Ćwiczenia

Lista utworów:
Małe preludia (Bach Johann Sebastian)

Lista utworów:
Fantasia c-moll KV 475 (Mozart Wolfgang Amadeusz)

Lista utworów:
Sonata d-moll KV 576 nr 15 (Mozart Wolfgang Amadeusz)

The beginning and elementary series by the best-selling authors of Keyboard Strategies. Economically organized, one page contains one new concept and an exciting song that employs the new idea. Each book contains 1 - 3 duets for teacher and student to sample with ensemble; the first page always reviews the concepts already learned.

The 29 etudes in this book are taken from Carl Czerny's The Little Pianist, Opus 823. These engaging etudes are comparable to their famous older brothers, the studies found in The Art of Finger Dexterity, but are written for students at an earlier stage of study. They encompass a wealth of technical and music instruction from this master teacher of the Classical period, indeed, the world's first great piano pedagogue. The etudes focus on developing both technical and music skills, providing an excellent stylistic and technical resource for the intermediate pianist. Preceding each etude or group of etudes is a worksheet divided into three sections: Practice Tips, Quick Quiz and Creative Corner. These worksheets help students focus on the important technical features in each etude, apply practical music theory to their study of the music, and vary the etudes in creative ways. Czerny - Selections from The Little Pianist, Opus 823 is available in book/CD format (00296363) or as a book alone (00296364). A separate General MIDI accompaniment disk is also available (00296365). CD and GM accompaniments were created by Phillip Keveren. Also see Hanon for the Developing Pianist in the Hal Leonard Student Piano Library Technique Classics series.

Lista utworów:
Parade of the Thumbs (Rodgers Irene)
Song of the Big Bass Drum (Rodgers Irene)
The Happy Frog (Rodgers Irene)
My Little Song (Rodgers Irene)
A foolish fly (Rodgers Irene)
Little Kitty (Rodgers Irene)
Robin (Rodgers Irene)
The Train (Rodgers Irene)
Indian! Indian! (Rodgers Irene)
Rub-a-dub-a-dub (Rodgers Irene)
The Cow Boy (Rodgers Irene)
Little Ducklings (Rodgers Irene)
Peter Rabbit (Rodgers Irene)
Mister Pig (Rodgers Irene)
Mickey Mouse (Rodgers Irene)
Marching Song (Rodgers Irene)
A rest (Rodgers Irene)
The Musical Goat (Rodgers Irene)
Yankee Doodle (Rodgers Irene)
Snow is Falling (Rodgers Irene)
The Shy Lady-bug (Rodgers Irene)
Scale of G Major (Rodgers Irene)
Scale of F Major (Rodgers Irene)
Swing Low! Swing High! (Rodgers Irene)
Fairies and Elves (Rodgers Irene)
Christmas Time is Here (Rodgers Irene)
America (Rodgers Irene)
Dance of the Gnomes (Rodgers Irene)
Lightly Row (Rodgers Irene)
Parade of the Lollypops (Rodgers Irene)
Little Puppet Dance (Rodgers Irene)

Finally available in DVD format, Seymour Fink's renowned Mastering Piano Technique sets pianists of every skill level free to express their most musical ideas with a holistic approach to the keyboard based on a sound understanding of the relationship between physical function and movement and musical purpose. In this invaluable resource for pianists and teachers, Professor Fink explains his groundbreaking ideas and demonstrates his innovative developmental exercises. 86 minutes. Professor Seymour Fink, retired senior piano professor in the Department of Music, University of New York at Binghamton, has made a lifetime study of piano technique and its pedagogy. An active solo and chamber pianist, Professor Fink gives numerous master classes and lecture demonstrations on piano teaching and technical development. He brings to this study a wealth of European and American educational experience, worldwide travel and observation of the pianistic scene, and more than 35 years of piano teaching experience.

Zbiór 213 jedno lub dwutaktowych ćwiczeń technicznych (wprawek). Każde z ćwiczeń muszą być wykonywane kolejno po 10 / 15 razy. Najpierw należy ćwiczyć partię prawej ręki a potem lewą ręką, a następnie obydwoma. Ćwiczenia należy zaczynać w wolnym tempie i przyspieszać dopiero gdy palce nabiorą swobody.

