Lista utworów:
2-Part Invention (Bach Johann Sebastian) A Short Sad Song (Leavitt William) Chop Sticks (Arthur de Lulli) Chorale #26 (Bach Johann Sebastian) Chorale #38 (Bach Johann Sebastian) Fifty Rocks (Leavitt William) Hava Nagila (Let's Be Happy) (Abraham Z. Idelsohn) In My Merry Oldsmobile (Gus Edwards) Jeanie With The Light Brown Hair (Foster S.) Joy To The World (George Frideric Handel) La Paloma Blanca (The White Dove) (Hague) (Sebastian Yradier) Lirpa-Lee Melody (Leavitt William) Maidens Wish (Chopin Frideric) My Wild Irish Rose (Chauncey Olcott) Polly Wolly Doodle (Traditional American Minstrel) Short On Bread (Plantation Song) Softshoe Shuffle (Leavitt William) Spanish March (Traditional) The Big Rock Candy Mountain (Harry K. McClintock) The Glow Worm (Paul Lincke) The Happy Farmer Returning from Work op. 68 nr 10 (Robert Schumann) When The Saints Go Marching' In (Traditional) Two for Six Eight (Leavitt William) Catch Me Again (Leavitt William)

Spis treści:
Four basic major scale fingering patterns (explanation) C Major Scale - Ascending - 5 Positions C Major Scale - Descending - 5 Positions "Getting Up There" (Duet) "Chord Etude No. 6" (Solo) Melodic Rhythm Study No. 2 Triads (3 Note C Chords Maj. Min. Dim. Aug.) F Major Scale - Ascending - 5 Positions F Major Scale - Descending - 5 Positions "Another Waltz for Two" (Duet) Chord Forms and Speed Study Triads (F Chords Maj. Min. Dim. Aug.) Rhythm Guitar - The Right Hand (4/4 and 2 beat) "Chord Etude No. 7" (solo) G Major Scale - Ascending - 5 Positions G Major Scale - Descending - 5 Positions "Sea - See - Si" (Duet) Chord Forms Triads (G Chords) and Finger Stretching Exercises D Major Scale - Ascending - 5 Positions D Major Scale - Descending - 5 Positions "Melodic Rhythm Study No. 3" (Duet) Intervals Triads (D Chords... across and up the fingerboard) A Major Scale - Ascending - 5 Positions A Major Scale - Descending - 5 Positions "Chord Etude No. 8" (Solo) Rhythm Guitar - The Right Hand (Rock Style Ballad) Chord Forms "Tranquility" (Duet) Triads (A Chords...across and up the fingerboard) B Major Scale - Ascending - 5 Positions B Major Scale - Descending - 5 Positions "Waltz in B" (Duet) Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises Triads (B Chords...across and up the fingerboard) Pentatonic Scales Tremolo Study E Major Scale - Asending - 5 Positions E Major Scale - Descending - 5 Positions Chord Forms Major Scale Review - Positions II, III, V Major Scale Construction (Explanation) Triads (Eb Chords...across and up the fingerboard) Theory Diatonic Triads in Major Keys (Explanation) Diatonic Triads - Key of G Maj. Diatonic Triads - Key of F Maj. Diatonic Triads - Key of B Maj. Diatonic Triads - Key of Es Maj. 5th Positions Study" (Duet) Major Triads Exercises (up the fingerboard - all strings) Minor Triads Exercise (up the fingerboard - all strings) One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.) Real Melodic (Or Jazz) Minor Scale (Expl.) C Real Melodic Minor - 5 Positions Rhythm Guitar - The Right Hand (Shuffle Rhythm) Speed Study Chord Forms "Melodic Rhythm Study No. 5" (Duet) One Octave Arpeggios - Triads (in D and C) Chord Forms and "Slur" (Expl.) "Trill" Theory - Diatonic 7th Chords in Major Keys (Expl.) Arpeggios - Diatonic Seventh (In G) Arpeggios - Diatonic Seventh (In C) G Real Melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Maj. Triad from the Root "Chord Etude No. 9" (Solo) "The Wanderer" (Duet) Rhythm Guitar - The Right Hand (Waltz) Arpeggios - Diatonic Sevenths (In F) Theory - Chord Scale Relationships - Diatonic Str's (Expl) D Real Melodic Minor - 5 Positions Chord Forms - 3rd in the Bass Two Octave Arpeggios - G Maj. Triad from the 3rd Two Octave Arpeggios - F Maj. Triad from the 5th Rhythm Guitar - The right hand (Jazz Waltz) "Interved Mordent" and "Mordent" (Expl.) Arpeggios - Diatonic Seventh (In B) A Real melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Minor Triad from the Root "Appogiatura" and "Turn" or "Grupeto" (Expl.) "Melodic Rhythm Study" (Duet) Rhythm Guitar - The Right Hand (Cha Cha and Beguine) Arpeggios - Diatonic Sevenths (In Es) Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.) 7th position study" (Duet) "Solo in G" B Real Melodic Minor - 5 Positions Chord Forms - 7th in the Bass "Chord Etude No. 11" (Solo) Two Octave Arpeggios - G Minor Triad from the 3rd Two Octave Arpeggios - F Minor Triad from the 5th Key Signatures (Explanation) Theory - Chord to chord motion (A Brief Discussion) Chromatic Scale Es Real Melodic Minor - 5 Positions Chord Forms and "Chord Etude No. 12" (Solo) Speed Study Two Octave Arpeggios - C Diminished Triad from the Root G Dim. Triad from the 3rd, D Dim. Triad from the Root "Melodic Rhythm Study No. 7" (Duet) Whole Tone Scales Rhythm Guitar - The Right Hand (Bossa Nova) Two Octave Arpeggios - B, Fis and D Augmented Triads Chord Scale Relationships (Theory) - Non - Diatonic Minor 6th and (unaletered) Dom.7 chords "Solo in D" Index

