No. 1, Prelude

Features 55 selections drawn from the rich 19th century Romantic literature. Composers included are Berlioz, Brahms, Bruckner, Chopin, Grieg, Mahler, Mendelssohn, J. Strauss, R. Strauss, Schubert, Schumann, Tchaikovsky, Wagner and others. Great Romantic melodies are excerpted from symphonies, ballets, operas, piano pieces and other concert works, and presented as faithful transcriptions in new, clean engravings. Includes capsule biographies of all of the composers represented.

Contents: Albumleaf (Schumann) • Bourree (Krebs) • Dance (F.Cerny) • Danse des Dryades (Rebikov) • Etude in D Minor (Loeschhorn) • Fantoccini (E. R. Duni) • Gavotte (Handel) • Giga (Corelli) • Idyl (Czerny) • L'escarpolette (Rebikov) • La Filette Bercant Sa (Rebikov) • La Turque (18th Cent.) • Largo (Haydn) • Little Girl Rocking Her Dolly • Mazurka (Rebikov) • O Jesulein Suss (Bach) • Passepied (Delibes) • Piece in A (W. F. Bach) • Prelude in C# Minor (Heller) • Puck, Op. 71, No. 3 (Grieg) • Rondeau (Rameau) • Rondeau D'auvergne (Rameau) • Sarabande (Corelli) • The Swing (Rebikov) • Waltz, Op. 38, No. 7 (Grieg).

Książka jest zbiorem różnorodnych utworów Jana Sebastiana Bacha w opracowaniu na klarnet B i fortepian. Znajdziesz tu takie pozycje, jak: Allegro (Organ Sonata in E Flat), Chorale (Cantata 11), Chorale (Cantata 122), Chorale (Cantata 140), Chorale (Cantata 38), Chorale (Cantata 60), Chorale (Cantata 80), Gavotte (6th French Suite), Herliebster Jesu (St. Matthew Passion), In Meines Herzens (St. John Passion), Minuet (Orchestral Suite No. 2) i inne.

Contents: Brahms: Cardle Song, Waltz in Ab, Op. 39, No. 15 • J.S. Bach: Minuet, Prelude in C • Beethoven: FŘr Elise, Minuet in G, Sonatina No. 1 in G, Sonatina No. 2 in F • Schumann: The Merry Farmer, Soldiers' March, The Wild Horseman • Schubert: Serenade • Mendelssohn: Venetian Boat-Song No. 2 • Tchaikovsky: Christmas (December from The Seasons, Op. 37a, No. 12), None But the Lonely Heart • Haydn: Gypsy Rondo, Minuetto Giocoso • Case: Around the Hills • Godard: Au Matin, Op. 83; Second Mazurka in Bb, Op. 54 • Heller: L'Avalanche (Etude) • Offenbach: Barcarolle • Ijinsky: Berceuse (Lullaby) • Strauss: Blue Danube Waltz • Wagner: Bridal Chorus (Lohengrin) • Bilbro: The Busy Sawmill • Merkel: Butterfly, Op. 81, No. 4 • Richter: The Clock • Thompson: Copy Cat • Benda: Dark Eyes (Russian Folk Song) • Lively: Dreamland • Grieg: Elfin Dance • Bender: From a Birch Canoe • Davis: Indian Drum • Behr: In May, In the Gypsy Camp • Wright: Melody, Waltz, Veil Dance • Mozart: Minuet No. 1 • Hopson: Parade of the Midgets • Fisher: Pipes of Pan • Delibes: Pizzicati (Sylvia) • Chopin: Preludes, Op. 28, Nos. 6 and 7 • Kolling: Prestissimo (from Flying Leaves, Op. 147) • Howell: Rustic Dance • Thome: Simple Aveu • Munn: The Snake Charmer • Clementi: Sonatina, Op. 26, No. 1 • Ellmenreich: Spinning Song • Eckstein: Spooks • Adler: The Swimming Pool, Two Butterflies • Harker: Swinging in Fairyland • Rameau: Le Tambourin • Beaumont: Tarantella • Paradies: Toccata in A • Dutton: Under the Rose Arbor • Hobson: The Waterfall • Gwynn: Woodland Waltz.