We're proud to present MI instructor Peter Deneff's fourth book in the Musicians Institute Hanon series. In this private lesson for beginning to professional blues pianists, Deneff covers: major and minor blues modes; workouts for the right and left hand; building fluency in all 12 keys; suggested fingerings; practice tips; and soul, gospel, boogie woogie, R&B and rock styles. Also available: Guitar Hanon (00695321) Jazz Hanon (00695554) Salsa Hanon (00695226)

The sixth book in Peter Deneff's popular Hanon series, Jazz Chord Hanon provides 70 essential exercises in a variety of styles to benefit beginning to professional jazz keyboardist, all based on the requisite Hanon studies. The exercises address: comping, major and minor progressions, chromatic and diatonic workouts, altered chords, progressively complex voicings, the Circle of Fifths, and more. Doing these exercises is guaranteed to build fluency in all twelve keys! Includes suggested fingerings and practice tips.

The Adult Piano Course was designet not only for the adult students but also for the "teen-ager" and older beginner. The last two groups, although not classified as adults are nevertheless past the childhood stage and require special material in order to stimulate and sustain their interests.

Spis treści:

Sight-reading is one of the most important skills for any musician, and certainly not to be seen as a chore necessary only for passing exams! Right and Sight will help to develope and improve that skill, providing a structured approach and opportunities for regular practice. Hints are provided for the earlier pieces to focus attention on notation, form, texture, interpretation and technique, promped with question (left-hand column) and information (right). These should also help to encourage greater musical awaerness an all of a student's performing. Becoming a good sight-reader needs daily practise, and regular "exercise" with Right and Sight will prepare students to tackle whatever music they want to play.

Lista utworów:
Right and Sight for Piano, Grade Seven (Evans Caroline)

Spis treści:

Sight-reading is one of the most important skills for any musician, and certainly not to be seen as a chore necessary only for passing exams! Right and Sight will help to develope and improve that skill, providing a structured approach and opportunities for regular practice. Hints are provided for the earlier pieces to focus attention on notation, form, texture, interpretation and technique, promped with question (left-hand column) and information (right). These should also help to encourage greater musical awaerness an all of a student's performing. Becoming a good sight-reader needs daily practise, and regular "exercise" with Right and Sight will prepare students to tackle whatever music they want to play.

Lista utworów:
Right and Sight for Piano, Grade Four (Evans Caroline)

Spis treści:

Zeszyt czwarty "Szkoły biegłości" op. 299 Karla Czernego zawiera dziesięć ćwiczeń rozwijających technikę gry na fortepianie. Dotyczą one różnej problematyki - m. in. ćwiczenia na rozłożone pasaże, pochody gamowe, chromatyczne, które mają być wykonywane w szybkich tempach.

Głównym założeniem niniejszych Etiud Maxa Pauera jest udoskonalenie techniki palcowania prawej i lewej ręki podczas gry na fortepianie. Książka podzielona jest na 5 głównych rozdziałów:
1 - obejmuje wstępne ćwiczenia na 2-gi, 3-ci, 4-ty i 5-ty palec w ruchu rotacyjnym;
2 - ćwiczenia dwudźwięków na obie ręce;
3 - ćwiczenia kciuka;
4 - ćwiczenia na płynne zmienianie pozycji;
5 - przykłady ćwiczeń o charakterze z rozdziałów 1 - 4.

Sight-reading is one of the most important skills for any musician, and certainly not to be seen as a chore necessary only for passing exams! Right and Sight will help to develope and improve that skill, providing a structured approach and opportunities for regular practice. Hints are provided for the earlier pieces to focus attention on notation, form, texture, interpretation and technique, promped with question (left-hand column) and information (right). These should also help to encourage greater musical awaerness an all of a student's performing. Becoming a good sight-reader needs daily practise, and regular "exercise" with Right and Sight will prepare students to tackle whatever music they want to play.