Spis treści:
Book 1 Section I Tuning, the staff, clef sign, common note values Notes in the first position Sea to sea (duet) Note and chord review (upper register) One, two, three, four (duet) Rhythm accompaniment Review (lower register) Imitation duet Sharps and flats Here we go again (duet) Rhythm accompaniment (bass notes and chords) Eight notes - counting and picking Etude no. 1 (duet) Rests, tied notes, dotted notes Etude no. 2 (duet) First solo Rhythm accompaniment (chord diagrams explained) Second solo Etude no. 3 (duet) Picking etude no. 1 (Right hand development) Etude Two, two (duet) Key of G Major (first position) Rhythm accompaniment (chord diagrams) Sixteenth notes Duet in G Picking etude no. 2 Another duet in G Key of F Major (first position) Rhythm accompaniment (chord diagrams and grand barre) Duet in F The triplet Waltz in F (solo) Key of of A Minor (first position) Rhythm accompaniment (chord diagrams) Pretty pickin' (duet) Dotted eight and sixteenth notes Key of E minor (scales in first position) Rhythm accompaniment (chord diagrams) Take your pick (duet) Rhythm accompaniment (movable chord forms) Chromatic scale (first position) Speed studies Key of D Minor (scales in first position) Rhythm accompaniment Endurance etude (Picking etude no. 3) Key of B flat (scales in first position) Rhythm accompaniment Duet in B flat Reverse alternate picking study Key of D Major (scale in first position) Duet in D Rhythm accompaniment Key of E flat Major (scale in first position) Movable chord forms Chord simplification and substitution chart Picking - a different technique Dynamic etude no. 4 (duet) Key of A major (first position) Duet in A Duet in E flat Section 2 Position playing Major scales (C Major, fingering type 1, second position) Chord etude no. 1 Etude no. 5 (duet) Reading studies (C Major, fingering type 1, second position) Ballad (duet) Movable chord forms Chord forms (derivative fingerings) Rhythm accompaniment - right hand technique Picking etude no. 4 F Major scale (Fingering type 1A, second position) Chord forms Chord etude no. 2 Another duet in F Reading studies (F Major, fingering type 1A, second position) Play it pretty (duet) Chord forms Triplet study Speed study - fingering type 1 Speed study - fingering type 1A G Major scale (fingering type 2, second position) Dottef eight and sixteenth study Waltz for two (duet) Chord forms Reading studies (G Major, fingering type 2, second position) Blues in G (duet - muffled effect) Chord etude no. 3 Rhythm accompaniment - right hand technique (basic latin beat) Picking etude no. 5 Short and sweet (duet) D Major scale (fingering type 3, second position) Chord forms Melodic rhythm study no. 1 (syncopation) Chord etude no. 4 Staccato, legato Reading studies (D Major, fingering type 3) Dee-oo-ett (duet) Chord forms Speed study - fingering type 2 Speed study - fingering type 3 A major scale (fingering type 4, second position) Chord etude no. 5 Reading studies (A Major, fingering type 4, second position) Tres sharp (duet) Sixteenth note study Chord forms Speed study - fingering type 4, second position Chord forms Second position review Chord forms Quarter note triplets Major scales in third position (B flat, E flat, A flat, D flat) Third position review Chord forms Major scales in first position (A flad, D flat) First position review Major scales in fourth position (G, D, A, E) Chord forms Fourth position review Chord forms Author's notes Index Book 2 Section 1 Four basic major scale fingering patterns (explanation) C Major Scale - Ascending - 5 Positions C Major Scale - Descending - 5 Positions "Getting Up There" (Duet) "Chord Etude No. 6" (Solo) Melodic Rhythm Study No. 2 Triads (3 Note C Chords Maj. Min. Dim. Aug.) F Major Scale - Ascending - 5 Positions F Major Scale - Descending - 5 Positions "Another Waltz for Two" (Duet) Chord Forms and Speed Study Triads (F Chords Maj. Min. Dim. Aug.) Rhythm Guitar - The Right Hand (4/4 and 2 beat) "Chord Etude No. 7" (solo) G Major Scale - Ascending - 5 Positions G Major Scale - Descending - 5 Positions "Sea - See - Si" (Duet) Chord Forms Triads (G Chords) and Finger Stretching Exercises D Major Scale - Ascending - 5 Positions D Major Scale - Descending - 5 Positions "Melodic Rhythm Study No. 3" (Duet) Intervals Triads (D Chords... across and up the fingerboard) A Major Scale - Ascending - 5 Positions A Major Scale - Descending - 5 Positions "Chord Etude No. 8" (Solo) Rhythm Guitar - The Right Hand (Rock Style Ballad) Chord Forms "Tranquility" (Duet) Triads (A Chords...across and up the fingerboard) B Major Scale - Ascending - 5 Positions B Major Scale - Descending - 5 Positions "Waltz in B" (Duet) Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises Triads (B Chords...across and up the fingerboard) Pentatonic Scales Tremolo Study E Major Scale - Asending - 5 Positions E Major Scale - Descending - 5 Positions Chord Forms Major Scale Review - Positions II, III, V Major Scale Construction (Explanation) Triads (Eb Chords...across and up the fingerboard) Theory Diatonic Triads in Major Keys (Explanation) Diatonic Triads - Key of G Maj. Diatonic Triads - Key of F Maj. Diatonic Triads - Key of B Maj. Diatonic Triads - Key of Es Maj. 5th Positions Study" (Duet) Major Triads Exercises (up the fingerboard - all strings) Minor Triads Exercise (up the fingerboard - all strings) Section 2 One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.) Real Melodic (Or Jazz) Minor Scale (Expl.) C Real Melodic Minor - 5 Positions Rhythm Guitar - The Right Hand (Shuffle Rhythm) Speed Study Chord Forms "Melodic Rhythm Study No. 5" (Duet) One Octave Arpeggios - Triads (in D and C) Chord Forms and "Slur" (Expl.) "Trill" Theory - Diatonic 7th Chords in Major Keys (Expl.) Arpeggios - Diatonic Seventh (In G) Arpeggios - Diatonic Seventh (In C) G Real Melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Maj. Triad from the Root "Chord Etude No. 9" (Solo) "The Wanderer" (Duet) Rhythm Guitar - The Right Hand (Waltz) Arpeggios - Diatonic Sevenths (In F) Theory - Chord Scale Relationships - Diatonic Str's (Expl) D Real Melodic Minor - 5 Positions Chord Forms - 3rd in the Bass Two Octave Arpeggios - G Maj. Triad from the 3rd Two Octave Arpeggios - F Maj. Triad from the 5th Rhythm Guitar - The right hand (Jazz Waltz) "Interved Mordent" and "Mordent" (Expl.) Arpeggios - Diatonic Seventh (In B) A Real melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Minor Triad from the Root "Appogiatura" and "Turn" or "Grupeto" (Expl.) "Melodic Rhythm Study" (Duet) Rhythm Guitar - The Right Hand (Cha Cha and Beguine) Arpeggios - Diatonic Sevenths (In Es) Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.) 7th position study" (Duet) "Solo in G" B Real Melodic Minor - 5 Positions Chord Forms - 7th in the Bass "Chord Etude No. 11" (Solo) Two Octave Arpeggios - G Minor Triad from the 3rd Two Octave Arpeggios - F Minor Triad from the 5th Key Signatures (Explanation) Theory - Chord to chord motion (A Brief Discussion) Chromatic Scale Es Real Melodic Minor - 5 Positions Chord Forms and "Chord Etude No. 12" (Solo) Speed Study Two Octave Arpeggios - C Diminished Triad from the Root G Dim. Triad from the 3rd, D Dim. Triad from the Root "Melodic Rhythm Study No. 7" (Duet) Whole Tone Scales Rhythm Guitar - The Right Hand (Bossa Nova) Two Octave Arpeggios - B, Fis and D Augmented Triads Chord Scale Relationships (Theory) - Non - Diatonic Minor 6th and (unaletered) Dom.7 chords "Solo in D" Index Book 3 Evolution of Twelve Major Scale Fingering Patterns A Refined Definition of Position Speed Study Solo in Bb Rhythm Guitar – The right hanad (rhumba) Explanation of voices in chords Triad Stuides Adjacent Strings Major Scales – Position II Principal Real Melodic Minor Scales – Position II Triad studies – chords in G major Arpegios – Three note chords -major triads Arpegios – Three note chords -minor triads About chord symbols Reference chart for major sscale gingering types Major scales – poisition III Melodic rhythm study No. 8 (duet) About Practising Triad Studies – chords in F Major Technical study About chord construction Major scales – position IV Principal Real Melodic Minor Scales – Position IV Chord construction – four part harmony Arpeggios Rhythm Guitar – The right hanad (Tango, Merengue) C major scale (12 position) Natural minor scale Modes – A brief discussion Harmonic minor scales A harmonic minor (nine position) A minor etude (solo) Melodization of triads Recognition of melodic degrees- Altered 5 and #4 About chord voicind Arpeggios – four note F chords Arpeggios – four note G chords Chord scale relationships Major scales position V Principal Real Melodic Minor Scales – Position V Chord construction – three note voicings Melodization of tonic major triads Melodization of tonic and subdominant minor chords Diminished scale in position Chord construction Recognition of melodic degrees- Dominant 7 chords Speed study Arpeggios – Four note Bb chords Arpeggios – Four note D chords Melodic rythm study no 9 (duet) Rhythm Guitar – The right hanad (Mambo, bolero, conga) Legato Staccato F Major scale D harmonic minor (nine positions) Etude in D minor (solo) Melodic Embellishment – The Appogiatura Rhythm Guitar – The right hanad (5/4 swing) About altered chords and chord degrees Arpeggios – four note Eb Chords Arpeggios – four note A chords Chord construction Melodization of I Minor chords with harmonic minor scale Arpeggio studies Melodic rhytmic study no. 10 (duet) Major scales – Position VII Chords (three notes) melodization of diminished triads Chords (three notes) melodization of augmented triads Arpeggios – four note Db chords Arpeggios – Four note B chords Rhythm Guitar – The right hanad (Samba) Polka -dot (polka duet) Major Scales – Position VIII Chords (three notes) melodization of tonic major chords Melodization of minor 7 chords as Vim7 Subdominant major chords Minor 7 chords Arpeggios – Four note F# chords Arpeggios – Four note Gb chords Arpeggios – Four note C# chords Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions B major scale (Twelve positions) G harmonic minr (Nine positions) Etude in G Minor (solo) Arpeggios – Diminished chords (spelling most used) Arpeggios – Dominant 7(b5) Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions) Arpeggio and scale study Cords Melodization of subdominant minor 6 chords Major scales – position X Principal Real Melodic Minor Scales – Position X Chords (Three note voicings) Major 6 and 7 chords – close and open voicings Chord construction – five part harmony Five note arpeggios Daydreams duet Five note arpeggios D major scale B harmonic minor B minor etude (solo_ Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass About chord progression (cycle 5) Theory: Interchangeable chord structure Rhythm Guitar – The right hanad (Joropo, Nanigo) Arpeggio study – seventhchords Chords (Three note voicings) melodization of Minor 7 chords as IIIm7 Five note arpeggios Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings Iim7-V7I chord study Chord-scale relationships – special alterations on dominant 7 chords Pretty please (duet) Five-note arpeggios Harmonization of a melody – from a lead sheet with chords indicated Eb Major Scale (Twleve positions) C Harmonic minor (nine positions) Etude in C minor (solo) Chord scale relationships – major chords, minor 7 chords Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass Five note arpeggios Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass Rhythm Guitar – The right hanad (Paso Doble) Chord study – Minor 7 with 5b in the bass Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords A major scale (Twelve positions) F# Harmonic minor F# minor etude Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords Chord (three notes) study in F major and study in F harmonic minor Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords Additional fingerings for minor scales Chord-scale relationship Chords-preparation of four-part open voicings – adding the 5th degree Chords-preparation of four-part open voicings – adding the root Chord spelling – five note arpeggios – minor 9(b5) chords About improvisation „It's Late” (duet) Chords-preparation of four part open voicings – adding the 3rd degree Chords-preparation of four part open voicings – adding the 7rd degree Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Spis treści:
Section I Tuning, the staff, clef sign, common note values Notes in the first position Sea to sea (duet) Note and chord review (upper register) One, two, three, four (duet) Rhythm accompaniment Review (lower register) Imitation duet Sharps and flats Here we go again (duet) Rhythm accompaniment (bass notes and chords) Eight notes - counting and picking Etude no. 1 (duet) Rests, tied notes, dotted notes Etude no. 2 (duet) First solo Rhythm accompaniment (chord diagrams explained) Second solo Etude no. 3 (duet) Picking etude no. 1 (Right hand development) Etude Two, two (duet) Key of G Major (first position) Rhythm accompaniment (chord diagrams) Sixteenth notes Duet in G Picking etude no. 2 Another duet in G Key of F Major (first position) Rhythm accompaniment (chord diagrams and grand barre) Duet in F The triplet Waltz in F (solo) Key of of A Minor (first position) Rhythm accompaniment (chord diagrams) Pretty pickin' (duet) Dotted eight and sixteenth notes Key of E minor (scales in first position) Rhythm accompaniment (chord diagrams) Take your pick (duet) Rhythm accompaniment (movable chord forms) Chromatic scale (first position) Speed studies Key of D Minor (scales in first position) Rhythm accompaniment Endurance etude (Picking etude no. 3) Key of B flat (scales in first position) Rhythm accompaniment Duet in B flat Reverse alternate picking study Key of D Major (scale in first position) Duet in D Rhythm accompaniment Key of E flat Major (scale in first position) Movable chord forms Chord simplification and substitution chart Picking - a different technique Dynamic etude no. 4 (duet) Key of A major (first position) Duet in A Duet in E flat Section 2 Position playing Major scales (C Major, fingering type 1, second position) Chord etude no. 1 Etude no. 5 (duet) Reading studies (C Major, fingering type 1, second position) Ballad (duet) Movable chord forms Chord forms (derivative fingerings) Rhythm accompaniment - right hand technique Picking etude no. 4 F Major scale (Fingering type 1A, second position) Chord forms Chord etude no. 2 Another duet in F Reading studies (F Major, fingering type 1A, second position) Play it pretty (duet) Chord forms Triplet study Speed study - fingering type 1 Speed study - fingering type 1A G Major scale (fingering type 2, second position) Dottef eight and sixteenth study Waltz for two (duet) Chord forms Reading studies (G Major, fingering type 2, second position) Blues in G (duet - muffled effect) Chord etude no. 3 Rhythm accompaniment - right hand technique (basic latin beat) Picking etude no. 5 Short and sweet (duet) D Major scale (fingering type 3, second position) Chord forms Melodic rhythm study no. 1 (syncopation) Chord etude no. 4 Staccato, legato Reading studies (D Major, fingering type 3) Dee-oo-ett (duet) Chord forms Speed study - fingering type 2 Speed study - fingering type 3 A major scale (fingering type 4, second position) Chord etude no. 5 Reading studies (A Major, fingering type 4, second position) Tres sharp (duet) Sixteenth note study Chord forms Speed study - fingering type 4, second position Chord forms Second position review Chord forms Quarter note triplets Major scales in third position (B flat, E flat, A flat, D flat) Third position review Chord forms Major scales in first position (A flad, D flat) First position review Major scales in fourth position (G, D, A, E) Chord forms Fourth position review Chord forms Author's notes Index

