on the G String
All Four One
F / X
More Octaves
Octave Blues
Ties
Taiwan On
3 / 4 Time & the Dotted Half Note
Three's a Crowd
Tell It
Changin' Times
Rests
Rock 'n' Rest
D. C. al Fine
Three Play
Eighth Notes
Movin' 8's
Eight Ball
Eight Rests
Rok Gruv
Bop Bop
D. C. al Coda
Coda Pendant
Dee Dee
Using a Metronome
The Classic Rhythm
Down Home
Raitt On
Minor's Tale
A Classic Variation
Classic Blues
Petty Thief
Third Position
3rd Watch
Flying Leap
0 and 3
Shifty
Shift - Crazy Blues
Stones - y
Etude Brute
The Box Shape
E, A & B Box
Box Lunch
Box - E Blues
Movable Boxes
Your Move
Move It
Movie Star
5th Position
On the G String
Shift Practice
Shifty Henry
On the D String
Dee Gee
5 - 3 - 1
Dig It
On The A String
Introducing Tablature
Tab Hunter
Pay the Tab
On The E String
Open / Closed
Da Blues
All Together Now
Swing Time
One Finger Per Fret
The Major Scale
Scale Sequence # 1
Scale Sequence # 2
Key Signatures
Universal Fingerings
Scale Sequence # 3
Scale Sequence # 4
Pasta Mon
D - Lish
A - Flat Tire
Open E.
G3
B - Flat Jump
The Ckassic Blues Line
Gee Blues
Aay, Blues!
Low Down
Understanding Bass Lines
Syncopated Eighth Notes
Off Beat
Funky Soul Groove
That '70s Thing
The Major Triad
Tri Again
Funky Li'l Blues
The Minor Scale
Minor Scale Sequence
Relative Minor and Major
House O' Horror
Noir
Jazz Minor
Modulation
Minor Modulation
Mod Crazy
Minor Triads
Bogey Man
Roots
Gypsy Swing
Room - ba with a View
Eighth - Note Triplets
The '50s
12 / 8 Time
Bumpin'
The Shuffle Rhythm
Old Days
One - and Two - Measure Repeats
Bad Bone
Uptown Down
Classic Flat 7
Rollin'
Go On
The Chromatic Walkup
Open Up
Staccato
Double Up
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Adding the 5th
Use the 5
5 by 8
Root - 5 - 8
You Go It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
The Pop
Combinning Slap And Pop
Octave Slap
Chroamtic Octaves
Gritty
The Pressure Roll
Dead Notes
Dead End
Keep In Together
It's an Eyeful!

The Chromatic Walkup
Open Up
Staccato
Double Up
Rez-Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz-T
Plutonic
Funky16th-Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D-Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On the Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer-Ons & Pull-Offs
Hammer Head
X-Tender
Major Pentatonic
Just Like My Girl
N;awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Use the 5
5 By 8
Root-5-8
You Got It
Chromatic Approach
Chromatic R-5-8
It's Up to You
Scale Approach
Scalr R-5-8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Line
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In The Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
Octave Slap
Chromatic Octaves
Gritty
Dead End
Keep It Together
It's an Eyeful!

The whole neck mapped out
Scale numbering system
Half steps and whole steps
Modal madness
Real rock & blues soloing
Satch's drone tones
The nashville system
Transposing
Two-five-ones
One-six-two-five
Learning by ear
When in doubt, play I-IV
Relative major and minor
The blues ain't all sad
The C-A-G-E-D theory
The ABCs and 123s of chords
Arpeggio road maps
Four fingers, please
Warm-ups made easy
Alternate picking
Getta tuna
Soundhole solution
Electric vs. acoustic, pt.1
Electric vs. acoustic, pt.2
Heavier strings, better tone
Tube amps, big sounds
Amp modelers
Small amps, big sounds
Amp up, guitar down
Gig bags vs. shells
Cable Quality
Gain and sustain
Hear the rig
Distortion vs. overdrive
Clean and compressed
Your heroes all cheat
Pedal positioning
Tape 'em down
Pedal boards
Carry that weight
Keep your strap pn
Loop it or lose it
Don't turn up, tilt up
Heavy picks
Pracice for perfection
Guitar TV
Video teachers
Network news
Other instruments
Analyze your originals
Singing and playing
Simplify for songwriting
Keep it fun
Tournarounds for everyone
Easy funk guitar
This is not the blues
Alternate voicings
Damp it
Get a metronome
Inject some intervals
Open-string soloing
Harmonics
Alternate tunings
Exotic scales
Live experience is golden
Climatic conditions
Fingertips and nails
Change one string at a time
Coricidan bottle blues
Get tooled up
Tube replacement schedule
Insure your investment
Hazardous materials
Flying with your guitar
Even in a flight case...
Shipping your guitar or amp
Proof of ownership
Winding new strings
A properly strung 12-string
Sharpen your pencils
Grinds, not groans
SRV broken-string solution
Cleaning the body & neck
Cleaning the fretboard
Truss rod adjustments
And... action
Seting intonation
Locking tuners
Avoiding broken strings on a floating bridge
Changing strings on a floating bridge
Keep it level
More floating bridge tips
Miking Amps in the studio
Recording acoustic guitars
Save your studio ears
Home recording necessities
Effects and band size
Cut through on solos
Speaker placement at a gig
Eliminate hum
Stop microphone shock

