Concerto in the Italian Style BWV 971 (urtext series)
Wiele z późniejszych dzieł Bacha m.in.: Koncert włoski, Wariacje Goldbergowskie, było tworzonych przy współudziale lipskiego Collegium Musicum. Utwory te były bardzo introspekcyjnymi i abstrakcyjnymi arcydziełami, szczytowymi kompozycjami sztuki Bacha (...).
Publikacja zawiera Koncert włoski BWV 971 Jana Sebastiana Bacha. Wydanie oparte jest o rękopis, którego facimile znajduje się w książce. W rozdziale "Performace" (wykonanie) opisane są szczegółowo sposoby interpretowania dzieł J. S. Bacha.
Rosalyn Tureck has been called 'The High Priestess of Bach' and is world-renowned as a scholar and performer. Recordings of her public recitals and lectures are collected in the Rosalyn Tureck Archives at the Library for the Performing Arts in Lincoln Center. She also directs the Tureck Bach Institute in New York, and is the editor of the Tureck/Bach Urtext Series published by G. Schirmer. This new Second Edition of Concerto in the Italian Style, with a revised introduction by Mme. Tureck, includes extensive critical notes and reproductions of Bach's First Editions in addition to Mme. Tureck's new Critical Edition of the score. The piece has been recorded by Mme. Tureck on CBS Masterworks and on Classical Music, Inc.
Lista utworów:
Concerto in the Italian Style (urtext series) BWV 971 (Bach Johann Sebastian)
Spis treści:
The Music Text
I. Orginal Sources
A. Manuscripts, First and Second Printings, Bach's copy
II. Embellishment Symbols
III.The Edition
IV. Format of Edytion
A.Performace Idications
B. Embellisments
C. Articulation Idications
D. Clefs
E. Stem Directions
V. Notation Style and Part-Writing
VI. Editions-Departures from Orginal Sources
A. First Movement - mm. 13-14; mm. 175-176
B. Second Movement
1. Notation Style
2. Measure 17
Performance
I. Embellisment
A. First Movement - Embellishment Symbols
B. Second Movement
1. Notation Style and Part-Writing
2. Motyvic Structure
3. M.17 - Embellisment in Alto part
4. Stemming - Its influence on Performace
C. Third Movement
D. Embellishment Style
II. Arpeggio
A. General
B. Rhytmic Applications on Harpsichord and Piano
III. Articulation
A. Orginal Indications
B.Harpsichord and Piano
C. General
D. Second Movement-Piano Touch, Fingering in Part-Plaing
Pedal Applications
A. Piano
B. First and Third Movement
C. Second Movement
V. Dynamics
A. Harpsichord Registration
B. Piano
1. First and Third Movements
2. Second Movement
VI. Tempo
VII. Fingering
Bach on the Piano
Koncert wloski BWV 971 (Urtext Edition)
Concerto in the Italian Style BWV 971 (urtext series)