Lista utworów:
Four - Four (Leavitt William) Study # 1 (Leavitt William) Study # 1A (Leavitt William) Study # 2 (Leavitt William) Study # 2A (Leavitt William) Rhythm Group # 3 (Leavitt William) Study # 3 (Leavitt William) Study # 3A (Leavitt William) Study # 3B (Leavitt William) Rhythm Group # 4 (Leavitt William) Study # 4 (Leavitt William) Study # 4A (Leavitt William) Rhythm Group # 5 (Leavitt William) Study # 5 (Leavitt William) Study # 5A (Leavitt William) Rhythm Group # 6 (Leavitt William) Study # 6 (Leavitt William) Study # 6A (Leavitt William) Rhythm Group # 7 (Leavitt William) Study # 7 (Leavitt William) Study # 7A (Leavitt William) Rhythm Group # 8 (Leavitt William) Study # 8 (Leavitt William) Study # 8A (Leavitt William) Rhythm Group # 9 (Leavitt William) Study # 9 - 10 (Leavitt William) Study # 9 - 10 A (Leavitt William) Rhythm Group # 11 (Leavitt William) Study # 11 (Leavitt William) Study # 11A (Leavitt William) Rhythm Group # 12 (Leavitt William) Study # 12 (Leavitt William) Study # 12 A (Leavitt William) Rhythm Group # 13 (Leavitt William) Study # 13 (Leavitt William) Study # 13 A (Leavitt William) Rhythm Group # 14 (Leavitt William) Study # 14 (Leavitt William) Study # 14 A (Leavitt William) Rhythm Group # 15 (Leavitt William) Study # 15 - 16 - 17 (Leavitt William) Study # 15 - 16 - 17 A (Leavitt William) Rhythm Group # 18 (Leavitt William) Rhythm Group # 19 (Leavitt William) Study # 18 - 19 (Leavitt William) Study # 18 - 19A (Leavitt William) Rhythm Group # 20 (Leavitt William) Study # 21 - 21 (Leavitt William) Study # 20 - 21A (Leavitt William) Rhythm Group # 22 (Leavitt William) Study # 22 - 23 (Leavitt William) Study # 22 - 23 A (Leavitt William) Rhythm Group # 24 (Leavitt William) Study # 24 - 25 - 26 (Leavitt William) Study # 24 - 25 - 26 A (Leavitt William) Rhythm Group # 27 (Leavitt William) Study # 27 - 28 (Leavitt William) Study # 27 - 28 A (Leavitt William) Rhythm Group # 29 (Leavitt William) Rhythm Group # 30 (Leavitt William) Study # 29 - 30 (Leavitt William) Study # 29 - 30 A (Leavitt William) Rhythm Group # 31 (Leavitt William) Rhythm Group # 32 (Leavitt William) Study # 31 - 32 (Leavitt William) Study # 31 - 32 A (Leavitt William) Three - Four - Rhythm Group # 33 (Leavitt William) Study # 33 (Leavitt William) Study # 33A (Leavitt William) Rhythm Group # 34 (Leavitt William) Study # 34 (Leavitt William) Study # 34 A (Leavitt William) Rhythm Group # 35 (Leavitt William) Study # 35 (Leavitt William) Study # 35 A (Leavitt William) Rhythm Group # 36 (Leavitt William) Study # 36 (Leavitt William) Study # 36 A (Leavitt William) Rhythm Group # 37 (Leavitt William) Study # 37 (Leavitt William) Study # 37 A (Leavitt William) Rhythm Group # 38 (Leavitt William) Rhythm Group # 39 (Leavitt William) Study # 38 - 39 (Leavitt William) Study # 38 - 39 A (Leavitt William) Triplets - Rhythm Group # 40 (Leavitt William) Study # 40 (Leavitt William) Study # 40 A (Leavitt William) Study # 40 B (Leavitt William) Study # 40 C (Leavitt William) Study # 40 D (Leavitt William) Study # 40 E (Leavitt William) Rhythm Group # 41 (Leavitt William) Study # 41 (Leavitt William) Study # 41 A (Leavitt William) Rhythm Group # 42 (Leavitt William) Study # 42 (Leavitt William) Study # 42 A (Leavitt William) Special Studies - Study # 43 (Leavitt William) Study # 43 A (Leavitt William) Study # 43 B (Leavitt William)