Introduction
Tuning
How To Use This Book
Chapter 1: Common Scales Used in Blues - Rock
The CAGED Method
The Crossover Technique
Learning the Scales
Practicing the Scales
Scale Exercises
Circle of Fifths Method
Scale Diagrams
Summary
Chapter 2: Blues Tonalities
Texas Shuffle
Turn for the Worse
Funkin' It Up
Southern Boogie
Chapter 3: Major Tonalities
Ballad in D
Foolin' Around
Chapter 4: Minor Tonalities
I Adore U
Dori Ann
Chapter 5: Combining Tonalities: Playing Over Changes
Tomorrow's Kiss
Not For The Faint of Heart
Parting Words - Food for Thought
Recommended Listening
About the Author
About the CD

Introduction
About the Author
Tuning
Songs & Set lists
Gear
Rhythm riffs
Blues
Country
Funk
Jazz
R&B
Reggae / Ska
Rock
Heavy Metal
Lead Licks
Blues
Country
Jazz
Rock
Transposition

About the Author
Introduction
Creating "V-I" Cadences
Chapter One: Essential Introductions
Blues
Country
Jazz
Chaptyer Two: Essential Endings
Blues
Country
Jazz
Chapter Three: Essential Turnatounds
Blues
Jazz
Guitar Notation Legend

Introduction
Acknowledgments
About the author
Part one: Introduction to the fourth note principle
The technique
The Teory
Reference scales
Arpeggiated preparatory studies
Fingerings
Excersises: fingering #1
Blues in F
Excersises: fingering #2
Blues in B flat
Excersises: fingering #3
Part two: Improvisations and blues studies
Major 7th improvisations
Retograde activity fingering #1
Minor 7th improvisations
ii-V-I improvisations
Retrograde activity
Bossa
Improvisations or Minor 7th chords
The New Yorker
Dominant 7th patterns
Dominant 7th improvisations
Blues studies
Half - diminished chord improvisation
More half - diminished study
Part three: Changes, progressions, and polytonal studies
Applying original action procedure to chord changes
Diminished 7th chord studies
Applying the fourth note principle in chord progressions
"Countdownians"
Blues turnaround studies
Blue street
Improvisations to "Rythm" changes
Fusion: polytonal improvising using focus patterns
Like clockwork
Improvisations on jazz standards

The Language of Improvisation
How to Use This Book
Major Ideas
Minor Ideas
Dominant 7th Ideas
IIm7 V7 Imaj7 Ideas
IIm7 V7 Ideas (one bar phrase)
Turnarounds
Idea Substitution Chart
About the Author

Preface
Dedication
Rusty Zinn biography
Introduction
The turnarounds
Abou the author
Guitar notation legends