Ferenc Liszt (ur. 22 października 1811, zm. 31 lipca 1886) – kompozytor i pianista węgierski epoki romantyzmu. Rozwinął przede wszystkim gatunek poematu symfonicznego. Był aktywnym propagatorem kultury polskiej, zaprzyjaźnionym m.in. z Fryderykiem Chopinem, Adamem Mickiewiczem, Juliuszem Słowackim, Julianem Ursynem Niemcewiczem, Henrykiem Wieniawskim, Juliuszem Kossakiem.
Publikacja zawiera zbiór preludiów Franciszka Liszta, opracowanych na 4 ręce.

Publikacja zawiera 59 popularnych utworów klasycznych, m.in.: Albeniz - Tango in D, J.S. Bach - Prelude in C, Prelude in Bb minor, Beethoven - Variations on Nel cor piu non mi sento, Brahms - Hungarian Dance.

Suita jest zbiorem utworów muzycznych składającym się z wyraźnie zróżnicowanych części. Cechą suity jest wspólna tonacja. Suita przeważnie poprzedzona jest wstępem zwanym preludium.
Suita ,,Pour le Piano" Debussy Claude przeznaczona jest dla pianistów zawansowanych.

Duży zbiór ponad 50 utworów, które pochodzą z sześciu pierwszych albumów artysty. Utwory podzielone są według lat ich powstania.

CD Sheet Music(TM) to wyjątkowa seria dzieł muzycznych zapisanych w formie popularnego formatu plików *.pdf, które można odtworzyć na komputerze PC lub MAC i wydrukować te pozycje, które są nam aktualnie potrzebne. Publikacje te pozwalają nam wykorzystać komputer do magazynowania dzieł muzycznych i wykorzystania go jako wirtualną bibliotekę muzyczną. Publikacja ta zawiera zbiór utworów fortepianowych Edvarda Griega i Felixa Mendelssohna, łącznie ponad 1600 stron muzyki.

Edvard Grieg

LYRIC PIECES

Book I, Op. 12
1. Arietta, 2. Waltz, 3. Watchman's Song (After Shakespeare's Macbeth), 4. Elves' Dance,
5. Folk Melody, 6. Norwegian Melody, 7. Album Leaf, 8. National Song
Book II, Op. 38
1. Berceuse, 2. Folk Melody, 3. Melody, 4. Halling, 5. Jumping Dance, 6. Elegy, 7. Waltz,
8. Canon
Book III. Op. 43
1. Butterfly, 2. Lonesome Wanderer, 3. In My Home land, 4. Little Bird, 5. Erotica, 6. To Spring
Book IV, Op. 47
1. Valse-Impromptu, 2. Album Leaf, 3. Melody, 4. Halling, 5. Melancholy, 6. Jump Dance, 7. Elegy
Book V, Op. 54
1. Shepherd Boy, 2. Norwegian Peasants' March, 3. March Of The TrolIs, 4. Notturno, 5. Scherzo, 6. Bell Ringing
Book VI, Op. 57
1. Vanished Days, 2. Gade, 3. lIIusion, 4. Secret, 5. She Is Dancing, 6. Homesickness
Book VII, Op. 62
1. Sylph, 2. Gratitude, 3. French Serenade, 4. Little Brook, 5. Phantom, 6. Homeward
Book VIII, Op. 65
1. From Years Of Youth, 2. Peasant's Song, 3. Melancholy, 4. Salon, 5. In Ballad Style, 6. Wedding Day At Troldhaugen
Book IX, Op. 68
1. Sailors' Song, 2. Grandmother's Minuet, 3. At Your Feet, 4. Evening In The Mountains, 5. Cradle Song, 6. Valse Melancholique
Book X, Op. 71
1. ance Upon A Time, 2. Summer Evening, 3. Puck, 4. The Woods' Peace, 5. Halling, 6. Gone In Memoriam, 7. Remembrances