Spis treści:
Informations préliminaires Gamme de C majeur en premiere position - Sur une octave (et duo) Gamme de C majeur en premiere position - Registre aigu (et révision) "One, Two, Three, Four" (duo) Introduction a l'accompagnement rhythmique Gamme de C majeur en premiere position - Registre grave (et revision complete) "Imitation" (duo) Dieses et bémols "Here We Go Again" (duo) Accompagnement rythmique - Notes de basse et accords Croches (avec attaques de médiator alternées) "Etude #1" (duo) Silence, notes liées et pointées "Etude #2" (duo) et "Premier Solo" Accompagnement rythmique - Explication des diagrammes d'accords "Second Solo et "Etude #3" (duo) "Etude d'Attaque Médiator #1" (travail de la main droite) "Two, Two" (duo) Gamme de G majeur - Premiere position Doubles croches "Duo en Sol" et "Etude d'Attaque Médiator #2" "Autre Duo en Sol" Gamme de F majeur - Premiere position Accompagnement rythmique - Diagrammes d'accords (y compris le "Grand Barré") "Duo en Fa" Le triolet "Valse en Fa" (solo) Les grammes mineurs - Premiere position (3 types) Accompagnement rythmique - Diagrammes d'accords "Pretty Picking" (duo) Croches pointées et doubles croches La gamme de E mineur - Premiere position (3 types) Acompagnement rythmique - Diagrammes d'accords "Take Your Pick" (duo) Accompagnement rythmique - Le principe des accords transposables

Spis treści:
Tips for Using this Book and CD About the Recording Licks Analysis and the Lick Legend Early Rock Guitar: The Roots The Sixties The Seventies The Eighties The Nineties Suggested Recordings

Lista utworów:
Bang A Gong (Get It On) (Power Station, T. Rex) Birthday (Paul McCartney, The Beatles, Underground Sunshine) Boot Hill (Stevie Ray Vaughan) Boppin' The Blues (Carl Perkins) Cross Road Blues (Crossroads) (Cream, Eric Clapton) Get Back (The Beatles) I Can See For Miles (The Who) I'm Your Hoochie Coochie Man (Jimi Hendrix, Muddy Waters, Willie Dixon) Ramblin' On My Mind (Eric Clapton) Scratch-N-Sniff (Stevie Ray Vaughan) Sweet Emotion (Aerosmith) The Unforgiven (Metallica)

This produces the most beautiful guitar sound, the strongest forte, the most expressive dolce, the most diverse timbres, depending upon the intensity of the stroke, the angle of the finger to the string, and the flexibility imparted to the terminal finger joints. It is the fundamental sound of modern guitar technique.