Introduction
CD Track List
Rules of the (Fret)Board
Chapter 1 Harmony Review and Introduction to Voice Leading
Harmony review
Voice Leading in Action: Simple Chord Familes on the Guitar Neck
Voice Leading Chord Tones and Tensions
Other Smooth Moves: Parallel Movement
Drop-2 Voicings
Chapter 2 Major II/V/I Progressions
II/V/I Practice Guide
Practicing II/V/I Progressions
How to Work with Comping Rhythms
Comping Rhythms
II-7/V7/IMaj7 Progressions
Chapter 3 Minor II/V/I Progressions
I-7(b5)/V7(b9)/I-7 Progresions
Chapter 4 Practice Tunes and Rhythms
(None of the Things You Were)
(None of the Things You Were) Variation Using Rhythm No. 1
(Spring Arrives)
(Spring Arrives) Variation Using Rhythm No. 2
(Dear Old Stockmarket)
(Dear Old Stockmarket) Variation Using Rhythm No. 4
(I Smell Catastrophe)
(I Smell Catastrophe) Variation Using Rhythm No. 3
(Turn On Your Headlight)
(Turn On Your Headlight) Variation Using Rhythm No. 5
(If I Knew How to Cook)
(If I Knew How to Cook) Variation Using Rhythm No. 3
(I Should Have Thought About Me) Using Rhythm No. 12
(Rambos Chin) Using Rhythm No. 11
(On Great Love) Using Rhythm No. 9
(Remember Me) Using Rhythm No. 10
Rhythm Changes
Rhythm Changes (Mixed Comping Rhythms)
Blues in F - Try Your Own Comping Thythms
Blues in F Using Rhythm No. 2
Chapter 5 Extra Credit: Advanced Progressions and Turnarounds
The Functions of #IV-7(b5): What It Is and How to Use It
Madal Interchange: What It Is and How to Use It
Interpolative II-7: What It Is and How to Use It
Chromatic Approach: What It Is and How to Use It
Diatonic Turnarounds: What It Is and How to Use It
Dominant Approach: What It Is and How to Use It
Sub V7 Dominant Substitutions
Using Dominant Approach With Blues Changes
Dominant Approach Applied to Dominant 7 and Substitute Dominant 7 Turnarounds
Dominant Approach: Dominant to Dominant 7
Dominant Cycle of Fifths: Mixolydian to Mixolydian
Dominant Cycle of Fifths: Mixed to Mixed Dominants
Dominant Chords: What They Are and How to Use Them
For Further Listening
Glossary
Appendix Modes and Chord Scales
Chord Scale Quick Finder
Scale Syllabus for Improvisation
Modes in Seventh Chords for Guitar
About the Author

About the CD
Preface
1 - Chords in Open Position
The Diagram
Open Position Major Chords
Chord Pairs
More Chord Pairs
Rhythm, Time, and Groove
Strumming
Getting in Rhythm
Points to Remember
Progressions for Practice
Tunes
2 - Scales in Open Position
Scale Shapes
Picking
Different Keys
Sixteenth Notes
3 - Practice Tips
Practice Space
Short Practice Sessions
4 - Moveable Chords and Scales
Naming Barre Chords
Moveable Chords with Fifth - String Roots
Two Chords Progressions
Four - Measure Progressions
Moveable Chord Exercise
Writing Your Own Progressions
Power Chords
Boogie Bass Patterns
More Practice Progressions
Moveable Pentatonic Scales
Keys
5 - The Blues
The Blues Form
Typical Ending
Other Keys
Substitute "Color" Chords
The Turnaround
Blues Rhythm Patterns
6 - Rhythm Playing
Three - String Triads
The Backbeat
Minor Triad Inversions
More Inversions
Progressions for Practice
"Suspended" and "Add" Chords
Progressions for Practice
7 - Songs and progressions
Review and Practice
Audio Index

Welcome to Left - Handed Guitar!
Famous Lefties
About the Audio
Playing Left - Handed Guitar Today
Tuning
A Few More Things
Reading Music on the Staff
String 1: E
String 2: B
Rests and Dotted Half Notes
Sharps
String 3: G
Eighth Notes
String 4: D
More Sharps and Flats
String 5: A
String 6: E
More Flats
Strumming - Style Notation
Open Major Chords
Slash Notation
Time Values
Syncopation
Open Minor Chords
Open Seventh Chords
Strumming Patterns
Root/Chord Strumming
Vocal Accompaniament
Reading Tabulature
Boogie Patterns in E
Single - Note Riffs
Arpeggiated Chords
Power Chords and Riffs
Open Power Chords
Extanded Open Power Chords
Movable Power Chords
Guitar Ariculations
Barre Chords
E-form Barre Chords
A-form Barre Chords
Progressions
Seventh Barre Chords
The Blues
The 12-Bar Blues Progression
The Shuffle Rhythm
Sixth Comping
Blues Shuffle
The Blues Scale
Texas Blues Shuffle
Fingerpicking Styles
Common Arpeggiation Patterns
Fingerstyle Accompaniament
Ragtime
Hybrid Picking
Classical
Chord Refernce
Scale Reference
Appendix: Using Right - Handed Materials
Notation Guide

Foreword
Explanation of Neck Blocks
Picking Exercises
Major Lines
More Major Lines
More Major Lines , Key of G
Minor Lines
More Minor Lines
Minor Pentatonic
Dominant Lines
More Dominant Lines
Altered Lines
Blues Turn - Arounds, (V - IV - I)
Jazz Turn - Arounds, (ii - V - I)
About the Author