NORWEGIAN DANCES AND FOLK SONGS
Norwegian Folk Songs and Dances, Op. 17
1. Springar (Spring Dance). 2. The Young Man, 3. Spring Dance, 4. Nils Tallefjorn, 5. Dance From Jtilster, 6. Wedding Song, 7. Halling, 8. The Pig, 9. When My Eyes, 10. Ole In A Rage, 11. On The Dovref je Id In Norway, 12. Solfager And The Worm King, 13. Recessional March, 14. I Sing With A Sorrowful Heart. 15. The Last Saturday Night. 16. I Know A Young Girl, 17. The Big Fly And The Smali Fly, 18. Comic Dance, 19. Holje Dale, 20. Halling, 21. Srebygga, 22. Cattle Cali, 23. Sag Du Nokke Kjreringa Mi (Peasant Dance), 24. Bridal Song, 25. Raven Wedding In Krakalund

Pictures Ot Country Lite, Op. 19
1. Mountain Song, 2. The Bridal Procession Passes, 3. Carnival Scen e

Ballade in the Form ot Variations on a Norwegian Folk
Song, Op. 24
Improvisata On Norwegian Folk Songs, Op. 29
Norwegian Folk Songs, Op. 66
1. Cattle Cali, 2. It Is The Greatest Folly, 3. A King Ruled In The East, 4. The Song Of Siri Dale, 5. It Was In My Youth, 6. Cali And Cradle Song, 7. LulIaby, 8. Cattle Cali, 9. A Little Friend, 10. Tomorrow You Will Marry Her, 11. There Stand Two Girls, 12. Ranveig, 13. A Little Gray Man, 14. In Ola Valley, In Ola Lake, 15. LulIaby, 16. aur Little Astrid. 17. LulIaby, 18. IWander Deep In Thought. 19. Gjendine's LulIaby
Slatter, Op. 72
1. Giboen's Wedding March, 2. Jon Vrestafre's Jump Dance, 3. Wedding March From Telemark, 4. Halling From The Hill, 5. Prillar From The Church Play "Os", 6, Gangar, 7. Rotmansknut (Halling). 8. The "Miller Man's" Wedding March, 9. Nils Rekve's Halling, 10. Knut Lurasen's Halling No. l, 11. Knut Lurasen's Halling No. 2, 12. Springdans, 13. Havar Giboen's Dream On The Oterholts Bridge (Springar), 14. The Goblins' Wedding Procession at Vossevangen (Gangar). 15. The Bride Ot Skuldal, 16. The Young Girls Ot Kivledal (Springar). 17. The Young Girls Ot Kivledal (Gangar)

MISCELLANEOUS WORKS
Four Pieces, Op, 1
Poetic Tone-Pictures, Op, 3
Humoresques, Op, 6
Sonata in E Minor, Op. 7
Four Album Leaves, Op. 28
From Holberg's Time, Suite, Op. 40
I. Praeludium, II. Sarabande, III. Gavotte, IV. Air, V. Rigaudon
Moods, Op. 73
I. Resignation, II. Scherzo-Impromptu, III. Night Ride, IV, Folk Song, V. Study Hommage a Chopin, VI. Student Serenade, VII. Mountaineer's Song
Three Piano Pieces (completed by Julius Rontgen)
White Clouds
Gnomes' Tune
The Dance Goes On
Nordraak's Funeral March

SUITES AND TRANSCRIPTIONS
Two Elegiac Melodies, Op. 34
I. Wounds Ot The Heart, II. Last Spring
Two Waltz-Caprices, Op. 37
Concerto In A Minor (arr. Grieg), Op. 16
Four Norwegian Dances, Op. 35
Piano Pieces After His Own Songs, Series I, Op. 41
LulIaby (trom: op. 9, No. 2). Little Haakon (from: Op. 15, No. 1),
I Love You (trom: Op. 5, No. 3). She Is So White (trom: Op. 18, No. 2).
The Princess (trom: an 1871 song)
To Spring
Piano Pieces After His Own Songs, Series II, Op. 52
A Mother's Griet, The First Meeting, The Poet's Heart, Solvejg's Song, Love, The Old Mother
Peer Gynt Suite No. 1, Op. 46 (arr. Grieg)
I. Morning Mood, II. Ase's Death, III. Anitra's Dance, IV. In the Hall ot the Mountain King
Prayer And Tempie Dance (arr. Grieg), Op. 50
Two Melodies, Op. 53
Norwegian (arr. Grieg), Op. 33, No. 11
First Meeting (arr. Grieg), Op. 21, No. 1
Peer Gynt Suite No. 2, Op. 55
I. Ingrid's Lament, II. Arabian Dance. III. Peer Gynt's Homecoming, IV. Solvejg's Song
Three Orchestral Pieces, Op. 56 (arr. Grieg)
Prelude, Intermezzo (Borghild's Dream). Huldigungsmarsch
Two Nordic Melodies, Op. 63 (arr. Grieg)
In Folk Style, Cattle Cali and Peasant Dance