Spis treści:
Foreward The rest stroke Analysis of the movements of the fingers Legato sound between notes repeated Exercises for the right hand only Preliminary exercises with both hands Position of the guitar - right hand - left hand The legato sound - explanation of symbols Exercise N. 1 Exercise N. 2, N. 3, N. 4 Exercise N. 5 Three easy studies Preparatory exercises to the scales Beginning scales All the diatonic scales in first position All the two octave scales, including those with the change of position The technique for the change if position in the scale The barre Barre on three strings - ex. 1 and 2 One octave scales using teh barre Barre on 4 strings Barre on 5 strings Barre on 6 strings Two octave scales using the barre The diatonic scales in their maximum extension Major - melodic and harmonic minor Example of the way in which to study the scales

Lista utworów:
867-5309/Jenny (Tommy Tutone) American Woman (Lenny Kravitz, The Guess Who) And I Love Her (Esther Phillips, The Beatles) Blue On Black (Kenny Wayne Shepherd) Bohemian Rhapsody (Queen, The Braids) Boom Boom (Big Head Todd & the Monsters, Eric Clapton, John Lee Hooker, The Animals) Carry On Wayward Son (Kansas) Come Together (Aerosmith, The Beatles) Couldn't Stand The Weather (Stevie Ray Vaughan) Crazy Train (Ozzy Osbourne) Day Tripper (The Beatles) Down Boys (Warrant) Drive My Car (The Beatles) Everyday I Have The Blues (B.B. King) Eye Of The Tiger (Survivor) Fly Away (Black Eyed Peas, John Denver, Lenny Kravitz) Heat Of The Moment (Asia) Hey Joe (Jimi Hendrix) Hide Away (Bluesbreakers, Eric Clapton, Freddie King, Hilary Duff) Hit Me With Your Best Shot (Pat Benatar) Iron Man (Black Sabbath) Jailhouse Rock (Elvis Presley) Jessica (The Allman Brothers Band) Jump, Jive An' Wail (Louis Prima, The Brian Setzer Orchestra) Layla (Derek And The Dominos, Eric Clapton) Living After Midnight (Judas Priest) Maggie May (Rod Stewart) Miss You (Eric Clapton, The Rolling Stones) Money (Pink Floyd) My Girl (Smokey Robinson, The Temptations) No Particular Place To Go (Chuck Berry) Nobody's Fool (Avril Lavigne, Cinderella) Oh, Pretty Woman (Roy Orbison, Van Halen) Owner Of A Lonely Heart (Yes) Oye Como Va (Santana) Paranoid (Black Sabbath) Pride And Joy (Marvin Gaye, Stevie Ray Vaughan) Ramblin' Man (Hank Williams, The Allman Brothers Band) Riviera Paradise (Stevie Ray Vaughan) Rock And Roll Hoochie Koo (Rick Derringer) Rock You Like A Hurricane (Scorpions) Rumble (Link Wray, Milt Grant) Run Around (Blues Traveler) Say What (Stevie Ray Vaughan) Scuttle Buttin' (Stevie Ray Vaughan) Semi-Charmed Life (Third Eye Blind) She's Waiting (Eric Clapton) Sleepwalk (Santo & Johnny) Smoke On The Water (Deep Purple) Something (Shakira, The Beatles) Statesboro Blues (The Allman Brothers Band) Sultans Of Swing (Dire Straits) Summer Of '69 (Bryan Adams) Sunshine Of Your Love (Cream) Susie-Q (Creedence Clearwater Revival, Dale Hawkins) Sweet Child O' Mine (Guns N' Roses) Sweet Home Chicago (Robert Johnson, The Blues Brothers) Takin' Care Of Business (Bachman-Turner Overdrive) The Attitude Song (Steve Vai) The House Is Rockin' (Stevie Ray Vaughan) Time For Me To Fly (REO Speedwagon) Time Is On My Side (The Rolling Stones) Torn (Creed, Natalie Imbruglia) Twist And Shout (The Beatles, The Isley Brothers) Walk Don't Run (The Ventures) Walk This Way (Aerosmith, Run D.M.C.) While My Guitar Gently Weeps (The Beatles) Wild Thing (The Troggs, Tone Loc) Wonderful Tonight (David Kersh, Eric Clapton) You Really Got Me (The Kinks, Van Halen)

Spis treści:
Introduction Chapter 1: Open Chords Oye Como Va Chapter 2: Power Chords Wild Thing Chapter 3: Open-Position Riffs Day Tripper Chapter 4: Barre Chords (part 1) Walk Don't Run Chapter 5: More Riffs Drive My Car Chapter 6: Barre Chords (Part 2) Hit Me With Your Best Shot Chapter 7: Classic Rock Rhythms Takin' Care of Business Chapter 8: Blues/Rock Pride and Joy Chapter 9: Rock Ballads Time Is on My Side Closing Guitar Notation Legend

For electric or acoustic guitar - or both! Teaches music notation, tablature, Full chords and power chords, riffs, licks, and scales, and rock and blues styles. Method Book 1 includes 73 songs and examples.