Introduction
Guitars and Amps
Pick vs. Fingers
Standing vs. Sitting
Hand Positioning
The 12-Bar Blues
The Shuffle Rhythm
Sweet Home Chicago
The Blues Scale
Love in Vain Blues
Blues Phrasing
From Four Until Late
String Bending
The Double Stop
The Slide
Sitting on Top of the World
The Major Pentatonic Scale
The Pull-Off
Mary Had a Litte Lamb
Vibrato
I Can't Be Satisfied
Open-Position Shuffle Patterns
Look at Little Sister
The Extended Blues Scale
The Hammer-On
You Shook Me
Harmonized Shuffle Patterns
Ramblin' on My Mind
Boogie Patterns
Extended Chords
Blow, Wind, Blow
Movable Seventh Chords
I Believe I'll Dust My Broom
The Style of Howlin' Wolf
Kiling Floor
The Style of B.B. King
Rock Me Baby
The Style of Albert King
Born Under a Bad Sign
The Style of T-Bone Walker
(They Call It) Stormy Monday (Stormy Monday Blues)
The Style of Freddie King
L'm Tore Down
Repeating Riff Blues
I'm Leavin' You (Commit a Crime)
Boom Boom
Mannish Boy
Minor Blues
Double Trouble
Putting It All Together
Medium Shuffle Blues
Funky Blues
Slow Minor Blues
Rhumba Blues
Slow Shuffle Blues
Slow Blues/Jazz
Swing Blues
Guitar Notation Legend
Movable Patterns

Five fingerings for diatonic 7th chords in a major key
Nine common major key progressions
Tritone substitutions
Turnarounds
Progressions exercise
Blues Progressions
Five fingerings for diatonic 7th chords in harmonic minor
Two common harmonic minor progressions
Five fingerings for diatonic 7th chords in melodic minor
Two common melodic minor progressions
Diminished principles
Notes from the Author

Introduction
Bibliography
Slow 12/8, type 1
Slow 12/8, type 2
Swinging shuffle no.1
Swinging shuffle no.2
Moderate boogie shuffle no.1
Moderate boogie shuffle no.2
Chicago riff blues no.1
Chicago riff blues no.2
Slow minor blues
Jazzy minor blues
Riff blues no.1
Riff blues no.2
Riff blues no.3
Boogie woogie blues no.1
Boogie woogie blues no.2
Jazzy blues
Jazzier blues
Jazziest blues
Bebop blues
Accompanying keyboards
Turnarounds
Intros
Soloing over a 12-bar blues
About the author
Guitar notation legend

How to use this book
1 - Introduction minor pentatonic scales, the basic blues progression; basic blues / rock style
"Texas Rock"
2 - Moveable scales; moveable chords; more blues - rock style
"Blues Rock Tune"
3 - The 2nd pentatonic pattern; the 'quick change" progression; "blue notes"
"True Blue"
4 - Connecting scale patterns 1 & 2; root movements and more moveable chords; the basic shuffle "swing"
"Swinging the Blues"
5 - Pentatonic pattern 3; the "spread" rhythm; double stops
"Double Stop Stomp"
6 - Connecting the first three patterns, introducing the 4th; the circle of 5ths; basic delta style
"Delta Mood"
7 - The final scale pattern (5th); introducing 9th chords; string bends galore
"Bending the Blues"
8 - Connecting all of the patterns; #9 chords; position changes
"Bends, Slides and Shifts"
9 - Playing scales over the entire fingerboard; more 9th chords; funky 16th notes
"Getting Funky"
10 - More extended scale playing and alternate picking; 7th and 9th chord review; using pattern 4 in solo
"Lazy Day Blues"
11 - Scale theory; adding the #4 / b5 tone; turnaround; chord melody style
"Ninth Chord Blues"
12 - More scale theory, introducting the major pentatonic scale; minor blues pregressions; minor sounds in a solo
"Minor Blues"
13 - Major and minor pentatonic combinations; more minor blues progressions; more chord melody
"More Minor Blues"
14 - More major and minor scales together; using passing chords plus 13th chords; major blues
"Major Blues"
15 - String pair scale playing; more passing and 13 th chords; mixing major and minor scales
"Hard Edge Blues"
16 - Moving between adjacent scale patterns; using 6th to make partial chords; basic R&B gospel style
"Preaching Gospel Blues"
17 - Skipping over strings in scale playing; using 3rds; using 6ths in a solo
"Blue Sixth"
18 - Matching minor scale and chord forms; introducting secondary chords in alternate blues progressions; blues - based hard edge rock
"Hard Rocker"
19 - Matching major scale and chord forms; more alternate progressions; early rock sounds
"Rockin' and Rollin"
20 - Increasing speed; complete chord review and how and where to use them; trills and repeated figures in the Delta style
"Delta Child"
21 - How to use scale patterns; more alternate progressions; playing over the entire fingerboard
"All Forms Blues"
Notation Legend

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