WORKS FOR PIANO, FOUR-HANDS
In Autumn (Concert Overture). Op. 11
Two Symphonic Dances, Op. 14
Four Norwegian Dances, Op. 35
Two Waltz-Caprices, Op. 37
Peer Gynt Suite No. 1, Op. 46 (arr. Ruthardt after Grieg)
I. Morning Mood, II. Ase's Death, III. Anitra's Dance, IV. In the Hall of the Mountain King
Peer Gynt Suite No, 2, Op. 55 (arr. Ruthardt after Grieg)
I. Ingrid's Lament, II. Arabian Dance, III. Peer Gynt's Homecoming, IV. Solvejg's Song
Wedding Day at Troldhaugen (arr. Ruthardt after Grieg)

WORKS FOR TWO PIANOS
Mozart Piano Sonatas with 2nd Piano Acc, by Grieg
Sonata In G Major K. 283
Fantasy and Sonata In C Minor K. 475/457
Sonata In F Major K. 533/494
Sonata In C Major K. 545

WORKS FOR PIANO AND ORCHESTRA
Piano Concerto In A Minor, Op. 16

Felix Mendelssohn

SONATAS
Sonata in G Minor, Op. 105
Sonata in E Major, Op, 6
Sonata in B~ Major, Op, 106

VARIATIONS
Variations Serieuses in D Minor, Op, 54
Variations in Eb Major, Op, 82
Variations in Bb Major, Op. 83

SONGS WITHOUT WORDS
Book I, Op, 19
1. E Major, 2. A Minor, 3. Hunting Song in A Major, 4. A Major, 5. F~ Minor, 6. Venetian Gondola Song in G Minor
Book II. Op, 30
1. Eb Major, 2. Bb Minor, 3. E Major, 4. B Minor, 5. D Major, 6. Venetian Gondola Song in F# Minor
Book III. Op. 38
1. Eb Major, 2. C Minor, 3. E Major, 4. A Major, 5. A Minor, 6. Duet in Ab Major
Book IV, Op,53
1. Ab Major, 2. Eb Major, 3. G Minor, 4. F Major, 5. Folk Song in A Minor, 6. A Major
Book V, Op, 62
1. G Major, 2. Bb Major, 3. Funeral March in E Minor, 4. G Major, 5. Venetian Gondola Song in A Minor, 6. Spring Song A Major
Book VI. Op. 67
1. Eb Major, 2. F# Minor, 3. Bb Major, 4. Spinning Song in C Major, 5. B Minor, 6. E Major
Book VII, Op. 85
1. F Major, 2. A Minor, 3. Eb Major, 4. D Major, 5. A Major, 6. Bb Major
Book VIII. Op. 102
1. E Minor, 2. D Major, 3. C Major, 4. G Minor, 5. A Major (Children's Piece), 6. C Major
Gondola Song in A Major (Barcarole)
Song Without Words in E Minor (Album Leaf)