Lista utworów:
Allegretto op. 44 nr 8 (Fernando Sor) Alman Amusement op. 18 nr 3 (Felix Horetzky) Andante op. 35 nr 14 (Fernando Sor) Andante op. 6 (Francois Molino) Andantino op. 241 nr 15 (Ferdinando Carulli) Andantino op. 139 nr 1 (Mauro Giuliani) Bourree In A Minor (Leopold Mozart) Jocelyn (from the opera Jocelyn) (Benjamin Godard) Little Rondo (A. Meissonier) On Top Of Old Smoky (Kentucky Mountain Folksong) Pastoral (Noad Frederick) Petenera (Traditional) Rondo op. 71 (Mauro Giuliani) Sicilienne (A. Meissonier) St. Catherine (John Barrett) Study In 3rds (Fernando Sor) Study In 6ths (Fernando Sor) Study In D Min. (Napoleon Coste) Study In F op. 31 nr 1 (Fernando Sor) The Entertainer (Billy Joel, Marvin Hamlisch)

Spis treści:
To the Reader To the Teacher A practical warm-up routine More advenced counting The dotted eighth note Grace notes Andante (Op. 35, No. 14) Fernando Sor Syncopation Exercise 1 (The Entertainer) Scott Joplin The Half Bar Andantino (Op. 241, No. 15) Ferdinando Carulli More About Chords Exercise 2 (Study in Chords - F. N.) Arpeggiated Chords When to Arpeggiate Amusement (Op. 18, No. 3) Felix Horetzky Shorthand Systems for Chords Components of a Major Chord The Right Hand Breaking up the Chords Formation of More Complex Chords On top of old Smokey Exploring new Keys Flat Keys Exercise 3 (from the opera Jocelyn) Benjamin Godard Study in F (Op. 31, No. 1) Fernando Sor Keys With more Sharps Scale of A Major Exercise 4 (The St. Catherine) John Barrett Andante (from Op. 6) Francois Molino Alman Anon. (16th Century) Scale of E Major Exercise 5 (Pastoral - F.N.) Little Rondo A. Meissonier Technique Development Movements in Thirds and Sixths Exercise 6 (Study in Sixths) Fernando Sor, Arr. F.N. Exercise 7 (Study in Thirds) Fernando Sor, Arr. F.N. Allegretto (Op. 44, No. 8) Fernando Sor Andantino (Op. 139, No. 1) Mauro Giuliani Minor Scales Natural Minor Melodic Minor Scales Scale of D Minor Scale of A Minor Scale of E Minor Minor Chords Study In D Minor (Napoleon Coste) Bourree in A Minor (Leopold Mozart) Petenera (Traditional) Siciliene How to Get The Most From Your Music Dynamics Tonal Variety Vibrato The Importance of Tempo Markings Rallentando Other Changes in Tempo Other Italian Terms Conclusion Rondo (from the Sonatina, Op. 71) Mauro Giuliani Self Test Going on from here

Spis treści:
About the Authors Credits Tuning Notes Picking Technique Three-Note-Per-String Scales Picking Licks Sequences Licks String Skipping Fingerpicking Sweep Picking Harmonics Natural Harmonics Fretted Harmonics Tap Harmonics Harp Harmonics Pinch Harmonics Solo Construction Guitar Notation Legend

Spis treści:
Foreword Parts of the guitar Holding the guitar Tuning the guitar The right hand Two Ways of striking a string Fundamentals of music notation Practicing Rhythm Studies Notes on the open bass strings Notes on the open treble strings The left hand Positioning of the left - hand fingers Notes on the 1st String Notes on the 2nd String Waltz in A Minor Notes on the 3rd String Spanish Melody Prelude in C Major Rests and Ties Music in Two Voices Au Cliar de la Lune Arpeggio Planting Sharps, Flats, and Naturals 6/8 Time Signature Memorization Notes on the 4th String Triplets and sixteenth Notes Melancolia Pick - up Notes Fugue - Bach Notes on the 5th String C Major Scale with Variations Notes on the 6th String The Natural Scale Variation of a Spanish theme The Fingernails Tone Production Two Notes Played Together Spanish Dance Kings of Orient Open String Equivalents Guide and Pivot Fingers Prelude in A Minor Chromatic Scale Theme from Symphony No. 9 - Beethoven English Folk Song Dynamic Markings Repeat Markings Allegro - Giuliani Ode to Joy - Beethoven Spanish Waltz Andantino - Carcassi In the Hall of Mountain King - Grieg Three Notes Played Together Hymn Estudio - Aguado High a on the 1st string Tarantella Bouree - Bach Four Notes Played Together Intermezzo Prelude in C Major - Carcassi Greensleeves Music Theory, Scales, Intervals, Key Signature Music Theory, Corcle of 5ths, Relative Minors, Chords Transposing Keys Three Technical Exercises Bouree - Telemann The Bar Prelude in D Major All Through the Night Suplementary Pieces Moderato - Giuliani English Dance - Carcassi Rondo - Rameau Andante - Sor Etude - Carulli Packington's Pound For Elise - Beethoven Scottish Folk Song Minuet in G - Bach Lullaby - Brahms Waltz in E Minor - Carulli Simple Gifts Minuet - De Visee Kemp's Jig Italian Dance - Neusiedler Bouree - Bach Theme - Handel Spanish Folk Song Catalonian Song Malaguena Jesu, Joy of Man's Desiring - Bach Appendix Summary of guitar music fingering The Classical Guitar: A brief history Selecting a classical guitar Care of the guitar Attaching strings Guitar chord chart Concise dictionary a musical terms Fingerboard chart The Christopher Parkening Discography

Spis treści:
Part one - technique Notes on the first string Guide and pivot fingers Spanish Ballad Vibrato Dotted Eighth Notes Mazurka Quality of Sound Silent Night Slur Technique Toccata Grace Notes Canario - Calvi Danza - Calvi More Work in 2nd Position New Repeat Terms and Signs Spanish Waltz Notes on the second string Natural harmonics Cancion Notes on the third string Dampening Interlude French Lullaby Russian Folk Song Tarantella Carol of the Bells Notes on the fourth string Prelude in E minor Success vs. Excellence Scarborough Fair Notes on the fifth string Notes on the sixth string Sightreating Mastering the Fingerboard Lesson in A minor - Coste Lesson in A major - Coste Moto Perpetuo - Paganini Performance Anxiety Left - Hand Fingering Principles Accuracy and Control Moveable Scales Speed Techniques Special Effects Notation of Special Effects Sakura Artificial Harmonics Catalonian Folk Song Tuning tips Low D tuning Preludio Caprice #24 - Paganini Ornamentation Advanced Bar Techniques Bianco Fiore Interval Studies Left - Hand Shifts Rules to be broken Twenty - minute workout Interpretation of music Summary of artistic devices Part two - repertoire Repertoire index Renaissance period notes Danza Gagliarda Canzone Salterello Pavane - Milan Alman - Johnson Branle - Besard Volte - Besard Galliard - Dowland Allemande - Dowland Baroque Period Notes Prelude - Visee Bouree - Visee Pavanas - Sanz Bouree - Bach Prelude - Bach Sonata in A - Scarlatti Classical Period Notes Study in E minor - Carcassi Study in A - Carcassi Study in A Minor - Carcassi Study in A - Sor Study in B Minor - Sor Minuet in C - Sor Waltz - Sor Rondo - Giuliani Theme and variations - Giuliani Allegro Spiritoso - Giuliani Romantic Period Notes Estudio - Tarrega Lagrima - Tarrega Adelita - Tarrega Estudio - Tarrega Estudio del Ligado - Barrios Romance Modern Period Notes La Rossignol Drewries Accordes Canon - Telemann Appendix A (Sound production) Appendix B (Discography) Fingerboard chart Personal Note