Lista utworów:
Right and Sight for Piano, Grade Five (Evans Caroline)

Spis treści:

Czerny Carl (1791-1857) to austriacki pianista i kompozytor. W latach 1801 - 1803 uczył się u L. van Beethovena. Ponadto działał jako pedagog w Wiedniu, a do jego uczniów należał m. in. F. Liszt. Muzyka fortepianowa w jego twórczości ma największe znaczenie.
Czerny komponował m. in.: symfonie, uwertury, koncerty fortepianowe, sonaty i sonatiny fortepianowe, muzykę kameralną, utwory religijne (m. in. 11 mszy, 2 Te Deum). Znany jest przede wszystkim jako twórca szkół gry na fortepianie, m. in. Vollständige theoretisch-praktische, oraz autor licznych zbiorów etiud i ćwiczeń fortepianowych, m. in.: ''Die Schule der Geläufigkeit op. 299'', ''Die Schule des Virtuosen op. 365'', ''160 achttaktige Übungen op. 821'' czy właśnie ''Praktische Fingerübungen Op. 802''

Sight-reading is one of the most important skills for any musician, and certainly not to be seen as a chore necessary only for passing exams! Right and Sight will help to develope and improve that skill, providing a structured approach and opportunities for regular practice. Hints are provided for the earlier pieces to focus attention on notation, form, texture, interpretation and technique, promped with question (left-hand column) and information (right). These should also help to encourage greater musical awaerness an all of a student's performing. Becoming a good sight-reader needs daily practise, and regular "exercise" with Right and Sight will prepare students to tackle whatever music they want to play.

Lista utworów:
Right and Sight for Piano, Grade Six (Evans Caroline)

Spis treści:

Johann Ludwig Krebs is reputed to have been Bach's most distinguished pupil at the Thomas School between 1726 and 1735. The title of the work - "Klavierübung" and the structure of its choral settings clearly reflect the influence of his great master, at the same time his melodic idiom shows a strong leaning towards a more rational interpretation of baroque style and cannot quite throw off the influences of a new epoch.

Lista utworów:
Praeambulum supra - Auf meinen lieben Gott (Krebs Johann Ludwig)
5 c: Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Ach Gott, vom Himmel sieh darein (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
4 b: Choral - Christ lag in Todesbanden (cantus firmus im Tenor) (Krebs Johann Ludwig)
Praeambulum supra - Christ lag in Todesbanden (Krebs Johann Ludwig)
12 a: Praeambulum supra - Warum betrübst du dich, mein Herz (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
5 b: Choral - Ach Gott, vom Himmel sieh darein (cantus firmus im Alt) (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
3 b: Choral - Jesu, meine Freude (Krebs Johann Ludwig)
Choral - Warum betrübst du dich, mein Herz (Krebs Johann Ludwig)
Choral - Allein Gott in der Höh sei Ehr (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Jesus, meine Zuversicht (Krebs Johann Ludwig)
Praeambulum supra - Vater unser im Himmelreich (Krebs Johann Ludwig)
7 b: Choral - Vater unser im Himmelreich (cantus firmus im Baß) (Krebs Johann Ludwig)
7 c: Choral (alio modo) (Krebs Johann Ludwig)
13 b: Choral - Jesus, meine Zuversicht (Krebs Johann Ludwig)
6 b: Choral - Auf meinen lieben Gott (Krebs Johann Ludwig)
Praeambulum supra - Sei Lob und Ehr dem höchsten Gut (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Was Gott tut, das ist wohlgetan (Krebs Johann Ludwig)
8 c: Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Wr nur den lieben Gott läßt walten (Krebs Johann Ludwig)
10 b: Choral - Erbarm dich mein, o Herre Gott (Krebs Johann Ludwig)
Praeambulum supra - Jesu, meine Freude (Krebs Johann Ludwig)
8 b: Choral - Sei Lob und Ehr dem höchsten Gut (Krebs Johann Ludwig)
9 c: Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Von Gott will ich nicht lassen (Krebs Johann Ludwig)
11 b: Choral - Von Gott will ich nicht lassen (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Allein Gott in der Höh sei Ehr (Krebs Johann Ludwig)
9 b: Choral - Was Gott tut, das ist wohlgetan (Krebs Johann Ludwig)
Choral (alio modo) (Krebs Johann Ludwig)
Choral - Wer nur den lieben Gott läßt walten (Krebs Johann Ludwig)
2 c: Choral (alio modo) (Krebs Johann Ludwig)
Praeambulum supra - Erbarm dich mein, o Herre Gott (Krebs Johann Ludwig)