MISCELLANEOUS SHORT WORKS
Andante cantabile e Presto agitato in B Major
Capriccio in F# Minor, Op, 5
3 Caprices, Op. 33
1. A Minor, 2. E Major, 3. B Minor
7 Characteristic Pieces, Op. 7
1. Sanft und mit Empfindung, 2. Mit heftiger Bewegung, 3. Kraftig und feurig, 4. Schnell und beweglich, 5. Ernst und mit steigender Lebhaftigheit. 6. Sehnsuchtig, 7. Leicht und luftig
Etude in F Minor
3 Etudes, Op. 104b
1. Bb Minor, 2. F Major, 3. A Minor
3 Fantasies or Caprices, Op, 16
Fantasy in F# Minor, Op, 28
Fantasy on "The Last Rose of Summer", Op, 15
Perpetuum Mobile in C Minor, Op. 119
2 Piano Pieces
Bb Major, G Minor
6 Pieces for Children, Op. 72
1. G Major, 2. Eb Major, 3. G Major, 4. D Major, 5. G Minor, 6. F Major
Prelude and Fugue in E Minor
3 Preludes, Op. 104a
Bb Major, B Minor, D Major
6 Preludes and Fugues, Op. 35
Prelude & Fugue in E Minor, Prelude & Fugue in D Major, Prelude & Fugue in B Minor, Prelude & Fugue in Ab Major, Prelude & Fugue in F Minor, Prelude & Fugue in Bb Major
Rondo Capriccioso in E Major, Op. 14
Capriccio in E
Scherzo in B Minor
Scherzo a Capriccioso in F Minor

PIANO FOUR HANDS
Allegro Brilliant Op. 92
Variations in B Major, Op, 83a

PIANO AND ORCHESTRA
Capriccio Brillante, Op, 22
Concerto No, 1 in G Minor, Op, 25
Concerto No. 2 in D Minor, Op. 40
Rondo Brillante, Op, 29
Serenade and Allegro giocoso, Op, 43

ARTICLES FROM GROVE'S DICTIONARY OF MUSIC & MUSICIANS, 1911 EDITION
Appoggiatura; Modulation; Cadenza; Pianoforte/Piano Playing; Concerto; Program Music;
Duet; Shake (TriII); Form; Sonata; Fugue; Song; Grieg; Subject; Harmonie Analysis; Suite;
Harmony; Turn; Mendelssohn; Variations

Here are 10 memorable pop songs from acts that include The Beach Boys, Elvis Presley, Eva Cassidy and Sting, all matched with the original classical pieces that provided a phrase, a hook line or the whole melody! Also included are helpful pointers to the classical inspiration and its usage.

Ideal for trivia-filled playing or for classroom use, Hits From The Classics is both fun and informative, ideal for anyone who is interested in pop’s long history of borrowing from the classics! Original pieces are arranged for Piano solo, while pop tunes are arranged for Piano, Voice, and Guitar with chord boxes.

Examples include:

• Classic: Prelude In C Minor Op.28 - Chopin
  Pop: Could It Be Magic – Barry Manilow
• Classic: Piano Concerto No.2 - Rachmaninov
  Pop: All By Myself – Eric Carmen
• Classic: Symphony No. 5 – Tchaikovsky
  Pop: Annie’s Song – John Denver

Publikacja zawiera 23 klasyczne utwory Fryderyka Chopina w łatwym opracowaniu na fortepian. Znajdziemy tu walce, polonezy, nokturny, sonaty,mazurki, preludia oraz fantazje. Niektóre utwory mają zmienioną tonację, są uproszczone tak, by osoby średniozaawansowane w grze, mogły wykonać utwory polskiego kompozytora.

Dwie idee kierunkowe przenikają świadomość twórczą Pendereckiego, który daje im wyraz w swojej poetyce - tak tej eksplikowanej z uniwersyteckich katedr, jak i tej stosowanej w kompozytorskiej praktyce. Pierwsza dotyczy języka i można ją streścić jako: potrzeba syntezy. Syntezy języków wielu, dawnych i nowych, choćby najbardziej dziwiących się sobie. (...) Druga z idei kierunkowych otrzymała postać metafory. Penderecki znalazł dla niej formułę biblijną: arka. Jeśli świata sztuki nie można uzdrowić, zawrócić z drogi prowadzącej ku samozniszczeniu, to trzeba chociaż ocalić to, co posiada on najcenniejszego. Przenieść z dawnego millenium - w nowe - wartości trwałe, niezniszczalne. Kompozytor jest w tym konsekwentny, a w przedstawianiu problemu obrazowy: „Już od dawna myślę o potopie i konieczności zbudowania arki”.