Lista utworów:
(There'll Be) A Hot Time In The Old Town Tonight (Theodore M. Metz) All The Good Times Along The Rocky Road To Dublin (American Quartette) Barrow Street Rag Behind The Bush In The Garden Campbell's Farewell To Red Gap Candy Man (Davis G) Candy Man Blues (John Hurt) Cherokee Shuffle, The Cocaine Blues (Johnny Cash) Cranberry Highway Cripple Creek (American Fiddle Tune, Earl Scruggs, M. Christian (arr.)) Eighth Of January Fishing Blues Freight Train (Elizabeth Cotten) Lark In The Morning (Traditional Irish Folk Song) Lazy Afternoon Blues, The Little Sadie Liverpool Hornpipe, The Lord Inchiquin Louis Collins (Mississippi John Hurt) Make Me A Pallet On The Floor Man Of Constant Sorrow (Jim Silvers, Traditional) Manchester Angel, The Mineola Rag, The Morning Blues, The Pack Up Your Sorrows Paddy On The Railroad Payday Rain Don't Fall On Me No More Shady Grove (Celius Dougherty) Sligo River Blues, The Spike Driver Blues Stealin', Stealin' The Beaumont Rag (Traditional) The Entertainer (Billy Joel, Marvin Hamlisch) The Temptation Rag (Henry Lodge) The Year Of Jubilo (Kingdom Coming) (Henry Clay Work) Trip To Sligo, The Turkey In The Straw (American Folk Song, American Folksong, Bruce Gowers, Carol Rosenstein, Michael Lloyd)

Spis treści:
Introduction How to read tabulature Getting Started: Hand Positions, the Alternating Bass, Pattern Picking ComplicatedMelodies Over an Alternating Bass and Hammer - Ons Pull - Offs and Slides Playing Up the Neck over Open Bass Strings, Open Tunings, Quick Slides, Chokes Playing Up the Neck over Fretted Bass Notes, Movable Chord Forms, the Full Barre Southern Fiddle Tunes Over an Alternating Bass: Up the Neck H's and P's Old - Time Songs and Ballads: Moving Beyond 4/4 Time Irish, English, and Scottish Fiddle Tunes Rags Appendix Index

Lista utworów:
Ćwiczenia codzienne (wg Carcassiego Matteo i Gliulianiego Mauro) Allegretto (Carulli Fernando) Allegro (Giuliani M.) Andante (Aguado Dionisio) Presto (Albert Heinrich) Allegretto grazioso (Carulli F.) Moderato (Carcassi M.) Allegretto (Aguado D.) Ćwiczenia codzienne (wg Carcassiego M.) Allegro (Albert H.) Maestoso (Giuliani M.) Allegretto (Sor Fernando) Andante (Carulli F.) Ćwiczenia codzienne (Iwanow - Kramskoj A.) Kaprys (Marcassi M.) Moderato (Sor Fernando) Larghetto alla siciliana (Carulli F.) Moderato (Carcassi M.) Melodia (Loreti Alfred) Allegretto (Aleksandrow Mikołaj) Ćwiczenia codzienne (Carcassi M.) Romans (Albert H.) Allegretto (Aguado D.) Moderato (Aguado D.) Allegro (Iwanow - Kramskoj A.) Tempo ad libitum (Cano Antonio) Allegretto (Scholz A.J.) Scherzo grazioso (Albert H.) Allegro (Powroźniak J.) Mały walc op. 117 (Henze B.) Kaprys (Mozzani Luigi) Allegretto op. 38 (Coste Napoleon) Rondo (Kostka Wacław) Preludium (Diabelli Antonio) Larghetto (Carulli F.) Pocztylion (Walker L.) Menuet op. 52 (Coste N.) Impromptu (Henze B.) Ćwiczenie codzienne (Tarrega F.) Allegro (Cano A.) Tempo ad libitum (Aguado D.) Allegretto (Aguado D.) Kaprys (Legnani Luigi) Allegretto (Albert H.)

Lista utworów:
Don't fret chord map (Ravagni Nicholas)

Spis treści:
Preface Dedication Rusty Zinn biography Introduction The turnarounds Abou the author Guitar notation legends

Lista utworów:
First Lessons For Guitar (Sagreras Julio S.)

Spis treści:
The Am Chord Sinner Man Dotted Quarter Notes The Dm Chord Syncopation Joshua Fought the Battle of Jericho Rock - a - My - Soul Jamaica Farewell The A Chord The Key of D Oh, Mary Don't You Weep De Colores Endings Angels We Have Heard on High Catchy Riff Second Position Marianne Blues / Rock Riff The high a note The Wabash Cannonball The E Chord La bamba The Key of A Joy to the World Power Chords Tablature Steady Groove The Shuffle Power Chord Shuffle Midnight Special The Blues Blues in A C.C. Rider Shuffle Riff The Key of Am Wayaring Stranger Hava Nagila Fingerstyle Guitar Swing Low, Sweet Chariot Scarborough Fair The Water Is Wide The F Chord Picking Chords House of the Rising Sun Carter Style Solos Row, Row, Row Your Boat Man of Constant Sorrow Wildwood Flower Bass Runs Goin' Down the Road The B7 Chord We Three Kings The Key of E By the Waters of Babylon Battle Hymn of the Republic Triplets Jesu, Joy of Man's Desiring Deep Blues Lost in the Shuffle The Pentatonic Scale Rock Lick Country / Rock Lick Hard Rock / Lock Bluegrass Lick Country Lick Blues Lick Rock 'n' Roll Lick Blues / Rock Lick Pentatonic Lead Guitar Improvising Open Jam Moveable Power Chords Pop Riff Early Rock Riff Hard Rock Riff Pop / Rock Riff Rockabilly Riff Classic Rock Riff Heavy Rock Riff Palm Muting Muted Groove Accented Rhythm Grand Finale

Spis treści:
Your guitar Tuning Playing position Musical symbols Notes on the first string Spanish theme Notes on the second string World beat Ode to joy Blues Notes on the third string Rockin' robin Yankee doodle Surf rock Au clair de la lune Aura Lee He's a jolly good fellow Notes on the fourth string Worried man blues Playing chords C and G7 chords Tom Dooley G and D7 chords Pay me my money down 12-bar rock Amazing grace Riffin' When the saints go marching in Will the circle be unbroken Notes on the fifth string Blues Bass Joshua fought the battle of Jericho Greensleeves Notes on the sixth string Doo-wop Give my regars to broadway Bass rock Half and whole steps F-sharp Danny boy (Londonderry air) Key signatures Shenandoah Spy riff Rests Deep blue Red river valley Twang Rock 'n' rest Eight notes Sea shanty Frére Jacques Snake charmer The star-spangled banner More strumming The Em chord Hey, ho, nobody home Shalom chaverim The D chord This train Boogie bass Simple gifts C-sharp Rockin' blues The A7 chord Down in the valley Minuet in G Time is on my side Grand finale Chord chart