Sight-reading is one of the most important skills for any musician, and certainly not to be seen as a chore necessary only for passing exams! Right and Sight will help to develope and improve that skill, providing a structured approach and opportunities for regular practice. Hints are provided for the earlier pieces to focus attention on notation, form, texture, interpretation and technique, promped with question (left-hand column) and information (right). These should also help to encourage greater musical awaerness an all of a student's performing. Becoming a good sight-reader needs daily practise, and regular "exercise" with Right and Sight will prepare students to tackle whatever music they want to play.

Lista utworów:
Right and Sight for Piano, Grade Eight (Evans Caroline)

Spis treści:

Spis treści:

French edition of book two in John Thompson's bestselling piano tutorial series.

Spis treści:

Johannes Brahms (1833 - 1897) to niemiecki kompozytor, pianista i dyrygent okresu romantyzmu. Jest on autorem licznych kompozycji fortepianowych. Do muzyki na ten instrument Brahms przenosił zdobycze faktury symfonicznej (np. zdwojenia interwałów, czy kontrasty rejestrów). Jego dzieła fortepianowe cechują się syntezą romantycznej ekspresji z klasyczną symetrią. Zeszyt piąty "Dzieł fortepianowych" jest wyborem różnych kompozycji Brahmsa na fortepian. Wśród utworów odnaleźć można m.in. szesnaście walców z opusu 39, dziesięć tańców węgierskich (skomponowanych w oparciu o węgierskie melodie ludowe), 5 etiud naśladujących styl muzyki fortepianowej słynnych kompozytorów - Chopina, Webera i Bacha oraz 51 typowo edukacyjnych, rozwijających umiejętności techniczne wprawek (m.in. ćwiczenia na dwudźwięki, akordy, pasaże). Wszystkie utwory zostały wydane w oparciu o oryginalne rękopisy Brahmsa (urtext).

The third book in the Hal Leonard Student Piano Library 'Piano Technique' series builds upon skills learned in Piano Technique Books 1 and 2, adding six Major and minor five-finger positions, extended hand positions, and introducing moving from one position to another. Warm-ups and Musical Fitness Plans introduce each new skill, and Etudes follow that use the new skill musically. The exercises in this book are carefully correlated to the music in Piano Lessons Book 3 of the HLSPL, and continue to emphasize our message that 'the music makes the difference!' A corresponding CD and GM accompaniment disk are available. Each Warm-up and Etude has a corresponding, fully orchestrated accompaniment arranged by method author Phillip Keveren.

Unit 1 of Book 3 opens with eighth notes first in 4/4 time, then in 2/4 time. Swing eighths are also presented in the first half of the book. Folk, jazz, classical, and contemporary selections provide students with an interesting variety of repertoire. In the second half of Book 3, five-finger patterns and triads in C Major, and F Major are presented, as well as their relative minors - A Minor, E Minor, and D Minor.

Learn to play any keyboard instrument - electronic or acoustical. Contains short pieces with the necessary technique to play them, organized to help young students structure their practice sessions. To be used with the companion books, Creative Keyboard.

Finger exercises used by members of the Piano Teachers Congress of New York. 152 pages packed with valuable exercises.

Piano Practice Games coordinates theory, technique and creativity with the actual music in the Piano Lessons book. These imaginative games help students learn and memorize each piece faster. The flexible activities are easy-to-use for either private or group lessons. Whether used during the lesson or at home, Piano Games 'plays with' each piece aurally, visually, and physically.

Learn to play any keyboard instrument - electronic or acoustical. Contains short pieces with the necessary technique to play them, organized to help young students structure their practice sessions. To be used with the companion books, Creative Keyboard.