Spis treści:
Lesson 1 - The Basics The Parts of the Guitar How to Hold Your Guitar Your Right and Left Hands Playing is Easy Tuning Up How to Read Music Lesson 2 - The First String: E Lesson 3 - The Second String: B Lesson 4 - The Third String: G Lesson 5 - The Fourth String: D Lesson 6 - The Fifth String: A Lesson 7 - The Sixth String: E Lesson 8 - More Notes: Bb and Eb Lesson 9 - Major Chords Lesson 10 - Minor Chords Lesson 11 - One More Note: A Lesson 12 - Power Chords Review

Spis treści:
Nuttige informatie Muziektheorie Notenschrift Barre akkorden: F en Bm Variatie in ritme Spelen met plectrum Slagtechnieken De Swing Nieuwe vingerzetting vor de G Stops Spelen met syncopen Accent halverwege de maat Spelen tem 16te noten Het Dm akkord Spelen met basnoten Basloopjes Hammer-on Spelen met een duimplectrum Csus4, G7, A7 en Dm7 "Slow" basloopjes Arpeggiotechniek Basloopjes De 6/8 maat Notenschrift D7 akkord Spelen met wisselende duim Hoe werkt het De "Pinch" Wisselende Basnoten Klassieke speeltechniek Hoe werkt het Waat vind je de noten op de gitaar Vingerzeting De majeur toonladder Teksten De teksten van alle sons in dit boek

Ilość stron:	44
Format:	230 x 305
Opracowanie na:	gitara solo
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Gitara (1)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	wstępu: angielska, niemiecka, włoska tytułów utworów: włoska
Stopień trudności:	4 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Dell'ara Mario Palcowanie: Dell'ara Mario
Zobacz nuty:
Kod produktu:	NPL064050

Publikacja jest zbiorem prac dydaktycznych Fernando Sor'a, znakomitego hiszpańskiego gitarzysty i kompozytora przełomu XVIII i XIX wieku. Autor nowatorskiego podręcznika Méthode pour la Guitare, który obok zagadnień związanych z techniką gry, traktuje także o teorii, kompozycji, harmonii i kontrapunkcie.

Fernando Sor was born in Barcelona on 14 February 1778. He was beyond doubt the leading guitarist of the early 19th century. His works for guitar, particularly his etudes, reveal a superior level of musicianship.
Sor's Etudes opp. 31, 35 and 60, which have been collected in these 3 volumes, are among the most important pedagogical pieces of the Classical period. Indended for practical use in guitar lessons, they are arranged in increasing order of difficulty. Only a few etudes which I consider of lesser value have been omitted from the collection.

Lista utworów:
Etiuda C-dur op. 35 nr 1 (Sor F.) Etiuda a-moll op. 60 nr 5 (Sor F.) Etiuda C-dur op. 60 nr 10 (Sor F.) Etiuda C-dur op. 60 nr 13 (Sor F.) Etiuda C-dur op. 35 nr 2 (Sor F.) Etiuda C-dur op. 60 nr 6 (Sor F.) Etiuda D-dur op. 31 nr 3 (Sor F.) Etiuda G-dur op. 60 nr 14 (Sor F.) Etiuda E-dur op. 60 nr 15 (Sor F.) Etiuda C-dur op. 31 nr 9 (Sor F.) Etiuda G-dur op. 31 nr 5 (Sor F.) Etiuda C-dur op. 60 nr 7 (Sor F.) Etiuda G-dur op. 60 nr 19 (Sor F.) Etiuda F-dur op. 31 nr 11 (Sor F.)

Fernando Sor was born in Barcelona on 14 February 1778. He was beyond doubt the leading guitarist of the early 19th century. His works for guitar, particularly his etudes, reveal a superior level of musicianship.
Sor's Etudes opp. 31, 35 and 60, which have been collected in these 3 volumes, are among the most important pedagogical pieces of the Classical period. Indended for practical use in guitar lessons, they are arranged in increasing order of difficulty. Only a few etudes which I consider of lesser value have been omitted from the collection.

Lista utworów:
Etiuda C-dur op. 35 nr 3 (Sor F.) Etiuda G-dur op. 60 nr 12 (Sor F.) Etiuda a-moll op. 35 nr 14 (Sor F.) Etiuda d-mol op. 60 nr 24 (Sor F.) Etiuda A-dur op. 35 nr 9 (Sor F.) Etiuda G-dur op. 60 nr 22 (Sor F.) Etiuda G-dur op. 35 nr 4 (Sor F.) Etiuda a-moll op. 31 nr 2 (Sor F.) Etiuda C-dur op. 60 nr 21 (Sor F.) Etiuda D-dur op. 35 nr 6 (Sor F.) Etiuda G-dur op. 60 nr 16 (Sor F.) Etiuda E-dur op. 31 nr 7 (Sor F.)

Lista utworów:
A-Tisket A-Tasket (Traditional) Ballin' The Jack (Chris Smith) Boppin' Around (Mike Steinel) Ja-Da (Bob Carleton) Jingle Bells (Alan Jackson, Booker T. & The MG's, Dave Koz, Jimmy Buffett, Kenny Chesney, Mannheim Steamroller) London Bridge (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Neil Berg, Traditional) Riffin' Around (Mike Steinel) Salsa Caliente (Mike Steinel) St. Louis Blues (W.C. Handy) When The Saints Go Marching In (Carol Rosenstein, James M. Black, Michael Lloyd, Traditional)

Lista utworów:
Fingerpicking Styles Strumming Style Notation The Blues Reading Tablature Barre Chords Power Chords And Riffs Reading Music On The Staff

Spis treści:
Welcome to Left - Handed Guitar! Famous Lefties About the Audio Playing Left - Handed Guitar Today Tuning A Few More Things Reading Music on the Staff String 1: E String 2: B Rests and Dotted Half Notes Sharps String 3: G Eighth Notes String 4: D More Sharps and Flats String 5: A String 6: E More Flats Strumming - Style Notation Open Major Chords Slash Notation Time Values Syncopation Open Minor Chords Open Seventh Chords Strumming Patterns Root/Chord Strumming Vocal Accompaniament Reading Tabulature Boogie Patterns in E Single - Note Riffs Arpeggiated Chords Power Chords and Riffs Open Power Chords Extanded Open Power Chords Movable Power Chords Guitar Ariculations Barre Chords E-form Barre Chords A-form Barre Chords Progressions Seventh Barre Chords The Blues The 12-Bar Blues Progression The Shuffle Rhythm Sixth Comping Blues Shuffle The Blues Scale Texas Blues Shuffle Fingerpicking Styles Common Arpeggiation Patterns Fingerstyle Accompaniament Ragtime Hybrid Picking Classical Chord Refernce Scale Reference Appendix: Using Right - Handed Materials Notation Guide