Go beyond the same old scales and exercises with Keyboard Warm-Up Techniques! Here, you'll learn about warming up your whole self-body and mind-to maximize your playing potential. In addition to warm-ups that will prime you for tackling those daily practice sessions, in these pages you'll find information on basic body awareness for pianists and keyboardists, the importance of relaxation and tension release, how to ready your mind for everything from daily practice to live performing, and, best of all, how to construct warm-ups tailored to your specific rehearsal and performance needs! Regular practice at the piano makes perfect-especially with the right warm-up. Learn it today!

The subject matter of Creative Music IV follows the same basic organization as Theory Papers IV, with both books reflecting the general musical and theoretical problems presented in Music For Piano IV. And, as in the previous books, the even numbered pages present the reading problems while the odd numbered pages deal with creative activities. This book may be used alone or in conjunction with Music For Piano, Theory Papers, and Finger Builders IV.

Music Street is a three year program for beginners four or five years of age. Students are motivated through various singing and playing activities as they are introduced to all the note names and animals that live on Music Street. Unlike many courses for young children, the TMA Junior Courses create students who develop good performance skills within their first year, while still developing their ear and reading skills, ensemble playing, and understanding music fundamentals. Students and parents will be encouraged, if not amazed, at what can be accomplished at such a young age and how much fun it is.

The basic organization of Creative Music III is the same as for Creative Music II, with sightreading materials on the left hand pages (even numbers) and creative activities on the right hand pages (odd numbers). Students may continue their creative reading by changing notes, intervals and patterns. As an example, look at page 2, #1 and try these suggestions:
a) Change the interval between left and right hands from a 6th apart to a 10th apart by beginning the left hand of F and the right hand on A.
b) Change the first pattern from prarlell to contrary motion.
c) Invert the pattern by beginning on A in the left hand and C in the right.

This book provides a step-by-step approach to learning basic piano realizations of jazz and pop tunes from lead sheets. Systems for voicing chords are presented from the most elementary to the advanced along with methods for practicing each system. Both the non-jazz and the advanced jazz player will benefit from the focus on: chords, chord voicings, harmony, melody and accompaniment, and styles.

Music Street is a three-year program for beginners four or five years of age. Students are motivated through various singing and playing activities as they are introduced to all the note names and animals that live on Music Street. Unlike many courses for young children, the Tritone Junior Courses create students who develop good performance skills within their first year, while still developing their ear and reading skills, ensemble playing, and understanding music fundamentals. Students and parents will be encouraged, if not amazed, at what can be accomplished at such a young age, and how much fun it is.

Spike, Party Cat and friends guide the student through fun and creative assignments that introduce the language of music and its symbols for sound, silence, and rhythm. Ear training and basic theory exercises help students learn to write and play the music they are learning as well as the music they create themselves.

Lista utworów:
Droga ku muzyce

Lista utworów:
Kanon
Erster Tanz (Bodenmann Hans)
Ländler (Bodenmann Hans)
Übung macht den Meister (Bodenmann Hans)
Wiegenlied
Wenn ich ein Vöglein wär
Übung
Melodie (Bodenmann Hans)
Kleines Menuett (Bodenmann Hans)
Gavotte (Hook James)
Melodie
Jagdmelodie (Bodenmann Hans)
Geschwind und munter (Bodenmann Hans)
Gänselied
Im Mondenschein
Übung
Walzer (Bodenmann Hans)
Melodie aus der 9. Symphonie (Beethoven L. van)

Carl Czerny (1791 - 1857) to austriacki kompozytor, pianista i nauczyciel pochodzenia czeskiego. Jako pierwszy użył słowa "studium" jako tytuł utworu muzycznego. Czerny cieszył się sławą uznanego pedagoga. Jednym z jego uczniów był sam Franciszek Liszt - wybitny kompozytor i wirtuoz fortepianu. Prezentowana publikacja to zbiór pięćdziesięciu wybranych etiud na fortepian. Pochodzą one z opusów 261, 821, 599 i 139. Etiudy Czernego pozwalają na wszechstronne kształcenie umiejętności technicznych. Pośród nich odnaleźć można przede wszystkim ćwiczenia oparte na pochodach gamowych, pasażach oraz akordach.
Stan publikacji: bardzo dobry.